Author: Edward Steinerts
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5 Frames… Of ILFORD SFX 200 Developed in Cinestill’s Df96 monobath with a Fuji GS645S and a red filter
The Fuji GS645S Professional was a camera I had an interest in ever since it was introduced back in 1984. It was a nice medium format camera that’s ready for anything with its “cow bar” that wrapped around the lens. The camera has a fixed 60mm f/4 lens with rangefinder focusing. Holding the camera normally,…
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5 Frames… At Connecticut’s Hammonasset State Park with ILFORD HP5 PLUS (EI 400 / 120 format / Fujica GSW690)
After acquiring a Fujifilm GW690II and having so much fun with it, I felt I could use a wider angle for landscapes, so I set out looking for the GSW version, which sports a 65mm f/5.6 lens as opposed to the 90mm f/3.5 lens on the GW series. I found a GSW first series model…
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5 Frames… With Kodak Tri-X 400 (EI 400 / 120 format / Fujifilm GW690II Professional)
This Story begins back in the year 2000. I had been an in-house industrial photographer working for an engineering and manufacturing firm for the previous 20 years. It had been about four years since the company I worked for relocated, shut down my darkroom, and outsourced all film processing. Without access to a darkroom, I…
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
