Kodak AEROCHROME III (1443)


EMULSIVE’S most popular film stock reviews of 2020

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There are a few days left for 2020 (well, 2 at the time of publication) and like 2019, we didn’t see any film stocks being …

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My year on film: A 2019 retrospective or, my not-a-365-project

My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project

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What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the …

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Dead center - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x6. Shot with #21 orange filter.

Photography: Dead center – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)

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Dead center

Shot on Kodak AEROCHROME III 1443 at EI 400Color infrared aerial surveillance film in 120 format shot as 6×6Shot with #21 orange filterHasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8

Read the Kodak AEROCHROME review

Dead

Rested - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x6. Shot with #21 orange filter.

Photography: Rested – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)

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Rested

Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8

Read the Kodak AEROCHROME

Pads - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x9. Shot with #21 orange filter.

Photography: Pads – Shot on Kodak AEROCHROME III 1443 (Large format)

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Pads
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×9
Shot with #21 orange filter

Read the Kodak AEROCHROME review

 

 

 

Nook #02 - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 4x5 large format. Shot with #21 orange filter.

Photography: Nook #02 – Shot on Kodak AEROCHROME III 1443 (Large format)

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Nook #02
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 4×5 large format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / Orange #21 filter

Read the Kodak AEROCHROME review / Prints available here

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Kodak Aerochrome III 1443 Infrared (EI 400 : 35mm : Canon EOS-1n) - Daniel Kompass

5 Frames… With Kodak Aerochrome III 1443 Infrared (EI 400 / 35mm format / Canon EOS-1N) – by Daniel Kompass

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I first experimented with infrared film back in the late 1970’s, really enjoyed the color shifts using various filters, it gives you a sense of painting with film, having control over the exposure and light as all exposures are

From below - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 35mm format. Shot with #21 orange filter.

Photography: From below – Shot on Kodak AEROCHROME III 1443 (35mm format)

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From below

Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter

Read the Kodak AEROCHROME review

 

 

Dripping red - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 35mm format. Shot with #21 orange filter.

Photography: Dripping red – Shot on Kodak AEROCHROME III 1443 (35mm format)

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Dripping red

Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter

Read the Kodak AEROCHROME review

 

 

Full bloom - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6×6. Shot with #21 orange filter.

Photography: Full bloom – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)

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Full bloom
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter

Read the Kodak AEROCHROME review

 

 

 

Paddy whacker - Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6×6. Shot with #21 orange filter.

Photography: Paddy whacker – Shot on Kodak AEROCHROME III 1443 (120)

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Paddy Whacker

Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter

Read the Kodak AEROCHROME review

 

 

 

 

 

Rotation - Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6×6. Shot with #21 orange filter.

Photography: Rotation – Shot on Kodak AEROCHROME III 1443 (120)

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Rotation

Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter

Read the Kodak AEROCHROME review

 

 

 

 

 

Madison Falls, Yellowstone National Park - Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x12. Shot with #21 orange filter.

EMULSIVE interview #132: I am #EMULSIVE and this is why I shoot film

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Welcome to this week’s EMULSIVE interview!

Today’s interviewee is someone a few of you may have heard of and to be frank, it’s been a bit of headache to put together.

Red Sisters - Fuji GW690III, Kodak Aerochrome

EMULSIVE interview #128: I am Gareth Buckett and this is why I shoot film

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I’m pleased to be able to bring you the words and photography of Gareth Buckett, Australian-based film and digital photographer;

Vernicular rising - Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x6. Shot with #21 orange filter.

Photography: Vernicular rising – Shot on Kodak AEROCHROME III 1443 (120)

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Vernicular rising

Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter

Read the Kodak AEROCHROME review