There are a few days left for 2020 (well, 2 at the time of publication) and like 2019, we didn’t see any film stocks being discontinued. A small blessing, given everything else that’s been going on. I was hoping for official news of a couple of new film stocks at least but you’ll have to […]
Tag: Kodak AEROCHROME III (1443)
Posted in5 Frames..., Articles
5 Frames… Of the Saskatchewan prairies on Kodak AEROCHROME III Infrared Film 1443 (120 Format / EI 400 / Mamiya C330 Professional S)
What an amazing way to visualise the world. I have pursued the joys and wonders of film photography and darkroom work for some decades now and within this journey find it not only therapeutic but fascinating when I can try new film emulsions, chemistry or papers (really liking ILFORD’S new RC MG V). Thanks to […]
Posted inKodak Film Stock Reviews
Blood-red Witchery: Portraits on Kodak AEROCHROME III color infrared slide film
I spent a year preparing to shoot a roll of portraits on Kodak AEROCHROME III Infrared 1443, the false-color infrared-sensitive film manufactured by Kodak for aerial reconnaissance and scientific purposes in one shape or form between the early 1940s and 2010. There are some informative articles on the web about the film and how to […]
Posted inFeatured projects
I’m using Minecraft to host a charitable photographic exhibition in a physically isolated world
Exploring how one film photographer created an art gallery in Minecraft for a unique photographic exhibition.
Posted inOpinion
My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project
What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the results from 115 of the sheets/rolls of film I shot in 2019. It boils down to over one hundred photographs taken by yours truly, all wrapped up in a couple […]
Posted inMedium format
Photography: Dead center – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)
Dead center
Shot on Kodak AEROCHROME III 1443 at EI 400Color infrared aerial surveillance film in 120 format shot as 6×6Shot with #21 orange filterHasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Read the Kodak AEROCHROME review
Dead
Posted inMedium format
Photography: Rested – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)
Rested
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Read the Kodak AEROCHROME
Posted inMedium format, Photography
Photography: Pads – Shot on Kodak AEROCHROME III 1443 (Large format)
Pads
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×9
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Posted inLarge format, Photography
Photography: Nook #02 – Shot on Kodak AEROCHROME III 1443 (Large format)
Nook #02
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 4×5 large format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / Orange #21 filter
Read the Kodak AEROCHROME review / Prints available here
 
Posted in5 Frames..., Articles
5 Frames… With Kodak Aerochrome III 1443 Infrared (EI 400 / 35mm format / Canon EOS-1N)
I first experimented with infrared film back in the late 1970’s, really enjoyed the color shifts using various filters, it gives you a sense of painting with film, having control over the exposure and light as all exposures are
Posted in35mm format, Photography
Photography: From below – Shot on Kodak AEROCHROME III 1443 (35mm format)
From below
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Posted in35mm format, Photography
Photography: Dripping red – Shot on Kodak AEROCHROME III 1443 (35mm format)
Dripping red
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Posted inMedium format, Photography
Photography: Full bloom – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)
Full bloom
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Posted inMedium format, Photography
Photography: Paddy whacker – Shot on Kodak AEROCHROME III 1443 (120)
Paddy Whacker
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Posted inMedium format, Photography
Photography: Rotation – Shot on Kodak AEROCHROME III 1443 (120)
Rotation
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #132: I am #EMULSIVE and this is why I shoot film
Welcome to this week’s EMULSIVE interview!
Today’s interviewee is someone a few of you may have heard of and to be frank, it’s been a bit of headache to put together.
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #128: I am Gareth Buckett and this is why I shoot film
I’m pleased to be able to bring you the words and photography of Gareth Buckett, Australian-based film and digital photographer;
Posted inMedium format, Photography
Photography: Vernicular rising – Shot on Kodak AEROCHROME III 1443 (120)
Vernicular rising
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Posted inMedium format, Photography
Photography: Palm Grove – Shot on Kodak AEROCHROME III 1443 (120)
Palm grove
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Posted inFilm Photographer Interviews
EMULSIVE interview #99: I am Dean Bennici and this is why I shoot film
It’s difficult to understate Dean Bennici’s importance to the world of color infrared photography.
