5 Frames… Working within limitations: Long exposures at the Concours d’Elegance – by Ryan HK
I’ve always loved classic cars… I had a 1966 Mustang for a number of years, but I sold it to get the down payment on … Read more
5 Frames… in Nuremberg on Kodak Vericolor III (120 Format / EI 50 / Mamiya RB67 Pro-S) – by Christopher Gombocz
When it comes to expired film you‘ll never know exactly, if your shots turn out or not. From harsh grain to weird color shifts, anything … Read more
Building the CAMERADACTYL Brancopan
“Are you drilling?” asked my bleary-eyed wife, coming out of the bedroom of our small apartment at 1:30am. My desk was cluttered with tools, plastic … Read more
5 Wide Frames… From a wide lens with Kodak Ektar 100 (35mm Format / EI 100 / Mamiya RB67) – by Jeremy Mudd
I’ve been shooting a lot of panoramic images over the last few years. There’s something about the wide 1×3 aspect ratio that really appeals to … Read more
My 2020 lockdown journey: a comparative test of Kodak EKTACHROME E100 and Fujifilm Velvia 50 (bonus Portra/Lomography included)
I set out this Spring and Summer to do a comparative test of Kodak EKTACHROME E100 and Fujifilm Fujichrome Velvia 50 (RVP50). In my lifetime … Read more
My First Roll… Of 120 film: ILFORD HP5 PLUS on a Mamiya RB67 at Palm Springs Air Museum – by Ryan HK
A return to film. Again… For the fourth time. Yep, FOUR TIMES. I learned on film, eventually abandoned for digital due to work, got bored … Read more
Why I love Twin Lens Reflex cameras: A quick Mamiya C220 Professional review
As the title suggest this article is a love letter to TLR cameras, specifically the Mamiya C220. Before I get to that, I’d like to … Read more
The evolution of the camera as seen through X-ray imaging
It’s no secret that for many film photographers, taking photos of their cameras is as enjoyable as making photographs with them. Don’t take my word … Read more
5 Frames… With Kosmo Foto Mono 100 (EI 100 / 120 format / Mamiya C220) – by Matt Thompson
Over the last year or so I’ve been making the transition back in time to using film rather than my digital’ cameras. In life, I … Read more
EMULSIVE interview #214: I am Ejatu Shaw and this is why I shoot film
I first came across today’s interviewee back in December 2019 after she posted a video messing around with Kodak Gold in Barcelona. Thanks to that … Read more
5 Frames… With ILFORD XP2 SUPER (EI 1600 / 120 format / Mamiya 645 AFD) – by Tyler Longfellow
These photos are of a friend/coworker of mine. Since his roommate’s work had just received a RED Cinema camera and a set of Atlas anamorphic … Read more
What I’ve learned from my LomoChrome Purple XR 100-400 experiences: A user’s guide
Lomography’s LomoChrome Purple XR 100-400 is definitely an interesting film. Until shooting it in late 2019, I had never tried a ‘special effects’ film before … Read more
EMULSIVE interview #213: I am Ryan HK and this is why I shoot film
Have you ever heard off an off-the-grid professional film photographer? You have now. Ladies and gentlemen, introducing Ryan HK. Over to you, Ryan. Hi Ryan, … Read more
A complete guide to the Mamiya RZ67, part five: conclusion and personal stories
This five-part review has taken the best part of three years to complete. At over 40,000 words, I admit that it is quite long (!) … Read more
A complete guide to the Mamiya RZ67, part two: film holder system
Welcome to part two of this short but exhaustive series of articles on the Mamiya RZ67 Professional camera system. In part one I gave you … Read more
A complete guide to the Mamiya RZ67 Pro: part one – deep system overview
The Mamiya RZ67 is very interesting and in many ways, an unusual camera. It’s not very easy to operate and a little bit slow if … Read more
Travelling with film: My Sri Lankan travelogue
I suspect it’s a common dilemma, you’ve booked a holiday with your partner (and or family/friends) and there’s no doubt the destination was influenced by potential photographic opportunities. How on earth are you going to balance wanting to take lots of photos with what other people want to do?!
The GOOSE: Reviewing the Polaroid 600SE
The 600SE was the crème de la creme of Polaroid cameras in its day.
Film photography in album cover design – by Josh Doss
I discovered my love of film photography by accident. Being a collector, I have always frequented thrift stores for anything I could find of interest.
5 Frames… With Kodak Verichrome Pan (EI 80 / 120 format / Mamiya C330 Pro S) – by Bob St. Cyr
At a recent darkroom group meeting I was pleased to receive four rolls of 120 Kodak Verichrome Pan.
