Kodak EKTACHROME 100 (E100)


EMULSIVE’S most popular film stock reviews of 2020

There are a few days left for 2020 (well, 2 at the time of publication) and like 2019, we didn’t see any film stocks being …

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EMULSIVE’S most popular “5 Frames” of 2020

If you’re celebrating, Merry Christmas! If you’re not, welcome to the end of a year which, well, that’s enough about that. I made a promise …

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Packing light for the Congo: Two countries, one river, eight film stocks

Packing light for the Congo: Two countries, one river, eight film stocks

My travel assignments require me to create strong imagery that can be quickly and seamlessly integrated into a digital workflow, which is why my primary …

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Olympus OM-4T and Olympus Zuiko 300mm f/4.5

5 Frames… With Kodak EKTACHROME E100 (EI 100 / 35mm format / Olympus OM-4T) – by David Hancock

The OM-4 represented the pinnacle of Olympus film camera development. The multi-spot metering function, unique to the OM-3 and OM-4 bodies, afforded photographers the greatest manual exposure control in any film camera produced.

EMULSIVE's most popular film stock reviews of 2018

EMULSIVE’s most popular film stock reviews of 2018

It’s the fourth article in 2018’s end-of-year lazy post, this time counting down the most popular film reviews here on EMULSIVE over the course of 2018.

Ready?

EMULSIVE’s most popular film photography posts of 2018

2017’s end of year listicles seem like they went down pretty well, so I’ve decided to put my personal prejudice against them to one and put together a few more for 2018.

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s

Photography: Kodak EKTACHROME E100 comparison #04: EI 100, EI 200 and EI 100 XPRO (35mm format)

Kodak (new) EKTACHROME E100 comparison #04

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s

Photography: Kodak EKTACHROME E100 comparison #03: EI 100, EI 200 and EI 100 XPRO (35mm format)

Kodak (new) EKTACHROME E100 comparison #03

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s

Photography: Kodak EKTACHROME E100 comparison #02: EI 100, EI 200 and EI 100 XPRO (35mm format)

Kodak (new) EKTACHROME E100 comparison #02

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s

Photography: Kodak EKTACHROME E100 comparison #01: EI 100, EI 200 and EI 100 XPRO (35mm format)

Kodak (new) EKTACHROME E100 comparison #01

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

'lil stunner - Shot on Kodak EKTACHROME E100 at EI 400. Color reversal (slide) film in 35mm format. Push processed two stops.

Photography: ‘lil stunner – Shot on Kodak EKTACHROME E100 at EI 400 – 35mm format

‘lil stunner

Shot on Kodak EKTACHROME E100 at EI 400Color reversal (slide) film in 35mm formatPush processed two stops.

Read the Kodak EKTACHROME E100 first impressions review – EI 100, 200, 400 and 800 tested.

‘lil stunnerShot on Kodak