Tag: Mamiya
A complete guide to the Mamiya RZ67, part five: conclusion and...
This five-part review has taken the best part of three years to complete. At over 40,000 words, I admit that it is...
A complete guide to the Mamiya RZ67, part two: film holder...
Welcome to part two of this short but exhaustive series of articles on the Mamiya RZ67 Professional camera system. In part one...
A complete guide to the Mamiya RZ67 Pro: part one –...
The Mamiya RZ67 is very interesting and in many ways, an unusual camera. It's not very easy to operate and a little...
Travelling with film: My Sri Lankan travelogue
I suspect it’s a common dilemma, you’ve booked a holiday with your partner (and or family/friends) and there’s no doubt the destination was influenced by potential photographic opportunities. How on earth are you going to balance wanting to take lots of photos with what other people want to do?!
The GOOSE: Reviewing the Polaroid 600SE
The 600SE was the crème de la creme of Polaroid cameras in its day.
Film photography in album cover design – by Josh Doss
I discovered my love of film photography by accident. Being a collector, I have always frequented thrift stores for anything I could find of interest.
5 Frames With… Kodak Verichrome Pan (EI 80 / 120 format...
At a recent darkroom group meeting I was pleased to receive four rolls of 120 Kodak Verichrome Pan.
Camera Review: Mamiya 645 Pro, plastic fantastic? – Kikie Wilkins
In 1975, Mamiya introduced their M645 series of medium format cameras. The M645 series have been very successful over the years, continually being upgraded and refined.
Film stock review: Comparing Kodak Ektar 100 to Fujifilm Velvia 50...
To the analogue landscape photographer, choosing one’s film stock is one of the most crucial steps in the creative process.
Photoset: On business in NYC with my Mamiya 645 1000s and...
I wrote this text at the end of spring in 2018, but for some reason, I postponed publishing it anywhere.
EMULSIVE interview #196: I am Markus Hofstaetter and this is why...
It's an absolute pleasure to welcome you all to join me falling into the words and work of a rather rare beast.
EMULSIVE’s most popular articles of 2018
It's the final part of this amazing series of 2018 listcles. Thank you for bearing with these lazy posts and rest safe in the knowledge that while you've been reading these, I've been away on holiday.
EMULSIVE’s most popular film camera reviews of 2018
Merry Christmas to everyone celebrating today!
Interview #194: I am Ezequiel Grimaldi and this is why I...
I'm pleased to be able to introduce today's fresh interview with Ezequiel Grimaldi, film photographer based in Spain's San Sebastian.
I'll keep this short so you can spend as much time as possible on the images below.
5 Frames With… Shanghai GP3 (120 / EI 100 / Mamiya...
Back when I first got into medium format film photography via the gateway drug of folding bellows cameras, I was outbid at the last second for a Mamiya RB67 kit.
5 Frames With… Fuji Provia 100F RDPIII (EI 400 / 120...
I don’t shoot as much E6 film as I want to. Part of it is that I love the ease and practicality of B/W, and the other is I'm too cheap to send my rolls to a lab.
5 Frames With… Kodak Ektar 100 (EI 100 / 120 format...
It is said that landscapes should be shot with, at the very least, a medium-film camera.
5 Frames With… Kodak ColorPlus 200 (El 100 / 35mm /...
I have lusted after a Hasselblad XPan for a while, but the prices have gone through the roof to the point where I simply can't justify one.
Peeled apart for good: the creative obligation not to f**k it...
For about a year and a half, every time I opened my fridge I saw my last remaining 10 exposure pack of Fuji FP 100C instant film, and every time I opened said fridge I was reluctant to take it
5 Frames With… Kodak T-MAX 400 (EI 400 / 120 /...
Last July I spent an afternoon at a special Photographer’s Open House at the Walker Ranch Homestead, a part of the Boulder County Parks and Open Spaces.
