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film.photography

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Home » ILFORD Pan F PLUS » Page 2

Tag: ILFORD Pan F PLUS

Fields of Gold
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #139: I am Adam White and this is why I shoot film

Avatar - EMby EMMay 10, 2017October 16, 2020

Welcome, welcome to Adam J White, aka Twitter’s @burlapandlight. You may remember Adam from his Return to film piece here on EMULSIVE back in February.

Sham Shui Po, night - Kodak Portra 800 - Fuji GS645W
Posted inArticles, Travelogue

Travelogue: Hong Kong

by Luis BarrancosMay 8, 2017July 3, 2021

I was visiting Hong Kong again after some years, and was caught by how the city’s landscape had changed during that time.

Spring growth - Ilford Pan F+ shot at EI 32. Black and white negative film in 120 format shot as 6x12. Kodak Aero Ektar 7" (178mm) f/2.5 - Graflex Pacemaker Speed Graphic.
Posted inMedium format, Photography

Photography: Spring growth – Ilford Pan F+ (120)

Avatar - EMby EMMarch 17, 2017October 16, 2020

Spring growth
Ilford Pan F+ shot at EI 32
Black and white negative film in 120 format shot as 6×12
Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic

 

 

 

On edge - Ilford Pan F+ shot at EI 32. Black and white negative film in 120 format shot as 6x12. Kodak Aero Ektar 7" (178mm) f/2.5 - Graflex Pacemaker Speed Graphic
Posted inMedium format, Photography

Photography: On edge – Ilford Pan F+ (120)

Avatar - EMby EMMarch 15, 2017October 16, 2020

On edge
Ilford Pan F+ shot at EI 32
Black and white negative film in 120 format shot as 6×12
Schneider Super Angulon 90mm f/8 MC – Graflex Pacemaker Speed Graphic

 

 

 

門 / mén / door - Ilford Pan F+ shot at EI 32. Black and white negative film in 120 format shot as 6x12. Kodak Aero Ektar 7" (178mm) f/2.5 - Graflex Pacemaker Speed Graphic
Posted inMedium format, Photography

Photography: 門 / mén / door #01 – Ilford Pan F+ (120)

Avatar - EMby EMMarch 13, 2017October 16, 2020

門 / mén / door #01
Ilford Pan F+ shot at EI 32
Black and white negative film in 120 format shot as 6×12
Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic

 

 

 

Long Exposure Test - ILFORD PAN F+ - EI: 50 - Aperture: f/11 - Shutter: 80s
Posted inExperiments, Film stock reviews, ILFORD Film Stock Reviews, Reviews

Long exposure film tests part one: ILFORD PAN F+, ILFORD FP4+, ILFORD Delta 100 Professional

EMULSIVE Contributor - Toni Skokovicby Toni SkokovicJanuary 30, 2017July 3, 2021

Long exposure film photography is a technique central to my currently ongoing photography project, Where We Meet.

Capturing the smooth extensions of water movement, contrasted with static elements of the shoreline is the key to this visual narrative.

It's me!
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #119: I am Daniel Tim and this is why I shoot film

Avatar - EMby EMDecember 21, 2016October 16, 2020

Welcome one and all!

Just at the foot of the hill - Ilford Pan F+ shot at EI 800. Black and white negative film in 120 format shot as 6x6. Push processed 4 stops.
Posted inMedium format, Photography

Photography: At the foot of the hill – Ilford Pan F+ (120)

Avatar - EMby EMNovember 6, 2016October 16, 2020

Just at the foot of the hill
Ilford Pan F+ shot at EI 800
Black and white negative film in 120 format shot as 6×6
Push processed 4 stops
 

 

 

Address unknown - Ilford Pan F+ shot at EI 800. Black and white negative film in 120 format shot as 6x6. Push processed 4 stops.
Posted inMedium format, Photography

Photography: Address unknown – Ilford Pan F+ (120)

Avatar - EMby EMNovember 5, 2016October 16, 2020

Address unknown
Ilford Pan F+ shot at EI 800
Black and white negative film in 120 format shot as 6×6
Push processed 4 stops
 

 

 

Late bloomer - Ilford Pan F+ shot at EI 800. Black and white negative film in 120 format shot as 6x6. Push processed 4 stops.
Posted inMedium format, Photography

Photography: Late bloomer – Ilford Pan F+ (120)

Avatar - EMby EMNovember 4, 2016October 16, 2020

Late bloomer
Ilford Pan F+ shot at EI 800.
Black and white negative film in 120 format shot as 6×6.
Push processed 4 stops.
 

 

 

Pumpkin pile - Ilford Pan F+ shot at EI 800. Black and white negative film in 120 format shot as 6x6. Push processed 4 stops.
Posted inMedium format, Photography

Photography: Pumpkin pile – Ilford Pan F+ (120)

Avatar - EMby EMNovember 3, 2016October 16, 2020

Pumpkin pile
Ilford Pan F+ shot at EI 800
Black and white negative film in 120 format shot as 6×6
Push processed 4 stops
 

 

 

Stagnant staircase - Ilford Pan F+ shot at EI 800. Black and white negative film in 120 format shot as 6x6. Push processed 4 stops.
Posted inMedium format, Photography

Photography: Stagnant staircase – Ilford Pan F+ (120)

Avatar - EMby EMNovember 2, 2016October 16, 2020

Stagnant staircase
Ilford Pan F+ shot at EI 800.
Black and white negative film in 120 format shot as 6×6.
Push processed 4 stops.
 

 

 

Tucked away - Ilford Pan F+ shot at EI 800. Black and white negative film in 120 format shot as 6x6. Push processed 4 stops.
Posted inMedium format, Photography

Photography: Tucked away – Ilford Pan F+ (120)

Avatar - EMby EMNovember 1, 2016October 16, 2020

Tucked away
Ilford Pan F+ shot at EI 800.
Black and white negative film in 120 format shot as 6×6.
Push processed 4 stops.
 

 

 

Yashica Minister D - Ilford Pan F+
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #105: I am Jasjit Singh and this is why I shoot film

Avatar - EMby EMSeptember 14, 2016October 16, 2020

It’s that time of week again, time to sit down with another film photographer and find out what makes them tick.

slow_film-3.jpg: Edge printing? We don’t need no edge printing. Pan-F often has rather faint edge lettering and frame numbers. Why? It just does.
Posted inFilm stock reviews, ILFORD Film Stock Reviews, Reviews

A paean to ILFORD PAN F PLUS or: there’s something about slow film

Avatar - Erik Gouldby Erik GouldJune 3, 2016July 3, 2021

Sub 100 ISO films…

There’s mystique about them; smooth, finely grained, challenging. Something for the true pros and “serious types”.

The Godfather - Ilford Pan F+ shot at EI 50. Black and white negative film in 120 format shot as 6x6.
Posted inMedium format, Photography

Photography: The Godfather? – Ilford Pan F+

Avatar - EMby EMMarch 15, 2016October 16, 2020

Ilford Pan F+ shot at EI 50
Black and white negative film in 120 format shot as 6×6

Pentax 6x7 with lenses
Posted inPentax film camera reviews

Camera Review: Pentax 6×7 – by Daniel J Schneider

by Daniel J. SchneiderFebruary 11, 2016October 16, 2020

I added the Pentax 6×7 by to my collection in mid-2015, an addition so embarrassingly large that I kept the addition hidden from my girlfriend for a couple of weeks.

Wax apple study #02 - Ilford Pan F Plus shot at ISO50. Black and white negative film in 120 format shot as 6x6. 32E extension tube.
Posted inMedium format, Photography

Photography: Wax apple light study #02 – Ilford Pan F Plus

Avatar - EMby EMFebruary 3, 2016October 16, 2020

Wax apple light study #02
Ilford Pan F Plus shot at EI 50
Black and white negative film in 120 format shot as 6×6
32E extension tube

 

 

 

 

 

Wax apple study #02 - Ilford Pan F Plus shot at ISO50. Black and white negative film in 120 format shot as 6x6. 32E extension tube.
Posted inMedium format, Photography

Photography: Wax apple light study #02 – Ilford Pan F Plus

Avatar - EMby EMFebruary 3, 2016October 16, 2020

Wax apple light study #02
Ilford Pan F Plus shot at EI 50
Black and white negative film in 120 format shot as 6×6
32E extension tube

 

 

 

 

 

Wax apple light study #01 - Ilford Pan F Plus shot at ISO50. Black and white negative film in 120 format shot as 6x6. 32E extension tube.
Posted inMedium format, Photography

Photography: Wax apple light study #01 – Ilford Pan F Plus

Avatar - EMby EMFebruary 2, 2016October 16, 2020

Wax apple light study #01
Ilford Pan F Plus shot at EI 50
Black and white negative film in 120 format shot as 6×6
32E extension tube

 

 

 

 

 

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