There are so many articles extolling the virtues of the Hasselblad XPan that when I was recently offered the chance to borrow one for a …
Read more5 Frames… From a Hasselblad XPan on Fujifilm Velvia 100 – by Nick Orloff
1, 2, 3…
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6×4.5
Ready to roll
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal film in 35mm format
Cross processed
Read the Fuji Velvia 100 (RVP 100) review here.
I have always had a love/hate relationship with color film.
To the bitter end
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
Single minded
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
Scrambler
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
5 o’clock shadow
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
Tricolore #02
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
January 27th 2016. Let that date burn into your memory. The was the first time today’s interviewee and I first made email contact.
I like to try a little of everything while I’m out and about with cameras, so I shoot some digital and some film, but my passion is the film work.
What would film photography be without the experimentation aspect? Sticking to box speeds, recommended developers and “the right way” of doing things is boring
10.
I love the colors of Fuji Velvia, but I don’t like the magenta color cast that can result during daylight shooting.
I made this
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 120 format shot as 6×6
Up until the day I was able to call it “mine” I had never heard about the Burnett-Combo or David Burnett and I was completely unaware of the cult status of Kodak’s Aero Ektar lens.
So why did I buy
Today we’re welcoming Sarah Arnoff back with part three of her Australian travelogue.
I’m pleased to be able to bring you the words and photography of Gareth Buckett, Australian-based film and digital photographer;
It’s a pleasure to be able to bring you Lilly Schwartz or @blaurebell, as she’s know on Twitter for today’s interview. Lilly is a true film photography hero.
Indulge me a brief stroll down memory lane.
It was during the fall of 2004 when I was first exposed to photography through a course at university.
I’ve lived in Manchester now for roughly two and half years, having relocated from Scotland to work on my photography full-time.
