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What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article,...
These photos were shot on my last trip to Japan during the cherry blossom season. Japan held a special place in my...
This article is part diary, part camera review, part lens review, and part film review, all based around my average day-to-day exploits as a film-based street photographer and photojournalist in London.
I discovered this location - Dakota Crescent - whilst riding to my usual skate spots. It is one of Singapore's oldest estates...
Split between continents and cultures, today's fresh interviewee Amol Parikh takes us on a trip into his photographic story, from the US...
While my freshly shot and developed Tri-X 400 (using Kodak D76) is hanging up to dry, I would like to summarize some...
The Leica C1 was not on my list of 'must-haves,' but one came up cheap, so I thought I would try it. It is quite good in some ways, quite bad in others. It’s a Leica, which is obviously a big plus point for many people.
London Shot on Kodak Portra 160 at EI 160Color negative film in 35mm format LondonShot on Kodak Portra 160 at EI 160.Color negative film in 35mm format.
I used Fuji Natura 1600 for the first time in early December of 2018 during a three-day trip to Liverpool and its metropolitan area.
Ever since starting to shoot film again after a longish foray into the digital world, I have been looking for a replacement for my beloved Kodak Technical Pan, which was discontinued at the turn of the millennium.
There are a few reasons it's taken me so long to become comfortable with shooting Tri-X, and I thought it might be useful to share these, both so that I can understand my process more coherently (as with most
You'll no doubt know two things about Kosmo Mono film; first is the packaging and branding are great. Inspired by the artwork of Soviet era propaganda, it features blocky, simple designs of space rockets and jet planes.
It's all theatre Shot on Kodak Portra 160 at EI 160 Colour negative film in 35mm format Leica M6 TTL 0.85 + Canon S Serenar 50mm f/1.5
Travelling to unknown places makes you feel alive. Experiencing new things in a new environment makes your heart pumping.
I have to start with saying of late my taste in colour film has been changing.
Framed Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm format Leica M6 TTL + Voigtlander 21mm f/4
Up and to the right #01 Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm format Leica M6 TTL + Voigtlander 21mm f/4
The moon and the mountains Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm format Leica M6 TTL + Voigtlander 21mm f/4 Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide
Today's interviewee is the man once described as "the man with the silkiest voice you'll ever hear" (by me), Ted Viera. Trust me, I'm not wrong on this one.
Open invitation Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull processed 2 stops Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review) Development notes Kodak HC-110