Over the past decade or so, I’ve seen dozens of headlines for “fully 3D printed cameras,” and the one question that always got me to click on them was “how did someone 3D print a shutter?” What I found was that nearly all of these, as beautiful as they were, were either pinhole cameras or […]
Tag: ILFORD HP5 PLUS
Posted inPhotosets and stories
A month in the South of Italy on a Leica M4 and ILFORD HP5 PLUS
I always assumed people romanticised Italy; there is no way a country can host that much history, culture, and natural beauty without any drawbacks other than excessive tourism. However, in the brief time I spent in Sicily and Puglia in the summer of 2021, I was proven wrong. Leica M4, Voigtlander Color-Skopar 35mm f/2.5 PII […]
Posted in5 Frames...
5 Frames… Flying over Apulia on ILFORD HP5 PLUS (35mm Format / EI 400 / Coca-Cola Can Camera) – by Andrea Bianchi
In Autumn 2022 one of my best friends invited me to fly with him over Apulia. I had been waiting for this opportunity ever since he got his private pilot’s licence, but we had to wait for the plane — a SOCATA TB-9 — to finish its scheduled maintenance. When it was finally time to […]
Posted in5 Frames...
8 Frames… Of my newborn son on ILFORD HP5 PLUS (35mm Format / Nikon Nikkormat / Nikkor 50mm f/1.4 AI-S) – by Spencer Cameron
My mother passed away in December of 2019, it was a very hard time, thankfully my family and faith were able help us endure. Shortly after that, as we all know, the pandemic hit, and a lot of tough times were headed our way. Through this time, I was able to get married, and keep […]
Posted inArticles
5 Frames… ILFORD HP5 PLUS (35mm format / EI 400 / FED-3 Type B + Voigtlander Nokton 50mm f/1.5 Aspherical LTM)
After having shot black and white film for a while but always having shied away from properly developing it at home (I had developed a few rolls of film in Cinestill Df96 monobath — these were just test rolls and didn’t really have much archival or sentimental value), I decided to go straight for gold […]
Posted in5 Frames...
5 Frames… Of ILFORD HP5 PLUS on a shelf queen Kodak Tourist (620 format / EI 400 / Kodet 86mm f/12.5)
Up until the past few years, most of the film cameras that I have in my possession have been for decoration. The small shelves I purchased make them a perfect addition to my home office. On the rare occasion I pick one up, it is usually to dust it off, not to take photos with. […]
Posted in5 Frames...
5 frames… Of one gas station on 5 different film stocks, using 5 different cameras – By Fayed
I know, I know… We’re all fed up with all of these gas station photos all over Instagram but trust me, none of these photos were shot on CineStill 800T film, yet the results were very interesting! It all started when I went on a different route to work other than my usual, and doesn’t […]
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5 Frames… At the farm on ILFORD HP5 PLUS and Voigtlander ULTRON SL II 40mm F/2 (35mm format / EI 400 / Nikon FM3A) – by Michael
I was recently in a farming community outside Columbia, Missouri, where my in-laws have a wonderful farm. It’s where my wife, my daughter, and I go to get away from the city and relax. My mother-in-law had just returned from a cattle auction the week before and she brought several new cows home with her. […]
Posted in5 Frames...
5 Frames… Of portraits on ILFORD HP5 PLUS (120 Format / EI 320 / Green #11 filter Bronica SQ-A + Zenzanon PS 150mm + S-18 extension tube) – by Cameron Breze
These frames were selected from a recent test shoot on my new (to me) Bronica SQ-A and first medium format shots that I had ever taken with extension tubes. I began my film journey mainly by accident; I had taken digital photos for years prior to giving film a shot. It had never crossed my […]
Posted in5 Frames...
5 Frames… Of Rex and Neil on a 90-year old Rolleiflex Standard 621 (120 Format / EI 400 / ILFORD HP5 PLUS)
Just over a year ago, whilst hunting for the mythical £10 Leica in an antique shop, I came across this old Rolleiflex disguised amongst about twenty box brownies. The focus dial was borderline seized, the focus screen — apart from being dark enough to be totally useless in the dim light — seemed to be […]
Posted inFilm camera reviews
Mini-review: The RETO Ultra Wide & Slim – Experiences and a change in attitude to P&S cameras
Traditionally I have avoided the point and shoot class of camera because I wanted to be able to make my own exposure decisions. I either shoot Manual, or in Aperture Priority modes with one finger on the exposure compensation button. Most of my cameras date from the 20th century and most of those are entirely manual. In […]
Posted inPhotosets and stories
The Good, the Bad, and the Ugly of large format street portraits
Like most large format photographers, I started shooting large format with a 4×5″ monorail camera, but the bulk of my LF work was shot on a wood 8×10″ field camera, and then a 4×10″ panorama camera. The 4×10 is a rather weird format at the best of times — and the subject of this article! […]
Posted inFeatured projects
Featured project: Memories of a man once there… The project that made me reinvent myself as an artist and a photographer
It was early in 2020, and like many of us, I felt lost… We all have endured every little aspect of the pandemic and it had an impact on all of us… And so it had on me. To be honest, it was the best thing that happened to me and my photographic dream. It […]
Posted in5 Frames...
5 Frames… Around Largo da Memória on ILFORD FP4 PLUS and a Walzflex TLR 6×6 (120 Format / EI 125 / Walz 75mm f/3.5) – by André Leite Coelho
Along with NEOPAN 100 ACROS, ILFORD FP4 PLUS was one of the first BW films I tried back in 2004, when I started to take photographs. As a consequence, even today I find myself imagining the scenes I see as fine-grained pictures, with the vast midtones of grays these two film stocks produce. Recently I’ve […]
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5 Frames… Of Fuhr’s Huette: a hut built under a fallen rock on ILFORD HP5 PLUS (EI 400 / 120 Format / Rolleiflex SL66)
Shortly before Christmas 2020 my friend Erik visited me and we went on a photo trip to Fuhr’s Huette in Idar-Oberstein, a small hut built under a massive fallen rock in 1702. I chose the Rolleiflex SL66 with the Zeiss Distagon 4/50 because of the narrowness at this place. And for film, the well-known ILFORD […]
Posted inOpinion
Anatomy of a long term documentary project – by Simon King
Storytelling is an essential part of society and shapes the way we experience everything from the obvious mass media in cinema, books, music and advertising, to more subtle things like the way a restaurant might present its menu, or the way a lawyer may present a case. Stories shape us from childhood and become what […]
Posted in5 Frames...
5 Frames… Of portraits on ILFORD HP5 PLUS and a Zenzanon 105mm F/3.5 (120 Format / EI 400 / Bronica ETRS)
I have been using ILFORD HP5 PLUS in ILFOSOL 3 since forever. In fact, my first camera was my father’s Nikon F2 Photomic, which I still own and use. I started taking pictures under his guidance in 1976, when I was still in
Posted inFeatured
Rolling car photography: Japanese muscle cars on 8×10 Kodak film
When you think about rolling car photography — the art of taking photos of moving vehicles, not just moving cars — while moving, using large format film probably won’t spring to mind as your first choice. Hell, 35mm film probably won’t either, let alone a ponderous format, exposed one sheet at a time into a box weighing 10lbs/4.5kg (without lens).
Posted in5 Frames...
5 Frames… Starting at Ushuaia’s Beagle Channel on ILFORD HP5 PLUS (35mm Format / EI 400 / Leica M2 + Leica Summaron 35mm f/2.8)
In October 2019, I traveled to Ushuaia, Tierra del Fuego, which is the southernmost city of Argentina. These pictures were made on the last day of my trip, during a boat tour through the Beagle channel and a walk on the Bridges Island. It was cloudy that morning and the sky didn`t seem to open […]
Posted in5 Frames...
5 Frames… Of a triple waterfall in Luxembourg on ILFORD HP5 PLUS (120 Format / EI 400 / Agfa Billy I 6,3)
Over the last few months, I have fallen in love with old medium format cameras, so I took three old medium format cameras with me for this trip. Among them was a 6x9cm Agfa Billy I 6.3 with an Agnar f/6.3 / 105mm, model 1950. I loaded the Billy with an ILFORD HP5 PLUS. The […]
