Posted inPhotosets and stories

A Leica in the Limousin: Photographic Bliss in 1980s Rural France on Agfapan 100 Professional

It was in the backwaters of France that I decided to do the research right here for my Master’s in anthropology. Almost every morning, the sun crept over the forested hills at seven but was quickly pushed away by dark clouds, which brought rain the entire day until sunset, where our perennial star showed the […]

Posted in5 Frames...Articles

5 Frames… Of ILFORD HP5 PLUS developed in Caffenol-C (35mm Format / EI 400 / Voigtlander Bessa R2 + Leica Summicron 50mm)

Paddy is a science teacher at the school where I work and a friend I’ve known for years. He likes: Star WarsCoffeeAstrophysicsAmerican Football I’m an English teacher. I like: Star WarsTeaPhotographyPoetry Besides Star Wars, the friendship is mostly based on us both being decent blokes. But recently, we found a new area where, in the […]

Posted inArticlesFeaturedOpinion

Working the Scene from Four Different Perspectives: Protest Photography by New Exit Photography Group

Expressions of civil unrest have provided many opportunities for photographers to capture the energetic, emotional scenes which are the byproduct of demonstrations, protests, riots, and other manifestations. Crowds offer such a dynamic set of possibilities that I’ve even heard some describe protests as being “cheating,” or “too easy – fish in a barrel.” While it’s […]

Posted in5 Frames...Articles

5 Frames… With Lomography CN 400 on an uncoated lens (35mm Format / Leica M6 + Voigtländer 35mm f/1.4 Nokton Classic SC)

When it comes to print film we all have our favorites, be it for aesthetics, latitude, how they handle some (intentional) abuse (over/underexposure, pushing, pulling), e.t.c. And I have narrowed down my list to Kodak Ektar 100, Kodak Ultramax 400 and CineStill 800T as, from my own experience and preferences this specific trio covers all […]