I recently bought a Mamiya RB67 with a Mamiya Sekor C 50mm f4.5 and a 90mm f3.8. After a month away for a CLA I got it back, where a few expired rolls were waiting for it. I was eager to shoot a lot, since I’m used to shooting a lot of 35mm and half […]
Tag: Mamiya
Posted inPhotosets and stories
Going home again… and leaving with the big sky (on Kodak Portra 400)
In 1940, a book by Thomas Wolfe titled You Can’t Go Home Again was published posthumously. The title has become a famous saying, the meaning of which indicates (to many), that while you can return to the place where you grew up, things will always have changed to the extent that they become unrecognizable, that […]
Posted in5 Frames...
5 Frames… Of street photography in Buenos Aires on the Mamiya RB67 (120 format / EI 100 / Kodak T-MAX 100) – by Simón Ducos
In the summer of 2019, I sold my trusty Olympus XA in order to buy my then-dream camera: the Mamiya RB67. Although these cameras are vastly different, the XA being ideal for travel and street photography while the RB is more for studio shoots and still-life, I was convinced that when the time came I […]
Posted inPhotosets and stories
Penny for your thoughts: Documenting a unique bike race on medium format film
Having traveled internationally for years in search of compelling imagery, I sometimes feel like there aren’t many unique events left to cover in my own backyard. That’s obviously not the case, as the world (even my small corner of it) is filled with undiscovered wonders. This reassuring fact was driven home recently when a friend […]
Posted inArticles
Confessions of a film developer
Okay, so when things go wrong the best thing to do is chalk it up to experience and make sure you don’t do it again. In the real world this is sometimes easier said than done, fortunately, when developing film at home it’s a bit more straightforward, as long as you know what you did […]
Posted in5 Frames...
5 Frames… Around Vassar College, New York, on Kodak Portra 400 (120 format / EI 400 / Mamiya RB67 Pro SD + Mamiya-Sekor 180mm f/4.5 C)
I bought a Mamiya RB67 Pro SD and 180mm f4.5 C lens in fall 2021 and did)n’t want to stray too far from home for the first roll through the camera. We recently moved to the Hudson Valley of New York and live across the street from Vassar College, which is more and more becoming […]
Posted in5 Frames...
5 Frames… Of twisty trees on Fomapan 200 Creative and a Mamiya C22 (Mamiya-Sekor 80mm f/2.8)
I’ve had my Mamiya C22 TLR for a few months now and run a few rolls through it. It occurred to me the other day though that I’d only used it in the studio, and mostly at minimum focusing distance. After macro photography, my second favourite thing to take pictures of is probably knobbly twisted […]
Posted in5 Frames...
5 Frames… Of Sundukian Street, Yerevan, Armenia on Kodak Ektar 125 (35mm format / EI 50 / Mamiya ZM + Osawa 28mm f/2.8)
Many of us read the story of Ektar film, and know that the current Kodak Ektar 100 is a different film from Ektar produced decades ago. When I want to know “the look of the film” I search for it on Flickr, and I found only one or two pictures made with Ektar 125. I […]
Posted in5 Frames...
5 Frames… Outside Toronto with a Mamiya RB67 Pro SD wingman on Kodak Portra 400 (120 format / EI 400 / Mamiya-Sekor 80mm f/3.5 KL)
Moving to Toronto in 2020 may have been the riskiest, rewarding and hectic phase of my life to date. With COVID-19 at its peak then, the city didn’t feel like itself. But through that slow pace, I was able to get a feel and footing on the city. With so many lives passing by you […]
Posted in5 Frames...
5 Frames… Of Northern Arizonan Americana on Kodak Portra 400 with a Mamiya 23 Standard + Mamiya Sekor 150mm f/5.6 – by Garry Cahal
I have passed through this area of Northern Arizona known as Grey Mountain many times for work. This trip was different. I had my new to me Mamiya 23 Standard 6×9 medium format camera with me and a fresh roll of Kodak Portra 400. The abandoned Whiting Hotel has recently had a colorful facelift from […]
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5 Frames… At Bull Island on Kodak T-MAX 100 and my Mamiya 6 (120 Format / EI 100 / Mamiya 75mm / f3.5)
The lockdown has been a big lesson for me, in that I have come to appreciate the little things in life. Photography is my hobby (some would say obsession) and it takes me to another world, away from the normal every day. I enjoy the gear, the chemicals, and more recently, darkroom printing. I am […]
Posted inMy First Roll...
My first roll… In a Mamiya 7 on Shanghai GP3 100 (120 Format / EI 100 / Mamiya 80mm f/4 lens)
This roll is the peak moment of my path to purchasing the camera I was dreaming about for a long time – the Mamiya 7. And also my entry to medium format film. My journey, from deciding to buy this camera, to actually buying the notoriously expensive Mamiya rangefinder, was not easy. I sold both […]
Posted inArticles, Film camera reviews, Mamiya film camera reviews, Pentax film camera reviews, Reviews
Same format, different story: Making the switch from a Pentax 67 to a Mamiya 7ii
I had been meaning to get into the medium format 6×7 game for a while and I finally bought the Pentax 67 (the “middle” version before the 67II) at an auction. For a long time, it was my go-to medium format camera. We had a real love-hate relationship. I loved the 105mm lens and hated, […]
Posted inFilm Photographer Interviews
EMULSIVE Interview #223: I am Ellen Rogers and this is why I shoot film (Mildly NSFW)
Welcome to today’s fresh EMULSIVE interview. We have a bit of a treat this week in the form of polymath Ellen Rogers. Ellen is a photographer, colourist, lecturer, PhD student and fantasist — among other things. I’m so, so glad to be able to welcome her onto these pages! A couple of the photos are […]
Posted in5 Frames...
5 Frames… Of Finnish sauna tradition on a Mamiya RB67 (120 Format / EI 200-400 / Fomapan 200 Creative)
Finnish sauna tradition is strong and living heritage. It was in fact added to Unesco’s list of the intangible cultural heritage of humanity a few months ago. Smoke sauna is the most traditional form of sauna. Though it is considered by many to be the finest kind it is clear why they are somewhat rare […]
Posted inArticles, Film camera reviews, Mamiya film camera reviews, Reviews
The Analogue Studio Polaroid conversion kit for the Mamiya RB67
I get easily excited about the little things. Whether it’s a new film stock, a film stock revived from the dead (come on Agfa Vista 400!), a new camera, a newly discovered old camera, or literally anything with the word Mamiya in it, my creativity starts rolling and I get my butt off the couch […]
Posted in5 Frames..., Articles
5 Frames… Of Icelandic industrial edge on Fuji Pro 400H and a Mamiya 645 Pro (120 Format / EI 400 / Mamiya Sekor-C 80 mm f/2.8)
In between covid lockdowns, my girlfriend and I had the chance to visit Iceland. We went lightweight and camped everywhere. Lightweight except that I had brought my digital Pentax SLR in conjunction with two film bodies: the Mamiya C220 6×6 format TLR and my Mamiya 645 Pro 6×4.5 format SLR. Although I regretted the extra […]
Posted in5 Frames..., Articles
5 Sheets… Of Fujifilm Instax Square Monochrome on a Mamiya RB67 (EI 800 / Mamiya Sekor C 127mm f/3.8)
I’ve spent over a decade of my life living and breathing photography. Like many, I started with digital but quickly realized that I wanted a more physical process. I was, and still am, spending entirely too much time behind a computer. I’ve shot multiple formats, from 35mm to medium and even large format. And then, […]
Posted inBest Of
EMULSIVE’S most popular film camera reviews of 2020
Time for this year’s penultimate listicle, and it’s one for the gear heads out there, this year’s most popular camera reviews on EMULSIVE. Thanks to everyone who submitted their own reviews, and helped my with my own efforts this year cataloguing a series of exhaustive Leica M Camera guides! I’d love to hear from you […]
Posted inBest Of
EMULSIVE’S most popular film stock reviews of 2020
There are a few days left for 2020 (well, 2 at the time of publication) and like 2019, we didn’t see any film stocks being discontinued. A small blessing, given everything else that’s been going on. I was hoping for official news of a couple of new film stocks at least but you’ll have to […]
