Expressions of civil unrest have provided many opportunities for photographers to capture the energetic, emotional scenes which are the byproduct of demonstrations, protests, riots, and …
Across one weekend in early June, I attended and documented two Black Lives Matter protests here in the UK. As a white man, I might …
Read moreDocumenting the UK’s #BlackLivesMatter protests: London & Hitchin, June 6-7th 2020
The two things I like the most are surf and film photography so naturally, the beach and the waves are a constant in my photos. …
Read more5 Frames… With ILFORD FP4 PLUS (EI 125 / 35mm format / Nikon F2) – by Francisco Válga
As part of my EMULSIVE Secret Santa 2019 present, I got a roll of Silberra U400. Well, this is different, I thought. I had used …
Read more5 Frames… With Silberra U400 (EI 1600 / 35mm format / Nikon F2) – by James Harris
Whenever I go out shooting with film, which seems to be a lot these days, I take my trusty Nikon F2 and the 50mm F/1.4 AI-S. Can I just say that this camera is a bit of a beast?
Traditionally when I go away on holiday, I tend to pick the less touristy places. That way I can get a better feel for a country and its people.
The F2 was Nikon’s mechanical, manual flagship camera of the 1970s.
Today’s interviewee should need no introduction but he gets one anyway.
I managed to grab some time with today’s interviewee as he was making preparations for this year’s Canner Film Festival.
We grabbed some time to have a chat with David Lingham, Wales-based darkroom purist and ex-litho industry stripper (not THAT kind). David’s got some beautiful images to share, as well as some insight into his photographic journey and why
Today’s interviewee is a new media journalist in one of the prettiest parts of the grand old U. S. of A.
