When the easing of lockdown rules came into play in the UK I was concerned. I didn’t want the nation to rush things and for cases of Covid-19 to increase again. On the other hand though, I was also thankful that it would mean I was free to venture further afield if I chose to. […]
Tag: ILFORD Pan F PLUS
Posted in5 Frames..., Articles
5 Frames… With a Leica M3, Summarit 50mm f/1.5 LTM and ILFORD PAN F (EI 50 / 35mm format)
Leica’s 50mm f/1.5 Summarit, which comes in M- or LTM mounts — I bought last year a mint LTM lens copy which I can use with an adapter on my Leica M3 — is often reviewed as an old vintage lens not being sharp enough in the center of the frame wide open. Even though […]
Posted inArticles
Olympus OM-1 and Zuiko Auto-Macro 50mm f/3.5 – Mercedes van study
Well what can I say about the wee Zuiko lens, this little classic which I picked up for buttons. A mere 50 euros, a bargain second hand. If you can get your hands on this tiny beauty don’t hesitate on it. Olympus OM-1 and Zuiko Auto-Macro 50mm f/3.5 I took the OM-1 and the Zuiko […]
Posted in5 Frames..., Articles
5 Frames… With ILFORD PAN F PLUS (EI 50 / 120 format / Vermeer 6×6 Pinhole)
Earlier in 2019, I built a shoebox pinhole camera, and had a blast using it. But I wanted something a bit more reliable in its outcomes, so I went online and ordered a handmade pinhole from Poland. The Vermeer 6×6 Pinhole Camera came with a 34mm focal length, and a 2mm pinhole that results in […]
Posted inArticles
The Paradox of cluttered contact sheets
Contact sheets are a fantastic resource for film photographers, and can also be used by digital artists – although applying these ideas to a digital workflow can often distort the result (but I’ll come back to this later).
Posted inFilm camera reviews
Building a point and shoot 6×17 camera: the TwoFourths DIY camera kit
In 2016 I decided to back the TwoFourths DIY 617 Kickstarter project, paying about $185 for a kit that would let me use two lenses on the wood and plastic 6×17 format camera. I saw this as a point and shoot camera, requiring less effort than my 4×5 and 8×10, and much less expensive than […]
Posted inFilm Photographer Interviews
EMULSIVE Interview #204: I am Richard Davies and this is why I shoot film
Plates, films, stars and scenes. I’ve been following today’s fresh interviewee (on social media!) pretty much since EMULSIVE came into existence back in June 2015 and I’m so, so happy to have finally been able to get him on for an interview. It’s Twitter’s Palaeoboy, aka Richard Davies! Over to you, Richard… Hi Richard, what’s […]
Posted in5 Frames..., Articles
5 Frames… In the Sierra Nevada with ILFORD PAN F PLUS (EI 50 / 35mm format / Yashica FX-3)
This reliable little Yashica 35mm camera has been the envy of other backpackers — small, lightweight, and fully mechanical.
Posted in5 Frames..., Articles
5 Frames… With 25 year-old ILFORD PAN F (EI 50 / 120 format / Zeiss Ikon Nettar 517/16) – by David Hume
I’m not sure if it’s a sign of having too many cameras or failing memory, but I recently slid open the ruby film window of my Nettar and saw there was a film in there that I had no
Posted inFeatured, Film camera reviews, Olympus film Camera reviews, Reviews
The Olympus XA review: how I fell in love with a tiny plastic box…
…and back in love with photography again and again.
Warning: the following review of the diminutive Olympus XA is highly biased and totally subjective. I love the darn thing and actually own 2 of them.
Posted inFilm Photographer Interviews
EMULSIVE interview #196: I am Markus Hofstaetter and this is why I shoot film
It’s an absolute pleasure to welcome you all to join me falling into the words and work of a rather rare beast.
Posted inMedium format, Photography
Photography: Stand alone – Shot on ILFORD PAN F PLUS at EI 32 (120 format)
Stand alone
Shot on ILFORD PAN F PLUS at EI 32
Black and white negative film in 120 format shot as 6×6
Over-developed 2/3 stop
Hasselblad 2000FCW / Carl Zeiss Distagon CFi 50mm f/4
Development notes
Cinestill Df96 monobath
Posted inInterviews
EMULSIVE interview #179: I am Daphne Schnitzer and this is why I shoot film
A huge welcome to Daphne Schnitzer, past 5 Frames With contributor here on EMULSIVE and pinhole aficionado.
Posted inArticles, Best Of
EMULSIVE's most popular film photography experimentation articles of 2017
What would film photography be without the experimentation aspect? Sticking to box speeds, recommended developers and “the right way” of doing things is boring
10.
Posted in35mm format, Photography
Photography: Hanging on a prayer – Shot on ILFORD PAN F PLUS at EI 50 (35mm format)
Hanging on a prayer
Shot on ILFORD PAN F PLUS at EI 50
Black and white negative film in 35mm format
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #165: I am Thomas Slatin and this is why I shoot film
A massive thanks to today’s guest for bearing with me over the past few months.
Posted in5 Frames..., Articles
5 Frames… With ILFORD PAN F PLUS ( EI 50 / 35mm format / Olympus Pen S)
Thanks EM for being open to stretching the five frames concept for me.
These pictures were made on ILFORD PAN F+ film in an Olympus Pen S half frame camera. This camera is non-metered, fully manual and scale focusing.
Posted inFilm Photographer Interviews, Interviews
Interview #158: I am Luis Barrancos and this is why I shoot film
Today’s interviewee hails from Portugal and is currently enjoying life in tropical Malaysia.
Posted inMy Return to Film...
My Return to Film: Steven J Parkes
My return to film was not a definite decision I made one day, but more of an evolvement of my feeling towards photography.
Posted in35mm format, Photography
Photography: Squidding – Shot on ILFORD Pan F+ at EI 50 (35mm)
Squidding
Shot on ILFORD Pan F+ at EI 50.
Black and white negative film in 35mm format.
