In the summer of 2022 I had a fantastic photo week in Prague (Czech Republic) with my friend João. I used six different films with my Plaubel Makina 67. The weather was sunny and warm (up to 38°C on one day, but Czech beer helped a lot to keep cool) with some clouds all over […]
Tag: Kodak Tri-X 400
5 Frames… From Devotion chapter one: “Girls” – Kodak Tri-X 400 (120 format / EI 400 / Yashica 635) – by Lisa K Cho
My new project, “Devotion” takes its inspiration from my newfound love and commitment to my hometown, Hawaii. The series invites the viewer to see Hawaii through my lens as I revisit memories from my youth, collaborate with the new wave of creatives, and explore the deep relationships we have with one another and our community. […]
The Pure Land: Mexico – by Willem van den Heever
Mexico, or perhaps more specifically, Mexico City – the Pure land. Pure not in the sense of not being mixed with any other matter or free from dirt, but pure in the sense of honest, real, unobscured, and unobstructed, something quite scarce in this modern day and age. Maybe unknowingly and unconsciously I was drawn […]
5 Frames… Of Kodak Tri-X 400 35mm and a Lomo LC-A (35mm Format / EI 400 / Lomo Minitar 1 32mm f/2.8)
Until late March this year (last week at the time of writing), I hadn’t shot a roll of film in more than 10 years, since around the time Kodak discontinued Plus-X. I recently discovered that a great independent lab (Boutique Film Lab) opened up in my hometown of Nashville, TN, a few years ago and […]
5 Frames… Of what makes Havana special on Kodak Tri-X 400 and a Kodak Brownie Reflex 20 (120 Format / EI 400)
When my wife turned 40, she wanted just one thing: to have a nice vacation in a warm place with a beach. After negotiating that our destination be all-inclusive so that I might walk around with cocktails in coconuts all day, we settled on a resort in Veradero, Cuba. She got her beach; I got […]
5 Frames… Starting with a walk through Brooklyn on Kodak Tri-X 400 and a Konica Autoreflex T3 (35mm Format / EI 400 / Konica Hexanon AR 50mm f/1.7)
I looked up to the man biking down the hill. As I waited for him to come down, I stood behind a row of parked cars waiting, camera in hand, finger on the shutter release. He came nearer. I put my eye to the viewfinder, lined up the shot, and… nothing. The button was locked; […]
Benefits of ample exposure in black and white film photography: Or, let there be light
Detail of a component on one of the very few operating steam locomotives in the United States, Oregon Rail Heritage Center, Portland, OR. Hasselblad 503CX, Zeiss Planar f3.5 100 mm. Kodak T-MAX 100 developed in HC-110.
47 Nearby Gasoline Stations on Kodak Tri-X 400
Climate change will force humans to cut their dependency on fossil fuels or the consequences will be catastrophic. But how can we really grasp and put our consumption of oil into a relatable context? Numbers as such millions of oil barrels produced per year don’t seem to make sense to anyone outside of the oil […]
Photography: Into darkness – Shot on Kodak Tri-X 400 at EI 800 (120 Format)
Shot on Kodak Tri-X 400 at EI 800Black and white negative film in 120 format shot as 6x6Holga 120GN + 60mm f/8 lens Development notesKodak HC-110 1+47 (E): 20°C/68°F, 08:15 (N+1)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30 seconds, 5 minute rinse
EMULSIVE Interview #225: I am Andrea Bianchi and this is why I shoot film
Say hello to Andrea Bianchi; Surfer, extreme sports photographer, photo editor and portraitist based in one of the most beautiful parts of the world. Andrea and I have been crossing paths for 18 months now and I’m glad to finally be able to bring his interview to you. Settle in, this is going to be […]
3 simple lessons: What I saw (and learned) shooting street photography in 1990s New York
I made my first experiences as a street photographer in New York in the 1990s. During this time I learned a lot about New York and photography. The conclusions I drew for myself about photographic approaches have been confirmed over the years, and I’d like to share them with you. This is how it all […]
5 Frames… From a walk around Cape Pond, Massachusetts on Kodak Tri-X 400 (35mm Format / EI 400 / Yashica Electro 35 GSN)
Mid-November 2020 — 8 month months into the pandemic. We have to distance, but the one freedom we still can experience is a walk in the woods. Luckily, there’s a path near my home in Gloucester, Massachusetts to neighboring Rockport that is wild, wooded, and ever-changing given the season. In winter, it’s a whiteout. Spring, […]
EMULSIVE’S most popular film stock reviews of 2020
There are a few days left for 2020 (well, 2 at the time of publication) and like 2019, we didn’t see any film stocks being discontinued. A small blessing, given everything else that’s been going on. I was hoping for official news of a couple of new film stocks at least but you’ll have to […]
5 Frames… Of a foggy forest on an English TLR and Kodak Tri-X 400 (120 Format / EI 400 / MPP Microcord MKII + 77.5mm f/3.5 Ross Xpres)
5 Frames… Of a foggy forest on an English TLR and Kodak Tri-X 400 (120 Format / EI 400 / MPP Microcord MKII + 77.5mm f/3.5 Ross Xpres) – by Leo Nikishin In summer 2020, I was lucky to spend 6 weeks wandering around the Sintra region in Portugal. It is a marvelous place and one of […]
5 Frames… At the BMW Museum in Munich on Kodak Tri-X 400 (35mm Format / EI 800 / Nikon FE + Nikon Series E 50mm f/1.8)
Hi, my name is Philipp, I’m 38 years and like to photograph on film. I loaded my first roll of film with my brother at the age of 12 and since then I’ve been taking photos more or less. Sometime after my early introduction, my brother got an old Minolta SRT from our uncle who […]
ILFORD HP5 PLUS vs Kodak Tri-X 400 at EI 1600 in the Moscow Metro with the Mamiya 7II
I highly recommend the Moscow Subway Metro. As someone who loves spending time exploring underground, this was perhaps an unexpected highlight of my 2019 trip to Russia. If you are going for a photo trip (after the obvious COVID restrictions are lifted), I highly suggest Sunday mornings between 8-10am. Weekdays will be hell as you’re […]
Camera review: The unlovely (but very good) Pentax MZ-S
First an admission, I am an accidental Pentaxian. Like thousands of others, quite by chance I first learned to shoot film on a Pentax K1000. Since then many other Pentaxes have passed through my life: Spotmatic II, KM, MX, LX, 645n, both the 67 and 67ii and the MZ-S of course (twice!). The attraction is […]
Kodak Tri-X 400 follow-up: Does it even really matter?
I wrote an article here on EMULSIVE in April 2019 where I discussed some of the steps I made early on in my film photography process. I covered my earliest roll in 2016 to my then most recent work on Kodak Tri-X 400. I had sampled almost everything on offer by ILFORD, quite a few […]
NOT Being Vivian Maier: NOT really a Rolleiflex 2.8F camera review
It has nearly been 12 months since I got my hands on my Rolleiflex 2.8F, and whilst I’m not usually a reviewer of equipment, I’d like to share my experience of using this iconic camera and the inspiration behind me finally owning one. Like many who were first made aware of the story of Vivian Maier, I was completely […]
EMULSIVE Interview #219: I am Ed Steinerts and this is why I shoot film
Regular readers will know today’s interviewee through his beautiful black and white photography, those who don’t are in for a real treat. Ed’s interview below ranges from concert photography of Patti Smith in 1976 on Kodak Ektachrome all the way up to landscapes on ILFORD HP5 PLUS in 2020. Over to you, Ed. Hi Ed, […]