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Split between continents and cultures, today's fresh interviewee Amol Parikh takes us on a trip into his photographic story, from the US...
In April, I wrote a comparison of three bellows cameras from the 1950s I had bought on eBay: Agfa Record III, Voigtländer Perkeo, and...
When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and...
For this, I blame EM. First, I got some ILFORD SFX 200 film for the long exposure articles I was working on.
What would film photography be without the experimentation aspect? Sticking to box speeds, recommended developers and "the right way" of doing things is boring 10.
Hello and welcome to another fresh EMULSIVE interview, today with Toby Van de Velde, freelance photographer based in the south of England.
Welcome to part two of my long exposure test results.
I'm pleased to be able to bring you the words and photography of Gareth Buckett, Australian-based film and digital photographer;
We're here today with landscape photographer Johann Bottos, Italian native but (for the time being), settled in Austria Not to diminish the wonderful images and narrative below but Johan is what one might call a little nutty about mountains. Over
One Saturday in mid-October 2015 I decided to take a walk over to my preferred film lab and put some freshly developed black and white negatives in for scanning.
BT ILFORD SFX 200 shot at EI 25 Black and white infrared film in 35mm format R72 filter plus two-stop push process
We're finishing off this year's interviews with the wonderful Aimee Lower. Aside from being one of the very first people we engaged with on Twitter, Aimee also knows Nils Karlson, this week's other interviewee.
That Monday feeling Shot on ILFORD SFX 200 at EI 200Black and white negative in 35mm format That Monday feelingShot on ILFORD SFX 200 at EI 200.Black and white negative in 35mm format.