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While my freshly shot and developed Tri-X 400 (using Kodak D76) is hanging up to dry, I would like to summarize some...
The Leica C1 was not on my list of 'must-haves,' but one came up cheap, so I thought I would try it. It is quite good in some ways, quite bad in others. It’s a Leica, which is obviously a big plus point for many people.
London Shot on Kodak Portra 160 at EI 160Color negative film in 35mm format LondonShot on Kodak Portra 160 at EI 160.Color negative film in 35mm format.
I used Fuji Natura 1600 for the first time in early December of 2018 during a three-day trip to Liverpool and its metropolitan area.
Ever since starting to shoot film again after a longish foray into the digital world, I have been looking for a replacement for my beloved Kodak Technical Pan, which was discontinued at the turn of the millennium.
There are a few reasons it's taken me so long to become comfortable with shooting Tri-X, and I thought it might be useful to share these, both so that I can understand my process more coherently (as with most
You'll no doubt know two things about Kosmo Mono film; first is the packaging and branding are great. Inspired by the artwork of Soviet era propaganda, it features blocky, simple designs of space rockets and jet planes.
It's all theatre Shot on Kodak Portra 160 at EI 160 Colour negative film in 35mm format Leica M6 TTL 0.85 + Canon S Serenar 50mm f/1.5
Travelling to unknown places makes you feel alive. Experiencing new things in a new environment makes your heart pumping.
I have to start with saying of late my taste in colour film has been changing.
Framed Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm format Leica M6 TTL + Voigtlander 21mm f/4
Up and to the right #01 Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm format Leica M6 TTL + Voigtlander 21mm f/4
The moon and the mountains Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm format Leica M6 TTL + Voigtlander 21mm f/4 Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide
Today's interviewee is the man once described as "the man with the silkiest voice you'll ever hear" (by me), Ted Viera. Trust me, I'm not wrong on this one.
Open invitation Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull processed 2 stops Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review) Development notes Kodak HC-110
No smoking Shot on Fuji NEOPAN 400 at EI 400 Black and white negative film in 35mm format Over processed one stop Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 06:30 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute
In the beginning, there was film. My favorite emulsions for the decades starting in 1976, were slow speed Kodachrome (25 and 64) and Tri-X shot on a Canon F-1n.
It's impossible to understate Tony Vaccaro's contribution to the 20th century, be it in his role as World War II combatant and documentarian, or his post-war work in fashion and portrait photography.
I live in North-East Lincolnshire in the UK and was raised in the coastal town of Cleethorpes, a once glorious Victorian seaside resort whose star has now largely faded.
Don't leave your sh1t at the beach Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format Over processed one stop.