Kodak AEROCHROME III (1443) archives on EMULSIVE

EMULSIVE’S most popular film stock reviews of 2020

December 29, 2020 by EM

There are a few days left for 2020 (well, 2 at the time of publication) and like 2019, we didn’t see any film stocks being …

5 Frames… Of the Saskatchewan prairies on Kodak AEROCHROME III Infrared Film 1443 (120 Format / EI 400 / Mamiya C330 Professional S) – by Bob St-Cyr

December 21, 2020 by Bob St. Cyr

What an amazing way to visualise the world. I have pursued the joys and wonders of film photography and darkroom work for some decades now …

Blood-red Witchery: Portraits on Kodak AEROCHROME III color infrared slide film

October 16, 2020October 4, 2020 by Mikhail Kostin

I spent a year preparing to shoot a roll of portraits on Kodak AEROCHROME III Infrared 1443, the false-color infrared-sensitive film manufactured by Kodak for …

I’m using Minecraft to host a charitable photographic exhibition in a physically isolated world

October 16, 2020May 17, 2020 by Jason De Freitas

Exploring how one film photographer created an art gallery in Minecraft for a unique photographic exhibition.

My year on film: A 2019 retrospective or, my not-a-365-project

My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project

October 16, 2020January 19, 2020 by EM

What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article, I share the …

Dead center - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x6. Shot with #21 orange filter.

Photography: Dead center – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)

October 16, 2020June 1, 2019 by EM

Dead center

Shot on Kodak AEROCHROME III 1443 at EI 400Color infrared aerial surveillance film in 120 format shot as 6×6Shot with #21 orange filterHasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8

Read the Kodak AEROCHROME review

Dead

Rested - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x6. Shot with #21 orange filter.

Photography: Rested – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)

October 16, 2020May 25, 2019 by EM

Rested

Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8

Read the Kodak AEROCHROME

Pads - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x9. Shot with #21 orange filter.

Photography: Pads – Shot on Kodak AEROCHROME III 1443 (Large format)

October 16, 2020February 24, 2019 by EM

Pads
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×9
Shot with #21 orange filter

Read the Kodak AEROCHROME review

Nook #02 - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 4x5 large format. Shot with #21 orange filter.

Photography: Nook #02 – Shot on Kodak AEROCHROME III 1443 (Large format)

October 16, 2020February 23, 2019 by EM

Nook #02
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 4×5 large format
AEROgraphic / Kodak Anastigmat 161mm f/4.5 / Orange #21 filter

Read the Kodak AEROCHROME review / Prints available here

&nbsp

Kodak Aerochrome III 1443 Infrared (EI 400 : 35mm : Canon EOS-1n) - Daniel Kompass

5 Frames… With Kodak Aerochrome III 1443 Infrared (EI 400 / 35mm format / Canon EOS-1N) – by Daniel Kompass

February 13, 2020February 4, 2019 by Daniel Kompass

I first experimented with infrared film back in the late 1970’s, really enjoyed the color shifts using various filters, it gives you a sense of painting with film, having control over the exposure and light as all exposures are

From below - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 35mm format. Shot with #21 orange filter.

Photography: From below – Shot on Kodak AEROCHROME III 1443 (35mm format)

October 16, 2020July 16, 2018 by EM

From below

Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter

Read the Kodak AEROCHROME review

Photography: Dripping red – Shot on Kodak AEROCHROME III 1443 (35mm format)

October 16, 2020July 12, 2018 by EM

Dripping red

Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 35mm format
Shot with #21 orange filter

Read the Kodak AEROCHROME review

Full bloom - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6×6. Shot with #21 orange filter.

Photography: Full bloom – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)

October 16, 2020June 5, 2018 by EM

Full bloom
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter

Read the Kodak AEROCHROME review

Paddy whacker - Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6×6. Shot with #21 orange filter.

Photography: Paddy whacker – Shot on Kodak AEROCHROME III 1443 (120)

October 16, 2020July 20, 2017 by EM

Paddy Whacker

Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter

Read the Kodak AEROCHROME review

Rotation - Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6×6. Shot with #21 orange filter.

Photography: Rotation – Shot on Kodak AEROCHROME III 1443 (120)

October 16, 2020July 18, 2017 by EM

Rotation

Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter

Read the Kodak AEROCHROME review

Madison Falls, Yellowstone National Park - Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x12. Shot with #21 orange filter.

EMULSIVE interview #132: I am #EMULSIVE and this is why I shoot film

October 16, 2020March 22, 2017 by EM

Welcome to this week’s EMULSIVE interview!

Today’s interviewee is someone a few of you may have heard of and to be frank, it’s been a bit of headache to put together.

Red Sisters - Fuji GW690III, Kodak Aerochrome

EMULSIVE interview #128: I am Gareth Buckett and this is why I shoot film

October 16, 2020February 22, 2017 by EM

I’m pleased to be able to bring you the words and photography of Gareth Buckett, Australian-based film and digital photographer;

Vernicular rising - Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x6. Shot with #21 orange filter.

Photography: Vernicular rising – Shot on Kodak AEROCHROME III 1443 (120)

October 16, 2020February 8, 2017 by EM

Vernicular rising

Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter

Read the Kodak AEROCHROME review

Palm grove - Kodak AEROCHROME III (1443) shot at EI 400. Color infrared slide film in 120 format shot as 6x6. Orange #21 filter

Photography: Palm Grove – Shot on Kodak AEROCHROME III 1443 (120)

October 16, 2020October 17, 2016 by EM

Palm grove
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Read the Kodak AEROCHROME review

EMULSIVE interview #99: I am Dean Bennici and this is why I shoot film

October 16, 2020July 27, 2016 by EM

It’s difficult to understate Dean Bennici’s importance to the world of color infrared photography.