Tag: Leica
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Framed – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)
Framed Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm...
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Up and to the right – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)
Up and to the right Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film...
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The moon and the mountains – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)
The moon and the mountains Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal...
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EMULSIVE interview #188: I am Ted Vieira and this is why I shoot film – NSFW
Today’s interviewee is the man once described as “the man with the silkiest voice...
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Open invitation – Shot on Kodak T-MAX 3200 (TMZ) at EI 800 (35mm format)
Open invitation Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm...
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No smoking – Shot on Fuji NEOPAN 400 at EI 400 (35mm format)
No smoking Shot on Fuji NEOPAN 400 at EI 400 Black and white negative film in 35mm format Over...
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5 Frames With… ILFORD DELTA 100 Professional (35mm / EI 80 / Leica MP) – by Roger Wojahn
In the beginning, there was film. My favorite emulsions for the decades starting in 1976, were...
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EMULSIVE interview #185: I am Tony Vaccaro and this is why I shoot film
It’s impossible to understate Tony Vaccaro’s contribution to the 20th century, be it...
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5 Frames With… ILFORD HP5 PLUS (35mm / EI 1600 / Leica M4) – by Paul A J Lewis
I live in North-East Lincolnshire in the UK and was raised in the coastal town of Cleethorpes, a...
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Don’t leave your sh1t at the beach – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Don’t leave your sh1t at the beach Shot on Kodak Ektar 100 at EI 100 Color negative film in...
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Mumbai Part 5: a permanent change of station – by Andrew J. Tonn
MEXICO — The monsoon rains had been slow in coming. The heat built and there were clouds in the...
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From below – Shot on Kodak AEROCHROME III 1443 (35mm format)
From below Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in...
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Dripping red – Shot on Kodak AEROCHROME III 1443 (35mm format)
Dripping red Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film...
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Zero – Shot on Kodak ColorPlus 200 at EI 200 (35mm format)
Zero Shot on Kodak ColorPlus 200 at EI 200 Color negative film in 35mm format Write for...
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5 Frames With… Kentmere 400 (EI 1600 / 35mm / Leica M4) – by Paul Lewis
I shot this roll during a visit to Hull in the United Kingdom. I usually shoot ILFORD HP5 PLUS and...
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5 Frames With… Kodak ColorPlus 200 (EI 200 / 35mm Leica M6) – by Adib Mufty
After a long struggle trying to find the right lens for my Leica M6, I decided to give the...
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5 Frames With… Kodak EKTACHROME 64T (EI 64 / 35mm / Leica M6) – by Etienne Despois
The photos I present you were made with my Leica M6, 35mm Summicron and Kodak EKTACHROME 64T,...
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Twins – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)
Twins Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull...
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Condensed – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)
Condensed Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format...
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Royalty – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)
Royalty Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull...
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