Kodak AEROCHROME III (1443)

Blood-red Witchery: Portraits on Kodak AEROCHROME III color infrared slide film

Blood-red Witchery: Portraits on Kodak AEROCHROME III color infrared slide film

I spent a year preparing to shoot a roll of portraits on Kodak AEROCHROME III Infrared 1443, the false-color infrared-sensitive film manufactured by Kodak for …

Read moreBlood-red Witchery: Portraits on Kodak AEROCHROME III color infrared slide film

My year on film: A 2019 retrospective or, my not-a-365-project

My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project

What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the …

Read moreMy year on film in 115 photos: A 2019 retrospective or, my not-a-365-project

Dead center - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x6. Shot with #21 orange filter.

Photography: Dead center – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)

Dead center

Shot on Kodak AEROCHROME III 1443 at EI 400Color infrared aerial surveillance film in 120 format shot as 6×6Shot with #21 orange filterHasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8

Read the Kodak AEROCHROME review

Dead

Rested - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x6. Shot with #21 orange filter.

Photography: Rested – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)

Rested

Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8

Read the Kodak AEROCHROME

Pads - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x9. Shot with #21 orange filter.

Photography: Pads – Shot on Kodak AEROCHROME III 1443 (Large format)

Pads
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×9
Shot with #21 orange filter

Read the Kodak AEROCHROME review

 

 

 

Nook #02 - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 4x5 large format. Shot with #21 orange filter.

Photography: Nook #02 – Shot on Kodak AEROCHROME III 1443 (Large format)

Nook #02
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 4×5 large format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / Orange #21 filter

Read the Kodak AEROCHROME review / Prints available here

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Kodak Aerochrome III 1443 Infrared (EI 400 : 35mm : Canon EOS-1n) - Daniel Kompass

5 Frames… With Kodak Aerochrome III 1443 Infrared (EI 400 / 35mm format / Canon EOS-1N) – by Daniel Kompass

I first experimented with infrared film back in the late 1970’s, really enjoyed the color shifts using various filters, it gives you a sense of painting with film, having control over the exposure and light as all exposures are

From below - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 35mm format. Shot with #21 orange filter.

Photography: From below – Shot on Kodak AEROCHROME III 1443 (35mm format)

From below

Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter

Read the Kodak AEROCHROME review

 

 

Dripping red - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 35mm format. Shot with #21 orange filter.

Photography: Dripping red – Shot on Kodak AEROCHROME III 1443 (35mm format)

Dripping red

Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter

Read the Kodak AEROCHROME review

 

 

Full bloom - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6×6. Shot with #21 orange filter.

Photography: Full bloom – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)

Full bloom
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter

Read the Kodak AEROCHROME review

 

 

 

Paddy whacker - Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6×6. Shot with #21 orange filter.

Photography: Paddy whacker – Shot on Kodak AEROCHROME III 1443 (120)

Paddy Whacker

Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter

Read the Kodak AEROCHROME review

 

 

 

 

 

Rotation - Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6×6. Shot with #21 orange filter.

Photography: Rotation – Shot on Kodak AEROCHROME III 1443 (120)

Rotation

Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter

Read the Kodak AEROCHROME review

 

 

 

 

 

Madison Falls, Yellowstone National Park - Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x12. Shot with #21 orange filter.

EMULSIVE interview #132: I am #EMULSIVE and this is why I shoot film

Welcome to this week’s EMULSIVE interview!

Today’s interviewee is someone a few of you may have heard of and to be frank, it’s been a bit of headache to put together.

Red Sisters - Fuji GW690III, Kodak Aerochrome

EMULSIVE interview #128: I am Gareth Buckett and this is why I shoot film

I’m pleased to be able to bring you the words and photography of Gareth Buckett, Australian-based film and digital photographer;

Vernicular rising - Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x6. Shot with #21 orange filter.

Photography: Vernicular rising – Shot on Kodak AEROCHROME III 1443 (120)

Vernicular rising

Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter

Read the Kodak AEROCHROME review