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EMULSIVE Interview #205: I am Jeremy Calow and this is why...

If you spend any time checking out landscape photographers online - especially if you've been eyeing up 6x17 format photography - you will no doubt have come across the work of today's interviewee, Jeremy Calow.

An early swansong? Reviewing the CONTAX AX: autofocusing manual lenses

When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and...

EMULSIVE Interview #203: I am Lina Bessonova and this is why...

Darkroom lab owner, photographer, printer and workshop host, Lina Bessonova is one of the busiest interviewees I've had on so far this year.

Using a contact sheet to actively curate an image – by...

Contact sheets are an incredibly useful tool when it comes to reviewing and learning from your own approach to photography, and when curating a series of shots down to one final "keeper." I am an advocate of constant review

Darkroom technique: fine-tuning the negative – by Monika

Back over the summer of 2018, my beloved Bronica SQ-A became gravely ill, and I sent it off to the camera spa for some TLC.

EMULSIVE’s most popular film stock reviews of 2018

It's the fourth article in 2018's end-of-year lazy post, this time counting down the most popular film reviews here on EMULSIVE over the course of 2018. Ready?

5 Frames With… ILFORD DELTA 100 Professional (35mm / EI 80...

In the beginning, there was film. My favorite emulsions for the decades starting in 1976, were slow speed Kodachrome (25 and 64) and Tri-X shot on a Canon F-1n.

Camera review: teak wood meets carbon fibre, the Chamonix C45F-2 4×5...

After my first exposure to working with large format sheet film in a DIY pinhole camera, I decided to explore this line of film photography a bit further.

Photography: Day market #01 – Shot on ILFORD Delta 100 Professional...

Day market #01 Shot on ILFORD Delta 100 Professional at EI 200 Black and white negative film in 120 format shot as 6x12 Push processed one stop   Development...

Photography: Split #05 – Shot on ILFORD Delta 100 Professional at...

Split #05 Shot on ILFORD Delta 100 Professional at EI 800 Black and white negative film in 35mm format Push processed 3 stops    

Photography: Above as below – Shot on ILFORD Delta 100 Professional...

Above as below Shot on ILFORD Delta 100 Professional at EI 100 Black and white negative film in 4x5 format    

Comparing Fuji ACROS 100, ILFORD Delta 100 Professional and Kodak T-MAX...

This whole project started when I realized I had been blindly allegiant to certain black and white films for a number of years without any particular rhyme or reason.

Finding Film part 12: Ilford Delta 100 and 400 Professional

Before I begin this month’s #FindingFilm, I’ll give you advance warning. Go and put the kettle on, make a brew, and settle in. This is going to be a long one. Ah Delta……Delta, Delta, Delta.

EMULSIVE's most popular film photography experimentation articles of 2017

What would film photography be without the experimentation aspect? Sticking to box speeds, recommended developers and "the right way" of doing things is boring     10.

Photography: Loading bay – Shot on ILFORD Delta 100 Professional at...

Loading bay Shot on ILFORD Delta 100 Professional at EI 100 Black and white negative film in 120 format shot as 6x6          

EMULSIVE interview #159: I am Toby Van de Velde and this...

Hello and welcome to another fresh EMULSIVE interview, today with Toby Van de Velde, freelance photographer based in the south of England.

Photo story: ILFORD Delta 100 Professional + Pyrocat HD semi-stand by...

From the first time I heard about a developer named Pyrocat HD, I was hooked by it is look.

Photography: No smoking area – ILFORD Delta 100 Professional (35mm)

No smoking area Shot on ILFORD Delta 100 Professional at EI 100 Black and white negative film in 35mm format Contax AX, Hasselblad Planar F 80 F/2.8          

EMULSIVE interview #150: I am Toni Skokovic and this is why...

It's a real pleasure to be able to bring you today's interviewee, Toni Skokovic.

Finding film part 7: Let there be light AKA a disaster...

Hello again, EMULSIVE readers.