Kodak AEROCHROME III (1443)
I’m using Minecraft to host a charitable photographic exhibition in a physically isolated world
Exploring how one film photographer created an art gallery in Minecraft for a unique photographic exhibition.
My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project
What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article,...
Photography: Dead center – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)
Dead center
Shot on Kodak AEROCHROME III 1443 at EI 400Color infrared aerial surveillance film in 120 format shot as 6×6Shot with #21 orange filterHasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Read the Kodak AEROCHROME review
Dead
Photography: Rested – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)
Rested
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Read the Kodak AEROCHROME
Photography: Pads – Shot on Kodak AEROCHROME III 1443 (Large format)
Pads
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6x9
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Photography: Nook #02 – Shot on Kodak AEROCHROME III 1443 (Large format)
Nook #02
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 4x5 large format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / Orange #21 filter
Read the Kodak AEROCHROME review / Prints available here
5 Frames… With Kodak Aerochrome III 1443 Infrared (EI 400 / 35mm format / Canon EOS-1N) – by Daniel Kompass
I first experimented with infrared film back in the late 1970's, really enjoyed the color shifts using various filters, it gives you a sense of painting with film, having control over the exposure and light as all exposures are
Photography: From below – Shot on Kodak AEROCHROME III 1443 (35mm format)
From below
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Photography: Dripping red – Shot on Kodak AEROCHROME III 1443 (35mm format)
Dripping red
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Photography: Full bloom – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)
Full bloom
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Photography: Paddy whacker – Shot on Kodak AEROCHROME III 1443 (120)
Paddy Whacker
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Photography: Rotation – Shot on Kodak AEROCHROME III 1443 (120)
Rotation
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Read the Kodak AEROCHROME review
EMULSIVE interview #132: I am #EMULSIVE and this is why I shoot film
Welcome to this week's EMULSIVE interview!
Today's interviewee is someone a few of you may have heard of and to be frank, it's been a bit of headache to put together.
EMULSIVE interview #128: I am Gareth Buckett and this is why I shoot film
I'm pleased to be able to bring you the words and photography of Gareth Buckett, Australian-based film and digital photographer;
Photography: Vernicular rising – Shot on Kodak AEROCHROME III 1443 (120)
Vernicular rising
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Photography: Palm Grove – Shot on Kodak AEROCHROME III 1443 (120)
Palm grove
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Read the Kodak AEROCHROME review
EMULSIVE interview #99: I am Dean Bennici and this is why I shoot film
It's difficult to understate Dean Bennici's importance to the world of color infrared photography.
Travelogue: Shooting Kodak AEROCHROME in the Yucatan
Most film shooters have heard of Kodak's AEROCHROME colour infrared film, it turns healthy green foliage a deep red or pink where infrared light is reflected.
Photography: The narrows – Shot on Kodak AEROCHROME III 1443 (35mm)
The narrows
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Photography: Osaka infrared – Kodak AEROCHROME III 1443 (120)
Osaka infrared
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Read the Kodak AEROCHROME review
