Tag: ILFORD HP5 PLUS
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EMULSIVE interview #189: I am Keith Moss and this is why I shoot film
Today’s interviewee marks the completion of a conversation started in June 2015, back when I...
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EMULSIVE Interview #186: I am David Allen and this is why I shoot film
I think one of the first interactions I had with David was in Feb 2017 when he...
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Camera review: teak wood meets carbon fibre, the Chamonix C45F-2 4×5
After my first exposure to working with large format sheet film in a DIY pinhole camera, I decided...
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5 Frames With… ILFORD HP5 PLUS (35mm / EI 1600 / Leica M4) – by Paul A J Lewis
I live in North-East Lincolnshire in the UK and was raised in the coastal town of Cleethorpes, a...
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Claw – ILFORD HP5 PLUS shot at EI 12800 (120 format)
Claw ILFORD HP5 PLUS shot at EI 12800 Black and white negative film in 120 format shot as 6×6...
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5 Frames With… ILFORD HP5 PLUS (35mm / EI 400 / Canon 7) – by Anthony Chatain
I’ve been working in the main business district of Paris, La Défense, for more than a decade....
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Photo story: I shot the Sheriff, photographing Bob Marley – by Eddie Malin
On the 6th of July, 1980, Bob Marley played the now historic concert at Dalymount Park on Dublin’s...
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Film review: finding my ‘do anything’ film for 4×5….a tale of ILFORD FP4 PLUS and HP5 PLUS – by Tobias Key
I have been shooting 4×5 for about five years. I use it for much of my personal work, and...
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EMULSIVE interview #177: I am Clara Araujo and this is why I shoot film
It’s my pleasure to welcome you all to the words and work of occasional EMULSIVE...
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5 Frames With… ILFORD HP5 PLUS (EI 1600 / 35mm / Chinon CE II Memotron) – by Oliver Grimm
So I got a new camera to play with—the Chinon CE II Memotron with quite a good lens. It was well...
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EMULSIVE interview #176: I am Josip Šore and this is why I shoot film
Welcome all. This week I have the pleasure of bringing you the work and words of Josip Šore,...
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5 Frames With… ILFORD HP5 PLUS (EI 3200 / 35mm / Nikon F100) – by Tim Dobbs
My go to black and white film has always been ILFORD HP5 PLUS for its excellent versatility, I...
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Why shoot film part 2: seeking the Hasselblad XPan – by Simon King
It has been a couple of months since my first post, on Why I Shoot Film, and I thought that now...
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EMULSIVE interview #173: I am Rachel Brewster-Wright and this is why I shoot film
January 27th 2016. Let that date burn into your memory. The was the first time today’s...
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Finding Film part 13: ILFORD HP5 PLUS
Having finished my rolls of ILFORD Delta 100 and 400 Professional for part 12 of this series, I...
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EMULSIVE interview #171: I am John Michael Caldwell and this is why I shoot film
It’s wonderful to be able to introduce you today to the wonderful work of film photographer...
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Photoset: Nature Wins – by Wyman Pattee
I like to try a little of everything while I’m out and about with cameras, so I shoot some digital...
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EMULSIVE interview #169: I am Darren Kelland and this is why I shoot film
Welcome to this week’s EMULSIVE interview. Today I’m welcoming Darren Kelland into the fold with...
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Camera review: Bronica SQ-Ai – by Adrian Vila
Just a few months ago, I was happily shooting digital. But my work was lacking something. Soul,...
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EMULSIVE’s most popular film stock reviews of 2017
Welcome to the fourth lazy-post of the end of year season here at EMULSIVE. If you’re...
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All Categories
- Articles (601)
- 52 Rolls (9)
- A Brief History Of (1)
- AEROgraphic (6)
- Challenges (1)
- Community Critique (1)
- Dear Benice (8)
- Film Culture (20)
- Film Love (7)
- Film Parties (39)
- Delta Def Jam (7)
- FP4 Party (15)
- NEOPANTASTIC (3)
- Portra Party (2)
- Summer Film Party (7)
- TMAXParty (5)
- Finding Film (15)
- Horoscope (6)
- My inspiration (2)
- My Return to Film (9)
- News (15)
- Photoset (4)
- Photostory (11)
- Projects (28)
- Secret Santa (16)
- Thoughts (14)
- Travelogue (20)
- What Is (1)
- Why Shoot Film (5)
- Chroma Cameras (1)
- Darkroom (30)
- Developing Film (16)
- Development Times (2)
- My Darkroom (1)
- Printing (3)
- Wet Plate (1)
- Experiments (43)
- Long Exposure (3)
- Reversal Development (1)
- Interviews (204)
- Community Interviews (11)
- Photography (1,112)
- 110 format (4)
- 35mm format (494)
- 5 Frames With (113)
- 65mm format (3)
- Large format (13)
- Medium format (483)
- Reviews (279)
- Camera Reviews (69)
- A&K Cameras (1)
- AGFA Cameras (1)
- Bronica Cameras (6)
- Canon Cameras (2)
- Chamonix Cameras (1)
- Exakta Cameras (1)
- Fuji Cameras (4)
- Gould Cameras (1)
- Hasselblad Cameras (7)
- Holga Cameras (3)
- Impossible Cameras (1)
- Intrepid Cameras (1)
- Kodak Cameras (3)
- Leica Cameras (1)
- Lomography Cameras (3)
- Mamiya Cameras (6)
- Minolta Cameras (1)
- Nagaoka Cameras (1)
- Olympus Cameras (3)
- Pentax Cameras (4)
- Ricoh Cameras (1)
- Rollei Cameras (3)
- Steky Camera Reviews (1)
- Vermeer Cameras (1)
- Voigtlander Cameras (1)
- Yashica Cameras (3)
- Zeiss Cameras (1)
- Zeiss Ikon Cameras (2)
- Zorki Cameras (1)
- Film Reviews (195)
- ADOX Films (2)
- AGFA Films (4)
- Arista Films (1)
- Bergger Films (11)
- CineStill Films (6)
- Dubblefilm films (1)
- Efke Films (1)
- FILM Ferrania Films (10)
- Film List (7)
- Foma Films (4)
- Fuji Films (40)
- ILFORD Films (37)
- JCH Films (4)
- Kodak Films (56)
- Lomography Films (11)
- Luckyfilm Films (4)
- Notes (8)
- Revolog Films (2)
- Rollei Films (13)
- Shanghai Films (1)
- Silberra Films (3)
- Street Candy Films (1)
- Tasma Films (1)
- Ultrafine Films (1)
- Washi Films (3)
- Yodica Films (1)
- Gear Reviews (14)
- Bag Reviews (3)
- Darkroom Equipment (4)
- Lens Reviews (4)
- Scanners (1)
- Strap Reviews (2)
- Print Reviews (3)
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