Kodak EKTACHROME 100 (E100)

My Minolta CLE + Rokkor-M 40mm f/2 and Kodak Ektachrome E100, Oleg Popelyaev

5 Frames… From my first roll of slide film and a Minolta CLE + Minolta Rokkor-M 40mm f/2 (Kodak EKTACHROME 100 / 35mm Format / El 100) – by Oleg Popelyaev

These 5 frames are my first try at shooting a slide film. About 5 months ago I decided to start my journey into the film …

Read more5 Frames… From my first roll of slide film and a Minolta CLE + Minolta Rokkor-M 40mm f/2 (Kodak EKTACHROME 100 / 35mm Format / El 100) – by Oleg Popelyaev

My Yashica Mat-124G, Aivaras Sidla

5 Frames… Of my first time trying Kodak EKTACHROME E100 on a Yashica Mat-124G – by Aivaras Sidla

From the start of my “film shooters career” I was shooting either negative color film or BW negative film. My favorite emulsions were and still …

Read more5 Frames… Of my first time trying Kodak EKTACHROME E100 on a Yashica Mat-124G – by Aivaras Sidla

My GSW690II and 35mm Kodak EKTACHROME E100 - Andrei Pugatsov

5 Frames… Of 35mm film in a Fuji GSW690II: Fun with my TEXPan (EI 100 / 35mm format / Kodak Ektachrome E100) – by Andrei Pugatšov

It all started last year when I began my dive into film photography: all those 35mm and 120 film cameras were so exciting… And then …

Read more5 Frames… Of 35mm film in a Fuji GSW690II: Fun with my TEXPan (EI 100 / 35mm format / Kodak Ektachrome E100) – by Andrei Pugatšov

Shooting expired Kodak EKTACHROME 100 in 220 and 4x5 format: why Im excited medium and large format is coming back

Shooting expired Kodak EKTACHROME 100 in 220 and 4×5 format: why I’m excited medium and large format is coming back

After the successful resurrection of 35mm Ektachrome, Kodak announced it would also bring back 120 and large formats. Later we even found out 4×5 large …

Read moreShooting expired Kodak EKTACHROME 100 in 220 and 4×5 format: why I’m excited medium and large format is coming back

Packing light for the Congo: Two countries, one river, eight film stocks

Packing light for the Congo: Two countries, one river, eight film stocks

My travel assignments require me to create strong imagery that can be quickly and seamlessly integrated into a digital workflow, which is why my primary …

Read morePacking light for the Congo: Two countries, one river, eight film stocks

Olympus OM-4T and Olympus Zuiko 300mm f/4.5

5 Frames… With Kodak EKTACHROME E100 (EI 100 / 35mm format / Olympus OM-4T) – by David Hancock

The OM-4 represented the pinnacle of Olympus film camera development. The multi-spot metering function, unique to the OM-3 and OM-4 bodies, afforded photographers the greatest manual exposure control in any film camera produced.

EMULSIVE's most popular film stock reviews of 2018

EMULSIVE’s most popular film stock reviews of 2018

It’s the fourth article in 2018’s end-of-year lazy post, this time counting down the most popular film reviews here on EMULSIVE over the course of 2018.

Ready?

EMULSIVE’s most popular film photography posts of 2018

2017’s end of year listicles seem like they went down pretty well, so I’ve decided to put my personal prejudice against them to one and put together a few more for 2018.

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s

Photography: Kodak EKTACHROME E100 comparison #04: EI 100, EI 200 and EI 100 XPRO (35mm format)

Kodak (new) EKTACHROME E100 comparison #04

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s

Photography: Kodak EKTACHROME E100 comparison #03: EI 100, EI 200 and EI 100 XPRO (35mm format)

Kodak (new) EKTACHROME E100 comparison #03

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s

Photography: Kodak EKTACHROME E100 comparison #02: EI 100, EI 200 and EI 100 XPRO (35mm format)

Kodak (new) EKTACHROME E100 comparison #02

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s

Photography: Kodak EKTACHROME E100 comparison #01: EI 100, EI 200 and EI 100 XPRO (35mm format)

Kodak (new) EKTACHROME E100 comparison #01

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

'lil stunner - Shot on Kodak EKTACHROME E100 at EI 400. Color reversal (slide) film in 35mm format. Push processed two stops.

Photography: ‘lil stunner – Shot on Kodak EKTACHROME E100 at EI 400 – 35mm format

‘lil stunner

Shot on Kodak EKTACHROME E100 at EI 400Color reversal (slide) film in 35mm formatPush processed two stops.

Read the Kodak EKTACHROME E100 first impressions review – EI 100, 200, 400 and 800 tested.

‘lil stunnerShot on Kodak

Cover - Film review - Kodak EKTACHROME E100 - EI 100, 200, 400, 800 first impressions

Film stock review: Kodak EKTACHROME E100 – shot at EI 100, 200, 400 + 800 first impressions

Here’s a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and 800 – one, two and three-stops of push processing. *1

The images below form part

Cronut - Shot on new Kodak EKTACHROME 100 (E100) at EI 100. Color reversal (slide) film in 35mm format.

Photography: Cronut – Shot on Kodak EKTACHROME 100 (E100) at EI 100 (35mm format)

Cronut
Shot on new Kodak EKTACHROME 100 (E100) at EI 100.
Color reversal (slide) film in 35mm format.