I recently acquired a Rollei 35 after dreaming about shooting with this ultra-compact camera and its legendarily sharp Carl Zeiss lens for many years. I was able to score a great deal on a lightly used “Made in Germany” variant at my local camera shop by trading in an old Canon A1 and 50mm lens […]
Tag: Fujifilm FUJICHROME Velvia 100 (RVP100)
Posted in5 Frames..., Articles
5 Frames… From a Hasselblad XPan on Fujifilm Velvia 100
There are so many articles extolling the virtues of the Hasselblad XPan that when I was recently offered the chance to borrow one for a few days I leapt at the opportunity. There were plenty of 35mm panoramic cameras made, some mask part of the frame, like Ricoh R1 (I’ve got one, bought it new […]
Posted inMedium format, Photography
Photography: 1, 2, 3… – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
1, 2, 3…
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6×4.5
Posted inArticles
Ready to roll – Shot on Fuji Velvia 100 RVP100 at EI 100 (35mm format)
Ready to roll
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal film in 35mm format
Cross processed
Read the Fuji Velvia 100 (RVP 100) review here.
Posted inFilm Love, Film stock reviews, Fujifilm Film Stock Reviews, Reviews
My Fuji slide film affair
I have always had a love/hate relationship with color film.
Posted in35mm format, Photography
Photography: To the bitter end – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)
To the bitter end
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
Posted in35mm format, Photography
Photography: Single minded – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)
Single minded
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
Posted in35mm format, Photography
Photography: Scrambler – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)
Scrambler
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
Posted in35mm format, Photography
Photography: 5 o’clock shadow – Shot on Fuji Veliva 100 RVP100 (35mm format)
5 o’clock shadow
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
Posted inArticles
Tricolore #02 – Shot on Fuji Veliva 100 RVP100 (35mm format)
Tricolore #02
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #173: I am Rachel Brewster-Wright and this is why I shoot film
January 27th 2016. Let that date burn into your memory. The was the first time today’s interviewee and I first made email contact.
Posted inArticles, Photosets and stories
Photoset: Nature Wins
I like to try a little of everything while I’m out and about with cameras, so I shoot some digital and some film, but my passion is the film work.
Posted inArticles, Best Of
EMULSIVE's most popular film photography experimentation articles of 2017
What would film photography be without the experimentation aspect? Sticking to box speeds, recommended developers and “the right way” of doing things is boring
10.
Posted inArticles, Experiments
How to eliminate the Fuji Velvia “Magenta Cast”
I love the colors of Fuji Velvia, but I don’t like the magenta color cast that can result during daylight shooting.
Posted inMedium format, Photography
Photography: I made this – Fuji Velvia 100 – RVP100 (120)
I made this
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 120 format shot as 6×6
Posted inGear Reviews, Lens Reviews, Reviews
Lens love: shooting the Kodak Aero Ektar 7″ f/2.5 aka how I found my Kodak Aero Ektar, or how it found me
Up until the day I was able to call it “mine” I had never heard about the Burnett-Combo or David Burnett and I was completely unaware of the cult status of Kodak’s Aero Ektar lens.
So why did I buy
Posted inArticles, Travelogue
Travelogue: Australia part three – Tasmania
Today we’re welcoming Sarah Arnoff back with part three of her Australian travelogue.
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #128: I am Gareth Buckett and this is why I shoot film
I’m pleased to be able to bring you the words and photography of Gareth Buckett, Australian-based film and digital photographer;
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #126: I am Lilly Schwartz and this is why I shoot film
It’s a pleasure to be able to bring you Lilly Schwartz or @blaurebell, as she’s know on Twitter for today’s interview. Lilly is a true film photography hero.
Posted inArticles, My Return to Film...
My return to film: Adib Mufty
Indulge me a brief stroll down memory lane.
It was during the fall of 2004 when I was first exposed to photography through a course at university.
