I was recently in a farming community outside Columbia, Missouri, where my in-laws have a wonderful farm. It’s where my wife, my daughter, and I go to get away from the city and relax. My mother-in-law had just returned from a cattle auction the week before and she brought several new cows home with her. […]
Tag: ILFORD HP5 PLUS
Posted in5 Frames...
5 Frames… Of portraits on ILFORD HP5 PLUS (120 Format / EI 320 / Green #11 filter Bronica SQ-A + Zenzanon PS 150mm + S-18 extension tube) – by Cameron Breze
These frames were selected from a recent test shoot on my new (to me) Bronica SQ-A and first medium format shots that I had ever taken with extension tubes. I began my film journey mainly by accident; I had taken digital photos for years prior to giving film a shot. It had never crossed my […]
Posted in5 Frames...
5 Frames… Of Rex and Neil on a 90-year old Rolleiflex Standard 621 (120 Format / EI 400 / ILFORD HP5 PLUS)
Just over a year ago, whilst hunting for the mythical £10 Leica in an antique shop, I came across this old Rolleiflex disguised amongst about twenty box brownies. The focus dial was borderline seized, the focus screen — apart from being dark enough to be totally useless in the dim light — seemed to be […]
Posted inFilm camera reviews
Mini-review: The RETO Ultra Wide & Slim – Experiences and a change in attitude to P&S cameras
Traditionally I have avoided the point and shoot class of camera because I wanted to be able to make my own exposure decisions. I either shoot Manual, or in Aperture Priority modes with one finger on the exposure compensation button. Most of my cameras date from the 20th century and most of those are entirely manual. In […]
Posted inPhotosets and stories
The Good, the Bad, and the Ugly of large format street portraits
Like most large format photographers, I started shooting large format with a 4×5″ monorail camera, but the bulk of my LF work was shot on a wood 8×10″ field camera, and then a 4×10″ panorama camera. The 4×10 is a rather weird format at the best of times — and the subject of this article! […]
Posted inFeatured projects
Featured project: Memories of a man once there… The project that made me reinvent myself as an artist and a photographer
It was early in 2020, and like many of us, I felt lost… We all have endured every little aspect of the pandemic and it had an impact on all of us… And so it had on me. To be honest, it was the best thing that happened to me and my photographic dream. It […]
Posted in5 Frames...
5 Frames… Around Largo da Memória on ILFORD FP4 PLUS and a Walzflex TLR 6×6 (120 Format / EI 125 / Walz 75mm f/3.5) – by André Leite Coelho
Along with NEOPAN 100 ACROS, ILFORD FP4 PLUS was one of the first BW films I tried back in 2004, when I started to take photographs. As a consequence, even today I find myself imagining the scenes I see as fine-grained pictures, with the vast midtones of grays these two film stocks produce. Recently I’ve […]
Posted in5 Frames...
5 Frames… Of Fuhr’s Huette: a hut built under a fallen rock on ILFORD HP5 PLUS (EI 400 / 120 Format / Rolleiflex SL66)
Shortly before Christmas 2020 my friend Erik visited me and we went on a photo trip to Fuhr’s Huette in Idar-Oberstein, a small hut built under a massive fallen rock in 1702. I chose the Rolleiflex SL66 with the Zeiss Distagon 4/50 because of the narrowness at this place. And for film, the well-known ILFORD […]
Posted inOpinion
Anatomy of a long term documentary project – by Simon King
Storytelling is an essential part of society and shapes the way we experience everything from the obvious mass media in cinema, books, music and advertising, to more subtle things like the way a restaurant might present its menu, or the way a lawyer may present a case. Stories shape us from childhood and become what […]
Posted in5 Frames...
5 Frames… Of portraits on ILFORD HP5 PLUS and a Zenzanon 105mm F/3.5 (120 Format / EI 400 / Bronica ETRS)
I have been using ILFORD HP5 PLUS in ILFOSOL 3 since forever. In fact, my first camera was my father’s Nikon F2 Photomic, which I still own and use. I started taking pictures under his guidance in 1976, when I was still in
Posted inFeatured
Rolling car photography: Japanese muscle cars on 8×10 Kodak film
When you think about rolling car photography — the art of taking photos of moving vehicles, not just moving cars — while moving, using large format film probably won’t spring to mind as your first choice. Hell, 35mm film probably won’t either, let alone a ponderous format, exposed one sheet at a time into a box weighing 10lbs/4.5kg (without lens).
Posted in5 Frames...
5 Frames… Starting at Ushuaia’s Beagle Channel on ILFORD HP5 PLUS (35mm Format / EI 400 / Leica M2 + Leica Summaron 35mm f/2.8)
In October 2019, I traveled to Ushuaia, Tierra del Fuego, which is the southernmost city of Argentina. These pictures were made on the last day of my trip, during a boat tour through the Beagle channel and a walk on the Bridges Island. It was cloudy that morning and the sky didn`t seem to open […]
Posted in5 Frames...
5 Frames… Of a triple waterfall in Luxembourg on ILFORD HP5 PLUS (120 Format / EI 400 / Agfa Billy I 6,3)
Over the last few months, I have fallen in love with old medium format cameras, so I took three old medium format cameras with me for this trip. Among them was a 6x9cm Agfa Billy I 6.3 with an Agnar f/6.3 / 105mm, model 1950. I loaded the Billy with an ILFORD HP5 PLUS. The […]
Posted inFilm Photographer Interviews
EMULSIVE Interview #223: I am Ellen Rogers and this is why I shoot film (Mildly NSFW)
Welcome to today’s fresh EMULSIVE interview. We have a bit of a treat this week in the form of polymath Ellen Rogers. Ellen is a photographer, colourist, lecturer, PhD student and fantasist — among other things. I’m so, so glad to be able to welcome her onto these pages! A couple of the photos are […]
Posted in5 Frames..., Articles
5 Frames… Of Old Main Street, Fort Worth, Texas (35mm Format / EI 400 / Nikon FA + Nikkor 50mm f/1.8 AI)
As a film photographer, I am always drawn to some of the more timeworn parts of town, so to speak, and that propensity for the foregone cannot be more satisfied than in the old part of Main Street in Fort Worth, Texas. The old Main Street has tons of classic heritage but it’s not immune […]
Posted inFilm Photographer Interviews
EMULSIVE Interview #222: I am Kris Askey and this is why I shoot film
After an 8-month hiatus, I’d like to welcome you all back to the EMULSIVE interview. Yes, yes, 2020 be damned, etc. Last year was a challenging one for me and I took a bit more of a hit than I expected but, as I kept telling myself, there are two things to remember: 1) things […]
Posted inOpinion
Over the hill or here or there: My adventures getting started in a large format film photography wonderland
It’s mid-December 2020 and a bearded, touqued figure stands silently on the side of a frozen lake looking off towards the rising peak of a distant mountain as the sun begins to rise. A wooden camera stands atop a carbon fiber tripod waiting for the film holder to be slid home and its shutter to […]
Posted in5 Frames..., Articles
5 Frames… At Sharjah’s Fossil Rock on ILFORD HP5 PLUS and a Leica M4 (35mm Format / EI 100 / Voigtlander Color-Skopar 35mm f/2.5 P II)
I have been using a 50mm lens almost exclusively for around two years, and I recently wanted to switch it up. The 35mm focal length has been on my radar for a few months, so when a good price for the Voigtlander Color-Skopar 35mm f/2.5 PII appeared online it caught my attention. Within the week […]
Posted inArticles
5 Frames… Of my own private Idaho on ILFORD HP5 PLUS (120 Format / EI 400 / Bronica SQA + Bronica Zenzanon-PS 150mm f/4)
I began in photography shooting for The Arbiter, Boise State University’s student newspaper. My qualifications at the time? I had access to a camera (a Minolta SRT 303b) and I happened to be at a bar with the photo editor drinking whisky when he realized he was one staff photographer short. At the time we […]
Posted inDeveloping Film
My approach to Rodinal semi-stand film development
My film development workflow shifted in 2020 and became almost entirely based around semi-stand methods. Previously I had used ILFORD DD-X and taken great care over timings and chemistry – including for stand dev, but as I’ve found more of my projects start to come together I have not been able to dedicate myself in […]
