Fujifilm FUJICHROME Velvia 100 (RVP100)


To the bitter end - Shot on Fuji Velvia 100 (RVP100) at EI 100. Color reversal (slide) film in 35mm format.

Photography: To the bitter end – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)

To the bitter end

Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format

Read the Fuji Velvia 100 (RVP100) review here.

 

 

 

 

Single minded - Shot on Fuji Velvia 100 (RVP100) at EI 100. Color reversal (slide) film in 35mm format.

Photography: Single minded – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)

Single minded

Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format

Read the Fuji Velvia 100 (RVP100) review here.

 

 

 

 

5 o'clock shadow - Shot on Fuji Velvia 100 (RVP100) at EI 100. Color reversal (slide) film in 35mm format.

Photography: 5 o’clock shadow – Shot on Fuji Veliva 100 RVP100 (35mm format)

5 o’clock shadow

Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format

Read the Fuji Velvia 100 (RVP100) review here.

 

 

 

 

Shanghai, 2017. Shot on Voigtlander Vito II, ILFORD HP5 PLUS

EMULSIVE interview #173: I am Rachel Brewster-Wright and this is why I shoot film

January 27th 2016. Let that date burn into your memory. The was the first time today’s interviewee and I first made email contact.

EMULSIVE's most popular film photography experimentation articles of 2017

What would film photography be without the experimentation aspect? Sticking to box speeds, recommended developers and “the right way” of doing things is boring
 
 
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Fuji Velvia 100 - Graflex Speed Graphic - Kodak Aero Ektar 7-inch (178mm) f:2.5 (2)

Lens love: shooting the Kodak Aero Ektar 7″ f/2.5 aka how I found my Kodak Aero Ektar, or how it found me

Up until the day I was able to call it “mine” I had never heard about the Burnett-Combo or David Burnett and I was completely unaware of the cult status of Kodak’s Aero Ektar lens.

So why did I buy

Red Sisters - Fuji GW690III, Kodak Aerochrome

EMULSIVE interview #128: I am Gareth Buckett and this is why I shoot film

I’m pleased to be able to bring you the words and photography of Gareth Buckett, Australian-based film and digital photographer;

Santa’s little helper - Leica M6, Zeiss ZM C-Biogon 35mm f/2.8, Cinestill 800T.

EMULSIVE interview #126: I am Lilly Schwartz and this is why I shoot film

It’s a pleasure to be able to bring you Lilly Schwartz or @blaurebell, as she’s know on Twitter for today’s interview. Lilly is a true film photography hero.

#MySurrounding - Developing room

My return to film: Adib Mufty

Indulge me a brief stroll down memory lane.

It was during the fall of 2004 when I was first exposed to photography through a course at university.