Tag: ILFORD Pan F PLUS

In 2016 I decided to back the TwoFourths DIY 617 Kickstarter project, paying about $185 for a kit that would let me...

Plates, films, stars and scenes. I've been following today's fresh interviewee (on social media!) pretty much since EMULSIVE came into existence back...

This reliable little Yashica 35mm camera has been the envy of other backpackers -- small, lightweight, and fully mechanical.

...and back in love with photography again and again.Warning: the following review of the diminutive Olympus XA is highly biased and totally subjective. I love the darn thing and actually own 2 of them.

It's an absolute pleasure to welcome you all to join me falling into the words and work of a rather rare beast.

Stand aloneShot on ILFORD PAN F PLUS at EI 32 Black and white negative film in 120 format shot as 6x6 Over-developed 2/3 stop Hasselblad 2000FCW / Carl Zeiss Distagon CFi 50mm f/4 Development notes Cinestill Df96 monobath

A huge welcome to Daphne Schnitzer, past 5 Frames With contributor here on EMULSIVE and pinhole aficionado.

What would film photography be without the experimentation aspect? Sticking to box speeds, recommended developers and "the right way" of doing things is boring     10.

Hanging on a prayer Shot on ILFORD PAN F PLUS at EI 50 Black and white negative film in 35mm format        

A massive thanks to today's guest for bearing with me over the past few months.

Thanks EM for being open to stretching the five frames concept for me. These pictures were made on ILFORD PAN F+ film in an Olympus Pen S half frame camera. This camera is non-metered, fully manual and scale focusing.

Today's interviewee hails from Portugal and is currently enjoying life in tropical Malaysia.

My return to film was not a definite decision I made one day, but more of an evolvement of my feeling towards photography.

Having had a lot of very average weather lately, I was delighted to see a weekend of sunshine!

SquiddingShot on ILFORD Pan F+ at EI 50. Black and white negative film in 35mm format.   

Welcome, welcome to Adam J White, aka Twitter's @burlapandlight. You may remember Adam from his Return to film piece here on EMULSIVE back in February.

I was visiting Hong Kong again after some years, and was caught by how the city's landscape had changed during that time.

Spring growth Ilford Pan F+ shot at EI 32 Black and white negative film in 120 format shot as 6x12 Kodak Aero Ektar 7" (178mm) f/2.5 - Graflex Pacemaker Speed Graphic   

On edge Ilford Pan F+ shot at EI 32 Black and white negative film in 120 format shot as 6x12 Schneider Super Angulon 90mm f/8 MC - Graflex Pacemaker Speed Graphic   

門 / mén / door #01 Ilford Pan F+ shot at EI 32 Black and white negative film in 120 format shot as 6x12 Kodak Aero Ektar 7" (178mm) f/2.5 - Graflex Pacemaker Speed Graphic