“Nice camera,” said a passing Montrealer as I looked up from the waist-level viewfinder of my Rolleicord Vb. I’d just photographed their local depanneur (convenience store) in the Vieux-Rosemont neighbourhood of Montreal. I had sought out this depanneur specifically due to its big blue sign which jutted out of a residential building. Fortunately for me, […]
Tag: Fujifilm FUJICHROME Velvia 100 (RVP100)
My return to film: Roy Shiro
Many photographers look back at their work at the end of the year, to assess, critique, and, if you’re like me, to convince themselves that they’re moving forward with their work. This year was a bit different in some respects for me, as the end of the year marks the one-year anniversary of my move […]
Discontinuation notice: Fujichrome Velvia 50 slide film in 4×5″ and 8×10″, and 120 format Fujicolor Pro 160NS
Fujifilm Japan has just announced the global discontinuation of Fujichrome Velvia 50 slide film in 4×5″ and 8×10″ large formats, and 120 format Fujicolor 160NS Professional colour negative film. Coming hot on the heels of the July 2021 ban of the sale and processing of Fujichrome Velvia 100 in the United States, the notice is effective […]
Taking Stock: A shootout with 3 very different color films highlights creative possibilities – Kodak Portra, Fuji C200 and Fuji Velvia 100
I recently acquired a Rollei 35 after dreaming about shooting with this ultra-compact camera and its legendarily sharp Carl Zeiss lens for many years. I was able to score a great deal on a lightly used “Made in Germany” variant at my local camera shop by trading in an old Canon A1 and 50mm lens […]
5 Frames… From a Hasselblad XPan on Fujifilm Velvia 100
There are so many articles extolling the virtues of the Hasselblad XPan that when I was recently offered the chance to borrow one for a few days I leapt at the opportunity. There were plenty of 35mm panoramic cameras made, some mask part of the frame, like Ricoh R1 (I’ve got one, bought it new […]
Photography: 1, 2, 3… – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
1, 2, 3…
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6×4.5
Ready to roll – Shot on Fuji Velvia 100 RVP100 at EI 100 (35mm format)
Ready to roll
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal film in 35mm format
Cross processed
Read the Fuji Velvia 100 (RVP 100) review here.
My Fuji slide film affair
I have always had a love/hate relationship with color film.
Photography: To the bitter end – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)
To the bitter end
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
Photography: Single minded – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)
Single minded
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
Photography: Scrambler – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)
Scrambler
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
Photography: 5 o’clock shadow – Shot on Fuji Veliva 100 RVP100 (35mm format)
5 o’clock shadow
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
Tricolore #02 – Shot on Fuji Veliva 100 RVP100 (35mm format)
Tricolore #02
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
EMULSIVE interview #173: I am Rachel Brewster-Wright and this is why I shoot film
January 27th 2016. Let that date burn into your memory. The was the first time today’s interviewee and I first made email contact.
Photoset: Nature Wins
I like to try a little of everything while I’m out and about with cameras, so I shoot some digital and some film, but my passion is the film work.
EMULSIVE's most popular film photography experimentation articles of 2017
What would film photography be without the experimentation aspect? Sticking to box speeds, recommended developers and “the right way” of doing things is boring
10.
How to eliminate the Fuji Velvia “Magenta Cast”
I love the colors of Fuji Velvia, but I don’t like the magenta color cast that can result during daylight shooting.
Photography: I made this – Fuji Velvia 100 – RVP100 (120)
I made this
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 120 format shot as 6×6
Lens love: shooting the Kodak Aero Ektar 7″ f/2.5 aka how I found my Kodak Aero Ektar, or how it found me
Up until the day I was able to call it “mine” I had never heard about the Burnett-Combo or David Burnett and I was completely unaware of the cult status of Kodak’s Aero Ektar lens.
So why did I buy
Travelogue: Australia part three – Tasmania
Today we’re welcoming Sarah Arnoff back with part three of her Australian travelogue.