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Tag: Kodak AEROCHROME III (1443)

Dead center - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x6. Shot with #21 orange filter.
Medium format

Photography: Dead center – Shot on Kodak AEROCHROME III 1443 at EI...

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Dead center Shot on Kodak AEROCHROME III 1443 at EI 400Color infrared aerial surveillance film in 120 format shot as 6×6Shot with #21 orange filterHasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Read the Kodak AEROCHROME review Dead
Rested - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x6. Shot with #21 orange filter.
Medium format

Photography: Rested – Shot on Kodak AEROCHROME III 1443 at EI 400...

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Rested Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Read the Kodak AEROCHROME
Pads - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x9. Shot with #21 orange filter.
Medium format

Photography: Pads – Shot on Kodak AEROCHROME III 1443 (Large format)

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Pads Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6x9 Shot with #21 orange filter Read the Kodak AEROCHROME review      
Nook #02 - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 4x5 large format. Shot with #21 orange filter.
Large format

Photography: Nook #02 – Shot on Kodak AEROCHROME III 1443 (Large...

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Nook #02 Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 4x5 large format AEROgraphic / Kodak Anastigmat 161mm f/4.5 / Orange #21 filter Read the Kodak AEROCHROME review / Prints available here  
Kodak Aerochrome III 1443 Infrared (EI 400 : 35mm : Canon EOS-1n) - Daniel Kompass
5 Frames With

5 Frames With… Kodak Aerochrome III 1443 Infrared (EI 400 /...

Daniel Kompass -
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I first experimented with infrared film back in the late 1970's, really enjoyed the color shifts using various filters, it gives you a sense of painting with film, having control over the exposure and light as all exposures are
From below - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 35mm format. Shot with #21 orange filter.
35mm format

Photography: From below – Shot on Kodak AEROCHROME III 1443 (35mm...

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From below Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 35mm format Shot with #21 orange filter Read the Kodak AEROCHROME review    
Dripping red - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 35mm format. Shot with #21 orange filter.
35mm format

Photography: Dripping red – Shot on Kodak AEROCHROME III 1443...

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Dripping red Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 35mm format Shot with #21 orange filter Read the Kodak AEROCHROME review    
Full bloom - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6×6. Shot with #21 orange filter.
Medium format

Photography: Full bloom – Shot on Kodak AEROCHROME III 1443 at EI...

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Full bloom Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Read the Kodak AEROCHROME review      
Paddy whacker - Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6×6. Shot with #21 orange filter.
Medium format

Photography: Paddy whacker – Shot on Kodak AEROCHROME III 1443 (120)

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Paddy Whacker Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Read the Kodak AEROCHROME review          
Rotation - Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6×6. Shot with #21 orange filter.
Medium format

Photography: Rotation – Shot on Kodak AEROCHROME III 1443 (120)

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Rotation Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Read the Kodak AEROCHROME review          
Madison Falls, Yellowstone National Park - Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x12. Shot with #21 orange filter.
Film Photographer Interviews

EMULSIVE interview #132: I am #EMULSIVE and this is why I...

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Welcome to this week's EMULSIVE interview! Today's interviewee is someone a few of you may have heard of and to be frank, it's been a bit of headache to put together.
Red Sisters - Fuji GW690III, Kodak Aerochrome
Film Photographer Interviews

EMULSIVE interview #128: I am Gareth Buckett and this is why...

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I'm pleased to be able to bring you the words and photography of Gareth Buckett, Australian-based film and digital photographer;
Vernicular rising - Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x6. Shot with #21 orange filter.
Medium format

Photography: Vernicular rising – Shot on Kodak AEROCHROME III 1443 (120)

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Vernicular rising Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Read the Kodak AEROCHROME review          
Palm grove - Kodak AEROCHROME III (1443) shot at EI 400. Color infrared slide film in 120 format shot as 6x6. Orange #21 filter
Medium format

Photography: Palm Grove – Shot on Kodak AEROCHROME III 1443 (120)

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Palm grove Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Read the Kodak AEROCHROME review      
Film Photographer Interviews

EMULSIVE interview #99: I am Dean Bennici and this is why...

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It's difficult to understate Dean Bennici's importance to the world of color infrared photography.
Mexico IR - Kodak AEROCHROME © Rob Hawthorn April 2016
Articles

Travelogue: Shooting Kodak AEROCHROME in the Yucatan

Rob Hawthorn -
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Most film shooters have heard of Kodak's AEROCHROME colour infrared film, it turns healthy green foliage a deep red or pink where infrared light is reflected.
The narrows - Kodak Aerochrome III (1443) shot at EI 400. Color infrared slide film in 35mm format. Orange #21 filter.
35mm format

Photography: The narrows – Shot on Kodak AEROCHROME III 1443 (35mm)

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The narrows Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 35mm format Shot with #21 orange filter Read the Kodak AEROCHROME review        
Osaka infrared - Kodak Aerochrome III (1443) shot at ISO400. Color infrared slide film in 35mm format. Orange #21 filter.
Medium format

Photography: Osaka infrared – Kodak AEROCHROME III 1443 (120)

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Osaka infrared Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Read the Kodak AEROCHROME review      
Tranquility - Kodak Aerochrome III (1443) shot at ISO400. Color infrared slide film in 35mm format. Orange #21 filter.
35mm format

Photography: Tranquility – Shot on Kodak AEROCHROME III 1443 (35mm)

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Tranquility Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 35mm format Shot with #21 orange filter Read the Kodak AEROCHROME review      
Lush - Kodak Aerochrome III (1443) shot at ISO400. Color infrared slide film in 120 format shot as 6×6. Orange #21 filter
Medium format

Photography: Lush – Shot on Kodak AEROCHROME III 1443 at EI...

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Lush Shot on Kodak AEROCHROME III Infrared Film 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6x6 Overexposed one stop with #21 orange filter Read the Kodak AEROCHROME III 1443 review here.    
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