ILFORD Pan F PLUS
The Paradox of cluttered contact sheets
Contact sheets are a fantastic resource for film photographers, and can also be used by digital artists - although applying these ideas to a digital workflow can often distort the result (but I'll come back to this later).
Building a point and shoot 6×17 camera: the TwoFourths DIY camera kit
In 2016 I decided to back the TwoFourths DIY 617 Kickstarter project, paying about $185 for a kit that would let me...
EMULSIVE Interview #204: I am Richard Davies and this is why I shoot film
Plates, films, stars and scenes. I've been following today's fresh interviewee (on social media!) pretty much since EMULSIVE came into existence back...
5 Frames… In the Sierra Nevada with ILFORD PAN F PLUS (EI 50 / 35mm format / Yashica FX-3) – by Erik Jarvi
This reliable little Yashica 35mm camera has been the envy of other backpackers -- small, lightweight, and fully mechanical.
The Olympus XA review: how I fell in love with a tiny plastic box… – by Virgil Roger
...and back in love with photography again and again.
Warning: the following review of the diminutive Olympus XA is highly biased and totally subjective. I love the darn thing and actually own 2 of them.
EMULSIVE interview #196: I am Markus Hofstaetter and this is why I shoot film
It's an absolute pleasure to welcome you all to join me falling into the words and work of a rather rare beast.
Photography: Stand alone – Shot on ILFORD PAN F PLUS at EI 32 (120 format)
Stand alone
Shot on ILFORD PAN F PLUS at EI 32
Black and white negative film in 120 format shot as 6x6
Over-developed 2/3 stop
Hasselblad 2000FCW / Carl Zeiss Distagon CFi 50mm f/4
Development notes
Cinestill Df96 monobath
EMULSIVE interview #179: I am Daphne Schnitzer and this is why I shoot film
A huge welcome to Daphne Schnitzer, past 5 Frames With contributor here on EMULSIVE and pinhole aficionado.
EMULSIVE's most popular film photography experimentation articles of 2017
What would film photography be without the experimentation aspect? Sticking to box speeds, recommended developers and "the right way" of doing things is boring
10.
Photography: Hanging on a prayer – Shot on ILFORD PAN F PLUS at EI 50 (35mm format)
Hanging on a prayer
Shot on ILFORD PAN F PLUS at EI 50
Black and white negative film in 35mm format
EMULSIVE interview #165: I am Thomas Slatin and this is why I shoot film
A massive thanks to today's guest for bearing with me over the past few months.
5 Frames… With ILFORD PAN F PLUS ( EI 50 / 35mm format / Olympus Pen S) – by Erik Gould
Thanks EM for being open to stretching the five frames concept for me.
These pictures were made on ILFORD PAN F+ film in an Olympus Pen S half frame camera. This camera is non-metered, fully manual and scale focusing.
Interview #158: I am Luis Barrancos and this is why I shoot film
Today's interviewee hails from Portugal and is currently enjoying life in tropical Malaysia.
My Return to Film: Steven J Parkes
My return to film was not a definite decision I made one day, but more of an evolvement of my feeling towards photography.
Finding film part 6: taking it slow with ILFORD Pan F Plus
Having had a lot of very average weather lately, I was delighted to see a weekend of sunshine!
Photography: Squidding – Shot on ILFORD Pan F+ at EI 50 (35mm)
Squidding
Shot on ILFORD Pan F+ at EI 50.
Black and white negative film in 35mm format.
EMULSIVE interview #139: I am Adam White and this is why I shoot film
Welcome, welcome to Adam J White, aka Twitter's @burlapandlight. You may remember Adam from his Return to film piece here on EMULSIVE back in February.
Travelogue: Hong Kong – Luis Barrancos
I was visiting Hong Kong again after some years, and was caught by how the city's landscape had changed during that time.
Photography: Spring growth – Ilford Pan F+ (120)
Spring growth
Ilford Pan F+ shot at EI 32
Black and white negative film in 120 format shot as 6x12
Kodak Aero Ektar 7" (178mm) f/2.5 - Graflex Pacemaker Speed Graphic
Photography: On edge – Ilford Pan F+ (120)
On edge
Ilford Pan F+ shot at EI 32
Black and white negative film in 120 format shot as 6x12
Schneider Super Angulon 90mm f/8 MC - Graflex Pacemaker Speed Graphic
