Tag: ILFORD Pan F PLUS
-
Photography: Squidding – Shot on ILFORD Pan F+ at EI 50 (35mm)
Squidding Shot on ILFORD Pan F+ at EI 50. Black and white negative film in 35mm format.
-
EMULSIVE interview #139: I am Adam White and this is why I shoot film
Welcome, welcome to Adam J White, aka Twitter’s @burlapandlight. You may remember Adam from his Return to film piece here on EMULSIVE back in February.
-
Travelogue: Hong Kong
I was visiting Hong Kong again after some years, and was caught by how the city’s landscape had changed during that time.
-
Photography: Spring growth – Ilford Pan F+ (120)
Spring growth Ilford Pan F+ shot at EI 32 Black and white negative film in 120 format shot as 6×12 Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic
-
Photography: On edge – Ilford Pan F+ (120)
On edge Ilford Pan F+ shot at EI 32 Black and white negative film in 120 format shot as 6×12 Schneider Super Angulon 90mm f/8 MC – Graflex Pacemaker Speed Graphic
-
Photography: 門 / mén / door #01 – Ilford Pan F+ (120)
門 / mén / door #01 Ilford Pan F+ shot at EI 32 Black and white negative film in 120 format shot as 6×12 Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic
-
Long exposure film tests part one: ILFORD PAN F+, ILFORD FP4+, ILFORD Delta 100 Professional
Long exposure film photography is a technique central to my currently ongoing photography project, Where We Meet. Capturing the smooth extensions of water movement, contrasted with static elements of the shoreline is the key to this visual narrative.
-
-
Photography: At the foot of the hill – Ilford Pan F+ (120)
Just at the foot of the hill Ilford Pan F+ shot at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 4 stops
-
Photography: Address unknown – Ilford Pan F+ (120)
Address unknown Ilford Pan F+ shot at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 4 stops
-
Photography: Late bloomer – Ilford Pan F+ (120)
Late bloomer Ilford Pan F+ shot at EI 800. Black and white negative film in 120 format shot as 6×6. Push processed 4 stops.
-
Photography: Pumpkin pile – Ilford Pan F+ (120)
Pumpkin pile Ilford Pan F+ shot at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 4 stops
-
Photography: Stagnant staircase – Ilford Pan F+ (120)
Stagnant staircase Ilford Pan F+ shot at EI 800. Black and white negative film in 120 format shot as 6×6. Push processed 4 stops.
-
Photography: Tucked away – Ilford Pan F+ (120)
Tucked away Ilford Pan F+ shot at EI 800. Black and white negative film in 120 format shot as 6×6. Push processed 4 stops.
-
EMULSIVE interview #105: I am Jasjit Singh and this is why I shoot film
It’s that time of week again, time to sit down with another film photographer and find out what makes them tick.
-
A paean to ILFORD PAN F PLUS or: there’s something about slow film
Sub 100 ISO films… There’s mystique about them; smooth, finely grained, challenging. Something for the true pros and “serious types”.
-
Photography: The Godfather? – Ilford Pan F+
Ilford Pan F+ shot at EI 50 Black and white negative film in 120 format shot as 6×6
-
Camera Review: Pentax 6×7 – by Daniel J Schneider
I added the Pentax 6×7 by to my collection in mid-2015, an addition so embarrassingly large that I kept the addition hidden from my girlfriend for a couple of weeks.
-
Photography: Wax apple light study #02 – Ilford Pan F Plus
Wax apple light study #02 Ilford Pan F Plus shot at EI 50 Black and white negative film in 120 format shot as 6×6 32E extension tube
-
Photography: Wax apple light study #02 – Ilford Pan F Plus
Wax apple light study #02 Ilford Pan F Plus shot at EI 50 Black and white negative film in 120 format shot as 6×6 32E extension tube
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
