Tag: Fujifilm FUJICHROME Velvia 100 (RVP100)
Photography: 1, 2, 3… – Shot on Fuji Velvia 50 RVP50...
1, 2, 3...
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6x4.5
Ready to roll – Shot on Fuji Velvia 100 RVP100 at...
Ready to roll
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal film in 35mm format
Cross processed
Read the Fuji Velvia 100 (RVP 100) review here.
My Fuji slide affair – by Denys Trofimchuk
I have always had a love/hate relationship with color film.
Photography: To the bitter end – Shot on Fuji Velvia 100...
To the bitter end
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
Photography: Single minded – Shot on Fuji Velvia 100 (RVP100) at...
Single minded
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
Photography: Scrambler – Shot on Fuji Velvia 100 (RVP100) at EI...
Scrambler
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
Photography: 5 o’clock shadow – Shot on Fuji Veliva 100...
5 o'clock shadow
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
Tricolore #02 – Shot on Fuji Veliva 100 RVP100 (35mm...
Tricolore #02
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
EMULSIVE interview #173: I am Rachel Brewster-Wright and this is why...
January 27th 2016. Let that date burn into your memory. The was the first time today's interviewee and I first made email contact.
Photoset: Nature Wins – by Wyman Pattee
I like to try a little of everything while I’m out and about with cameras, so I shoot some digital and some film, but my passion is the film work.
EMULSIVE's most popular film photography experimentation articles of 2017
What would film photography be without the experimentation aspect? Sticking to box speeds, recommended developers and "the right way" of doing things is boring
10.
How to eliminate the Fuji Velvia “Magenta Cast” – by Yusuf...
I love the colors of Fuji Velvia, but I don’t like the magenta color cast that can result during daylight shooting.
Photography: I made this – Fuji Velvia 100 – RVP100 (120)
I made this
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 120 format shot as 6x6
Lens love: shooting the Kodak Aero Ektar 7″ f/2.5 aka how...
Up until the day I was able to call it "mine" I had never heard about the Burnett-Combo or David Burnett and I was completely unaware of the cult status of Kodak's Aero Ektar lens.
So why did I buy
Travelogue: Australia part three – Tasmania
Today we're welcoming Sarah Arnoff back with part three of her Australian travelogue.
EMULSIVE interview #128: I am Gareth Buckett and this is why...
I'm pleased to be able to bring you the words and photography of Gareth Buckett, Australian-based film and digital photographer;
EMULSIVE interview #126: I am Lilly Schwartz and this is why...
It's a pleasure to be able to bring you Lilly Schwartz or @blaurebell, as she's know on Twitter for today's interview. Lilly is a true film photography hero.
My return to film: Adib Mufty
Indulge me a brief stroll down memory lane.
It was during the fall of 2004 when I was first exposed to photography through a course at university.
Photography: Nightcall – by Dee Elegia
I've lived in Manchester now for roughly two and half years, having relocated from Scotland to work on my photography full-time.
EMULSIVE interview #74: I am Brian Miner and this is why...
35mm, medium format, large format...today's interviewee takes it all in his stride, shooting developing and printing everything himself as he goes. Oh, and he's into year two of an ongoing large format 365 project.
