Tag: Kodak AEROCHROME III (1443)

What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article,...

Dead centerShot on Kodak AEROCHROME III 1443 at EI 400Color infrared aerial surveillance film in 120 format shot as 6×6Shot with #21 orange filterHasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8Read the Kodak AEROCHROME reviewDead

RestedShot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8Read the Kodak AEROCHROME

Pads Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6x9 Shot with #21 orange filterRead the Kodak AEROCHROME review   

Nook #02 Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 4x5 large format AEROgraphic / Kodak Anastigmat 161mm f/4.5 / Orange #21 filterRead the Kodak AEROCHROME review / Prints available here 

I first experimented with infrared film back in the late 1970's, really enjoyed the color shifts using various filters, it gives you a sense of painting with film, having control over the exposure and light as all exposures are

From belowShot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 35mm format Shot with #21 orange filterRead the Kodak AEROCHROME review  

Dripping redShot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 35mm format Shot with #21 orange filterRead the Kodak AEROCHROME review  

Full bloom Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filterRead the Kodak AEROCHROME review   

Paddy WhackerShot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filterRead the Kodak AEROCHROME review     

RotationShot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filterRead the Kodak AEROCHROME review     

Welcome to this week's EMULSIVE interview!Today's interviewee is someone a few of you may have heard of and to be frank, it's been a bit of headache to put together.

I'm pleased to be able to bring you the words and photography of Gareth Buckett, Australian-based film and digital photographer;

Vernicular risingShot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filterRead the Kodak AEROCHROME review     

Palm grove Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Read the Kodak AEROCHROME review    

It's difficult to understate Dean Bennici's importance to the world of color infrared photography.

Most film shooters have heard of Kodak's AEROCHROME colour infrared film, it turns healthy green foliage a deep red or pink where infrared light is reflected.

The narrowsShot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 35mm format Shot with #21 orange filterRead the Kodak AEROCHROME review    

Osaka infraredShot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filterRead the Kodak AEROCHROME review   

TranquilityShot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 35mm format Shot with #21 orange filterRead the Kodak AEROCHROME review