Welcome, welcome to Adam J White, aka Twitter’s @burlapandlight. You may remember Adam from his Return to film piece here on EMULSIVE back in February.
Tag: ILFORD Pan F PLUS
Travelogue: Hong Kong
I was visiting Hong Kong again after some years, and was caught by how the city’s landscape had changed during that time.
Photography: Spring growth – Ilford Pan F+ (120)
Spring growth
Ilford Pan F+ shot at EI 32
Black and white negative film in 120 format shot as 6×12
Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic
Photography: On edge – Ilford Pan F+ (120)
On edge
Ilford Pan F+ shot at EI 32
Black and white negative film in 120 format shot as 6×12
Schneider Super Angulon 90mm f/8 MC – Graflex Pacemaker Speed Graphic
Photography: 門 / mén / door #01 – Ilford Pan F+ (120)
門 / mén / door #01
Ilford Pan F+ shot at EI 32
Black and white negative film in 120 format shot as 6×12
Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic
Long exposure film tests part one: ILFORD PAN F+, ILFORD FP4+, ILFORD Delta 100 Professional
Long exposure film photography is a technique central to my currently ongoing photography project, Where We Meet.
Capturing the smooth extensions of water movement, contrasted with static elements of the shoreline is the key to this visual narrative.
EMULSIVE interview #119: I am Daniel Tim and this is why I shoot film
Welcome one and all!
Photography: At the foot of the hill – Ilford Pan F+ (120)
Just at the foot of the hill
Ilford Pan F+ shot at EI 800
Black and white negative film in 120 format shot as 6×6
Push processed 4 stops
Photography: Address unknown – Ilford Pan F+ (120)
Address unknown
Ilford Pan F+ shot at EI 800
Black and white negative film in 120 format shot as 6×6
Push processed 4 stops
Photography: Late bloomer – Ilford Pan F+ (120)
Late bloomer
Ilford Pan F+ shot at EI 800.
Black and white negative film in 120 format shot as 6×6.
Push processed 4 stops.
Photography: Pumpkin pile – Ilford Pan F+ (120)
Pumpkin pile
Ilford Pan F+ shot at EI 800
Black and white negative film in 120 format shot as 6×6
Push processed 4 stops
Photography: Stagnant staircase – Ilford Pan F+ (120)
Stagnant staircase
Ilford Pan F+ shot at EI 800.
Black and white negative film in 120 format shot as 6×6.
Push processed 4 stops.
Photography: Tucked away – Ilford Pan F+ (120)
Tucked away
Ilford Pan F+ shot at EI 800.
Black and white negative film in 120 format shot as 6×6.
Push processed 4 stops.
EMULSIVE interview #105: I am Jasjit Singh and this is why I shoot film
It’s that time of week again, time to sit down with another film photographer and find out what makes them tick.
A paean to ILFORD PAN F PLUS or: there’s something about slow film
Sub 100 ISO films…
There’s mystique about them; smooth, finely grained, challenging. Something for the true pros and “serious types”.
Photography: The Godfather? – Ilford Pan F+
Ilford Pan F+ shot at EI 50
Black and white negative film in 120 format shot as 6×6
Camera Review: Pentax 6×7 – by Daniel J Schneider
I added the Pentax 6×7 by to my collection in mid-2015, an addition so embarrassingly large that I kept the addition hidden from my girlfriend for a couple of weeks.
Photography: Wax apple light study #02 – Ilford Pan F Plus
Wax apple light study #02
Ilford Pan F Plus shot at EI 50
Black and white negative film in 120 format shot as 6×6
32E extension tube
Photography: Wax apple light study #02 – Ilford Pan F Plus
Wax apple light study #02
Ilford Pan F Plus shot at EI 50
Black and white negative film in 120 format shot as 6×6
32E extension tube
Photography: Wax apple light study #01 – Ilford Pan F Plus
Wax apple light study #01
Ilford Pan F Plus shot at EI 50
Black and white negative film in 120 format shot as 6×6
32E extension tube