Earlier this year I had the chance to travel to the arctic islands of Svalbard for two months as part of a field campaign for my studies. Being the photography fiend that I am I immediately knew that I would have to bring my cameras along with a ton of film to try to capture […]
Tag: Kodak T-MAX P3200
Here’s everything related to one of the fastest photographic films ever made: Kodak’s T-MAX P3200. Both new and old versions are covered in the articles below. Take your fill.
Posted in5 Frames...
5 Frames… Of night and day at EI 6400 with Kodak T-Max P 3200 and an Edixa-MAT Reflex (35mm format / EI 6400 / Pancolar 50mm f/1.8 and Tessar 50mm f/2.8, 50mm)
During a visit in November 2020, my friend Erik gave me a camera on unlimited loan: an Edixa-MAT Reflex, Model C, built around 1960. At the time of…
Posted in5 Frames..., Articles
5 Frames… On “Secret Santa” Kodak TMAX P3200 (35mm Format / EI 3200 / Praktica MTL5 + Carl Zeiss 50mm f/1.8 Ultron)
Christmas 2019 a discreet messenger informed me I was to receive a “Secret Santa” gift, and asked what I might suggest. I was curious to try Kodak TMAX P3200, so I suggested this as a gift. Two rolls did arrive, and I shot one of them in late December through January (still have the other). […]
Posted in5 Frames..., Articles
5 Frames… Shooting Blues Night 1993 with Stan Webb and Chicken Shack on Kodak T-MAX 3200 (35mm Format / EI 3200 / Minolta X-300 + Tokina SD 70-210mm f/4-5.6)
In autumn 1993 it was time again. The annual Blues Night in the neighboring town of Idar-Oberstein was coming up. This time I also wanted to take pictures there. My first time in a dark hall with a few spotlights on stage. What do I need? Flash was already categorically ruled out for me. I […]
Posted inBest Of
EMULSIVE’S most popular film stock reviews of 2020
There are a few days left for 2020 (well, 2 at the time of publication) and like 2019, we didn’t see any film stocks being discontinued. A small blessing, given everything else that’s been going on. I was hoping for official news of a couple of new film stocks at least but you’ll have to […]
Posted inArticles, Film Notes, Film stock reviews, ILFORD Film Stock Reviews, Kodak Film Stock Reviews, Reviews
Film Notes: Current high-speed films, ILFORD Delta 3200 Professional and Kodak T-MAX P3200
I’ve often described how I think that people looking for a different “look” from film would be better suited exposing and developing in a different way before they’d see any benefit from switching emulsions. Unless someone is searching for a specific “effect” in terms of grain structure, or halation, then most films will produce fairly […]
Posted in5 Frames..., Articles
5 Frames… Of mewithoutYou on Kodak T-MAX P3200 (EI 3200 / 35mm format / Canon Canonet G-III QL17)
When my favorite band — Philadephia’s mewithoutYou — came to town in Fall 2019 fall, I knew I wanted to shoot the concert with film. I’ve been going to punk rock shows since the mid-90s, but have only taken up film photography in earnest over the last year or so. For my first foray into […]
Posted inKodak Film Stock Reviews
Film review: The magic of TMZ – Kodak T-MAX P3200
Have you ever wondered if magic is real or not? Well, I can tell you that it is, and somehow, Kodak has managed to harness that magic and stuff it into a small film canister for me to bewilder over. I have absolutely no idea how they did this but I’m so happy they did. Kodak T-MAX […]
Posted inOpinion
Embracing winter conditions in my film photography workflow
Winter 2018 was when I really buckled down and took black and white photography seriously, as a response to a few uninspiring grey-feeling colour rolls. I wanted to take command of that grey aesthetic, and quickly went through pushed ILFORD XP2 Super, Delta 3200 Professional, Delta 400 Professional, and even some SFX 200, looking to […]
Posted in5 Frames..., Articles
5 Frames… At Tsukiji Fish Market with Kodak Professional T-MAX P3200 (EI 3200 / 35mm format) Leica M3)
I shoot a lot of street photography, most of which is in Japan where I live. Grain has never been my thing.
Posted inBest Of
EMULSIVE’s most popular articles of 2018
It’s the final part of this amazing series of 2018 listcles. Thank you for bearing with these lazy posts and rest safe in the knowledge that while you’ve been reading these, I’ve been away on holiday.
Posted in35mm format
Photography: Open invitation – Shot on Kodak T-MAX 3200 (TMZ) at EI 800 (35mm format)
Open invitation
Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)
Development notes
Kodak HC-110
Posted in5 Frames..., Articles
5 Frames… With Kodak T-MAX P3200 (EI 3200 / 35mm format / Canon EOS 1V)
My choice for black and white film has always been Kodak T-MAX, so when the news broke the new/old T-MAX P3200 version was coming back I was excited.
Posted in35mm format
Photography: Twins – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)
Twins
Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)
Development notes
Kodak HC-110 (B
Posted in35mm format, Photography
Photography: Royalty – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)
Royalty
Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)
Development notes
Kodak HC-110 (B
Posted inLens Reviews
Lens review: the 7artisans 35mm f/2 Leica M-mount lens – first production batch exclusive
UPDATE 01 2017-04-27: Added production specifications
Standing on the shoulders of Hamish Gill’s early look at the pre-release prototype of the 7artisans 35mm f/2 Leica M-mount lens, I’m here to offer my thoughts on one of the very first copies
Posted inFilm stock reviews, Kodak Film Stock Reviews, Reviews
High Speed Journey – Kodak T-MAX P3200 and Kodak Recording Film 2475
New Kodak T-MAX 3200 (TMZ) is flat out great news for film lovers for the additional choice and for what it says about Kodak Alaris’s confidence in the market.
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #32: I am Erwin Recinos and this is why I shoot film
We’re handing over this week’s interviews to focus on some of the folk behind Snapshot Galleria, a quarterly film photography ‘zine from a collective of L.A. based photographers.
