Tag: Mamiya
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5 Frames With… Shanghai GP3 (120 / EI 100 / Mamiya 645 AFD) – by David Toman
Back when I first got into medium format film photography via the gateway drug of folding bellows...
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5 Frames With… Fuji Provia 100F RDPIII (EI 400 / 120 format / XPRO / Mamiya C220) – by Thomas Bell
I don’t shoot as much E6 film as I want to. Part of it is that I love the ease and practicality of...
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5 Frames With… Kodak Ektar 100 (EI 100 / 120 format / Mamiya 7) – by Jacob Firsel
It is said that landscapes should be shot with, at the very least, a medium-film camera. So much...
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5 Frames With… Kodak ColorPlus 200 (El 100 / 35mm / Mamiya 7 + Panoramic Kit) – by Martin Jeffery
I have lusted after a Hasselblad XPan for a while, but the prices have gone through the roof to...
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Peeled apart for good: The last frames of FUJI FP-100C or, the creative obligation not to f**k it up – by Ludwig Hagelstein
For about a year and a half, every time I opened my fridge I saw my last remaining 10 exposure...
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5 Frames With… Kodak T-MAX 400 (EI 400 / 120 / Mamiya 7) – by Kathleen E. Johnson
Last July I spent an afternoon at a special Photographer’s Open House at the Walker Ranch...
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EMULSIVE interview #174: I am Ian Bartlett and this is why I shoot film
If you remember 2017’s Mamiya C220 TLR review, or spend any time at all with the wonderful...
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Camera review: Mamiya RB67 Pro-S – by Scott McClarin
What you see below is my Mamiya Sekor RB67 Pro S, the camera I’m reviewing today. It’s a bellows...
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EMULSIVE interview #169: I am Darren Kelland and this is why I shoot film
Welcome to this week’s EMULSIVE interview. Today I’m welcoming Darren Kelland into the fold with...
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I am Christopher P. Michel and this is why I shoot film
Ladies and gentlemen I’m incredibly proud to bring you the first EMULSIVE interview of 2018, and...
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Rippled leaves – Shot on Kodak Ektar 100 at EI 200 (120 format)
Rippled leaves Shot on Kodak Ektar 100 at EI 200 Color negative film in 120 format shot as...
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Camera review: Mamiya C220 Professional TLR by Ian Bartlett
The Mamiya C220 Professional TLR is an engineering marvel and I haven’t found anything about it...
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Interview #159: I am Toby Van de Velde and this is why I shoot film
Hello and welcome to another fresh EMULSIVE interview, today with Toby Van de Velde, freelance...
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5 Frames With… Kodak Ektar 100 (EI 100 / 120 / 6×7 / Mamiya 7ii) by Jascha Oakes
I’ve been using Kodak Portra for about 5 years but wanted something more. I love all Kodak...
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5 Frames With… ILFORD Delta 3200 Professional (EI 3200 / 120 / 6×6 / Mamiya 645 1000S) – by Aivaras Sidla
ILFORD Delta 3200 Professional is my favorite black and white film. I love it because of the...
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I am Luis Barrancos and this is why I shoot film
Today’s interviewee hails from Portugal and is currently enjoying life in tropical Malaysia....
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Camera review: Mamiya 645 1000S by Tim Dobbs
The Mamiya 645 1000S was not my first medium format camera. I dabbled with a Lubitel 166 followed...
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Photo story: ILFORD Delta 100 Professional + Pyrocat HD semi-stand by Kornelije Sajler
From the first time I heard about a developer named Pyrocat HD, I was hooked by it is look. I...
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5 Frames with… Kodak Portra 160 (EI 80 / 120 / 6×7 / Mamiya RB67) by Holger Feroudj
I almost exclusively shoot on black and white film for the simple reason that I can develop and...
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I am Raymond van Mil and this is why I shoot film
To my eye, there’s something special about portrait photographers. At the very least,...
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