I brought my Pentax K1000 (a combined birthday and Christmas gift in 1988) back into service in 2021, after a decades-long hiatus from it, and after 15 or so years of not shooting film at all. I was surprised to find myself every bit as happy to be shooting film as I had been when […]
Tag: Kodak T-MAX 400
Here’s everything related to one of today’s modern high-speed black and white negative film staples: Kodak’s T-MAX 400.
Anatomy of a long term documentary project – by Simon King
Storytelling is an essential part of society and shapes the way we experience everything from the obvious mass media in cinema, books, music and advertising, to more subtle things like the way a restaurant might present its menu, or the way a lawyer may present a case. Stories shape us from childhood and become what […]
5 Frames… Biking on Akansas’ Mount Kessler with a Kodak Brownie Hawkeye and on Kodak T-MAX 400 (120 Format / EI 400) – by Jesse Camacho
Living in Arkansas, I’m always in awe of all the nature surrounding me. I can get in my car, drive, and without a doubt, end up at a hiking trail or lake. I guess that’s why they call us the “Natural State.” I took on mountain biking not too long ago. I do all of […]
Going underground: Documenting the history, legacy, and radioactivity of uranium mining with autoradiograms
My Geiger counter crackled and I read the dial: one thousand counts per minute, roughly twenty-seven times normal background radiation….
5 Frames… Around China’s Huangshan on Kodak T-MAX 400 and a Leica R6 (35mm format / EI 400 / Leica Summicron-R 35mm f/2.0
I back got into film in 2019 after I bought an almost mint-condition Hasselblad 503CW kit with the standard Carl Zeiss Planar CF 80mm f/2.8 lens, and then a Sonnar CF 150mm f/4.0. My first experience with film cameras was with a Pentax K1000 back in the 1990s, but this time I went all out. […]
My first roll… Kodak T-MAX 400 with a Nikon FE + Nikon Series E 50mm f/1.8 lens
I started taking photos in 2020 as a hobby, the idea of photography excited me as it was a way to see the city and my Vancouver neighbourhood through a different lens. Growing up my mom loved photography and had always had a Nikon FE around. As a child, I loved holding the camera, turning […]
5 Frames… Of mistakes on Kodak T-MAX 100 (35mm Format / EI 100 / Leica M4 + Summicron 5cm f/2)
A few months back, I wrote an article here about how I met some camels while on a desert shoot. They appeared out of nowhere, cresting over a dune some ways away, just as I found myself at the end of a roll of T-MAX 100. I went about opening the camera, but in my […]
EMULSIVE Interview #225: I am Andrea Bianchi and this is why I shoot film
Say hello to Andrea Bianchi; Surfer, extreme sports photographer, photo editor and portraitist based in one of the most beautiful parts of the world. Andrea and I have been crossing paths for 18 months now and I’m glad to finally be able to bring his interview to you. Settle in, this is going to be […]
5 Frames… Of a ghost town called Chicago in January 2021 (Kodak T-MAX 400 (35mm Format / EI 320 / Nikon F + Nikkor NC Auto 24mm f/2.8 pre-AI)
It’s the beginning of 2021 and COVID is still running full force. I am a freelance corporate photographer and COVID-19 has decimated my business. So this was a rare instance in which a client from a Chicago law firm called for some portraits of a few new attorneys. I hadn’t been to downtown Chicago since […]
5 Frames… Of the Circo Atayde Hermanos on Kodak T-MAX 400 (EI 400 / 120 Format / Hasselblad 503CX + Planar CF 80mm f/2.8)
Do you remember the first camera that made you fall in love or impress you? By this, I mean a time when you knew nothing or very little about photography. In my case, it happened when I was a teenager and I saw a Hasselblad 500C/M for the first time, a Hasselblad, an expensive Hasselblad! […]
EMULSIVE’S most popular film stock reviews of 2020
There are a few days left for 2020 (well, 2 at the time of publication) and like 2019, we didn’t see any film stocks being discontinued. A small blessing, given everything else that’s been going on. I was hoping for official news of a couple of new film stocks at least but you’ll have to […]
5 Frames… Of Chicago on Kodak T-MAX 400 (EI 400 / 35mm Format / Chinon 3001)
I have been a film user for many years – well before digital existed. I purchased my first “good” camera with money that I made working a summer job while in college. Many cameras later, film as well as digital, I seem to find more enjoyment from film. It seems more real to me – shaking a tank […]
5 Frames… From a Kodak Brownie Target Six-20 on T-MAX 400 (620 Format / EI 400)
Before I even got in to film photography, my mother gifted me a Kodak Brownie — a Kodak Brownie Target Six-20 — complete with original box, manual, and envelope to mail in the film. The camera sat on my shelf for months, until I decided to see about getting some film for it. I had […]
5 Frames… Of a night out in Trastevere on Kodak T-MAX 400 pushed to 3200 (35mm format / EI 3200 / Nikon FG + Nikkor 50mm f/1.8 AI-S “Pancake”)
The following five frames were taken on a typical summer night in Rome, in early June 2019, where I had moved to in the spring to spend a semester abroad and work in the Italian galleries. Back then, I could already reflect on a long career as a photographer if you consider my young age. […]
4 Frames… With a historic Disney family camera at Walt Disney’s boyhood home on Kodak T-MAX 400 (EI 400 / 120 format / 1909 Kodak Brownie No.2A Model B)
In 2017 while searching through junky point and shoot Disney film cameras on eBay, I found an interesting one: “DISNEY ESTATE KODAK CAMERA FROM 1909 KODAK #2A BROWNIE CAMERA DISNEYLAND LOA”. At the end of the auction, I was the only bidder! I could not believe my dumb luck. It arrived with full documentation (which has […]
EMULSIVE Interview #220: I am Frank Thorp V and this is why I shoot film
Today’s interviewee is a busy man, he’s a producer and off-air reporter covering the US Congress for NBC News, past Chairman of the Radio & Television Correspondents Association on Capitol Hill, oh and a film photographer who also happens to shoot some of our favourite film stocks (and cameras) while doing the day job. Looking […]
5 Frames… Of Kodak T-MAX 400 on a refurbished Minox 35 ML (35mm format / EI 800)
2016 was a horrible year for me personally. I was diagnosed with a life-threatening medical condition that required major surgery to address, and me and the family had to move precipitously from Shanghai to Hong-Kong following unanticipated job issues. When we arrived in Hong Kong after the summer break (and the operation) I was convalescing […]
5 Frames… In freezing Manhattan on Kodak T-MAX 400 (EI 100 / 120 format / Arax 60)
On a frigid Sunday in Manhattan, I wanted to try out TMY, Kodak T-MAX 400. The film choice was based upon my constant use of black and white filters, which lower the film speed. With an ISO 400 film, 1-stop brings me to 200, and 2-stops (an orange filter) lowers it to 100. At 100 […]
EMULSIVE interview #216: I am Tom Sebastiano and this is why I shoot film
Today’s EMULSIVE interviewee should not be a stranger to regular readers. From his thoughts on the Contax S2 and RTS series to a quick delve into scanning film with the $20k Imacon 949, Tom Sebastiano has already given us a peek into some of his photography. It’s time to take a much deeper dive. Over […]
My first roll… Of 120 film – Kodak T-MAX 400 and Rolleicord III K3B
I came back to film in early 2019. The camera I bought was a Rolleicord III. It was the same model as the first serious camera I owned back in the late 1990s. I got that first Rolleicord from my grandmother, who had bought it when she was studying in Switzerland in the 1950s, but who by […]