Author: Graham Rogers
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5 (or 6) Frames… Of Thai urban and Rural Scenes with ILFORD SFX 200 and a Pentacon Six TL (120 Format / EI 200 / Carl Zeiss Jena MC Biometar 80mm f/2.8)
Despite a number of potential problems, I bought a Pentacon Six medium format SLR earlier in 2021. I had wanted one for a while and the article by Ludwig Hegelstein here on Emulsive convinced me that, the problems were manageable. I bought one of these solid East German medium format cameras that look a lot…
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Camera review: The Pentacon Six TL and the Curate’s Egg
The Pentacon looks just like a standard 35mm SLR, although it is a little taller, a little wider and a little deeper. It is also heavier although does not feel particularly unwieldy in use.
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5 Frames… Of Fantôme Kino ISO 8 with a Nikon F3 (35mm Format / EI 8 / Nikkor 50mm f/1.4 AI-S)
Since I returned to regular use of film, I have been keen to try different cameras and the films now available. KosmoFoto Mono 100 was a successful experiment and I now use this often. I have tried several films with low ISO, starting with ILFORD Pan F Plus and later their Ortho Plus, both with…
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An accidental Rolleiflex TLR: A new experience with the Rolleiflex Automat 6×6 Model RF 111A
I had used film from the late 1950s right up to the digital revolution when I was seduced by what the new cameras could do. As DSLR cameras improved (I now have a Nikon D850) there were few practical reasons for working with the older technology. But what does practicality have to do with anything?…
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5 Frames… Of a gradually re-opened Bangkok on an Agfa Record III (120 Format / EI 160 / Kodak Portra 160)
I am not particularly a fan of color film, although I take many color photographs with my DSLR. When I had my first cameras as a kid, it was all black and white, but I did try some color before digital cameras began to appear. I returned to film when I bought a used Hasselblad…
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Zenza Bronica ETRS: Not exactly the poor man’s Hasselblad
The Bronica has been described as the poor man’s Hasselblad. That is just wrong, as I hope to demonstrate through this article. When I began my journey back to film photography, I looked at Rolleiflex cameras first, but finally settled on the Hasselblad 500C/M — of which I have two now. I recently decided to…
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5 Frames… Of the Chaophraya River on Kosmo Foto Mono 100 (EI 100 / 120 format / Voigtländer Perkeo I)
On the same day that EM put my 5 Frames with Kosmo Foto Mono 100 with my Hasselblad 500CM I picked up some negatives from the lab I use in Bangkok and took them home for scanning. The first two rolls were also Kosmo Foto Mono 100: one from my Agfa Record III, and the…
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5 Frames… With Kosmo Foto Mono 100 (EI 100 / 120 format / Hasselblad 500CM)
Over the past few months I have experimented with several medium format and 35mm cameras. I have also tried out different films like the new CatLABS X-FILM 80, some Fomapan films and the newly available Kosmo Foto Mono 100 in medium format. I am now refining my camera and film choices. I did run some…
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5 Frames… With ILFORD SFX 200 (EI 200 / 120 format / Agfa Record III)
In April, I wrote a comparison of three bellows cameras from the 1950s I had bought on eBay: Agfa Record III, Voigtländer Perkeo, and…
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Two out of three. A look at three bellows cameras from the 1950s: Agfa Record III, Voigtländer Perkeo I, and Agfa Isolette
Most of my photo output is from digital cameras, although I have an abiding love for film. I recently bought some 35mm and medium format cameras online.
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
