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EMULSIVE Interview #204: I am Richard Davies and this is why...

Plates, films, stars and scenes. I've been following today's fresh interviewee (on social media!) pretty much since EMULSIVE came into existence back...

Travelogue: Walking through Europe captured on film Prague to Lugoj –...

To take you on this journey, I'm sharing with you my contact sheets and pulling out a few of the finished photographs from each.

The Bronica ETR: 40 years old but not an old dog...

When I came back to film photography in early 2018, very soon I wanted to try medium format film. Not being sure if I would like it with its lesser number of photos per roll compared to a 35mm film...

5 Frames With… ILFORD HP5 PLUS 400 (EI 1600 / 35mm...

The second day of sunshine… What bliss… It has been dark and grey for a couple of weeks. A huge contrast to the nice and warm temperatures of southern Vietnam where I had been.

An early swansong? Reviewing the CONTAX AX: autofocusing manual lenses

When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and...

The Frugal Film Project: the project that turned into something else:...

Halfway through... six months in already? How did that happen... didn’t we just start? Actually, we are settling into our routine but the bloom is off the rose...

My return to film: Stuart Skene

I was born in 1982 so by default, my first experiences with photography were on film.

EMULSIVE Interview #201: I am Allysse Riordan and this is why...

Welcome to a fresh instalment of my "...this is why I shoot film" series!

Photography: Tread carefully – Shot on ILFORD HP5 PLUS at EI...

Tread carefully Shot on ILFORD HP5 PLUS at EI 3200Black and white negative in 120 format shot as 6x6Push processed 3 stops Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+47 (E): 20°C/68°F, 12:45

EMULSIVE Interview #200: I am Jonathan Canlas and this is why...

I can't begin to tell you how happy I am to finally bring today's interviewee to these pages.

Photography: 5 o’clock shadow – Shot on ILFORD HP5 PLUS at...

5 o'clock shadow Shot on ILFORD HP5 PLUS at EI 400.Black and white negative film in 120 format shot as 6x6.Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8. Read the ILFORD HP5 PLUS review. Development notesKodak HC-110 1+47

5 Frames With… Kodak Panchromatic Sound Recording Film 2374 (EI 100...

My choice fell on Kodak Panchromatic Sound Recording Film 2374, a film I had never heard of until I saw a few dusty rolls in a photo store in Ukraine.

5 Frames With… ILFORD HP5 PLUS (EI 1600 / 35mm /...

These 5 frames are from a roll of ILFORD HP5 PLUS I shot on my Nikon FE and 24mm f/2.8D lens while visiting Toronto earlier this year. It had been raining for two full days.

Film photography in album cover design – by Josh Doss

I discovered my love of film photography by accident. Being a collector, I have always frequented thrift stores for anything I could find of interest.

EMULSIVE interview #198: I am Angela Solis and this is why...

I've known today's interviewee online for a few years now, and even had the pleasure of meeting her back in 2018*.

Why did it take me so long to start shooting Kodak...

There are a few reasons it's taken me so long to become comfortable with shooting Tri-X, and I thought it might be useful to share these, both so that I can understand my process more coherently (as with most

Holgas in the Himalayas – by Andrew Tonn

I continue to carry film cameras long after the world has gone digital. We had a darkroom when I was growing up and I learned to develop film and print photos when I was about 10.

The Olympus XA review: how I fell in love with a...

...and back in love with photography again and again. Warning: the following review of the diminutive Olympus XA is highly biased and totally subjective. I love the darn thing and actually own 2 of them.

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