5 Frames… From a Hasselblad XPan on Fujifilm Velvia 100 – by Nick Orloff
There are so many articles extolling the virtues of the Hasselblad XPan that when I was recently offered the chance to borrow one for a … Read more
Photography: 1, 2, 3… – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
1, 2, 3…
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6×4.5
Ready to roll – Shot on Fuji Velvia 100 RVP100 at EI 100 (35mm format)
Ready to roll
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal film in 35mm format
Cross processed
Read the Fuji Velvia 100 (RVP 100) review here.
My Fuji slide affair – by Denys Trofimchuk
I have always had a love/hate relationship with color film.
Photography: To the bitter end – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)
To the bitter end
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
Photography: Single minded – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)
Single minded
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
Photography: Scrambler – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)
Scrambler
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
Photography: 5 o’clock shadow – Shot on Fuji Veliva 100 RVP100 (35mm format)
5 o’clock shadow
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
Tricolore #02 – Shot on Fuji Veliva 100 RVP100 (35mm format)
Tricolore #02
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
EMULSIVE interview #173: I am Rachel Brewster-Wright and this is why I shoot film
January 27th 2016. Let that date burn into your memory. The was the first time today’s interviewee and I first made email contact.
Photoset: Nature Wins – by Wyman Pattee
I like to try a little of everything while I’m out and about with cameras, so I shoot some digital and some film, but my passion is the film work.
EMULSIVE's most popular film photography experimentation articles of 2017
What would film photography be without the experimentation aspect? Sticking to box speeds, recommended developers and “the right way” of doing things is boring
10.
How to eliminate the Fuji Velvia “Magenta Cast” – by Yusuf Wiryonoputro
I love the colors of Fuji Velvia, but I don’t like the magenta color cast that can result during daylight shooting.
Photography: I made this – Fuji Velvia 100 – RVP100 (120)
I made this
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 120 format shot as 6×6
Lens love: shooting the Kodak Aero Ektar 7″ f/2.5 aka how I found my Kodak Aero Ektar, or how it found me
Up until the day I was able to call it “mine” I had never heard about the Burnett-Combo or David Burnett and I was completely unaware of the cult status of Kodak’s Aero Ektar lens.
So why did I buy
Travelogue: Australia part three – Tasmania
Today we’re welcoming Sarah Arnoff back with part three of her Australian travelogue.
EMULSIVE interview #128: I am Gareth Buckett and this is why I shoot film
I’m pleased to be able to bring you the words and photography of Gareth Buckett, Australian-based film and digital photographer;
EMULSIVE interview #126: I am Lilly Schwartz and this is why I shoot film
It’s a pleasure to be able to bring you Lilly Schwartz or @blaurebell, as she’s know on Twitter for today’s interview. Lilly is a true film photography hero.
My return to film: Adib Mufty
Indulge me a brief stroll down memory lane.
It was during the fall of 2004 when I was first exposed to photography through a course at university.
Photography: Nightcall – by Dee Elegia
I’ve lived in Manchester now for roughly two and half years, having relocated from Scotland to work on my photography full-time.
