Time for this year’s penultimate listicle, and it’s one for the gear heads out there, this year’s most popular camera reviews on EMULSIVE. Thanks to …
Read moreEMULSIVE’S most popular film camera reviews of 2020
There are a few days left for 2020 (well, 2 at the time of publication) and like 2019, we didn’t see any film stocks being …
What an amazing way to visualise the world. I have pursued the joys and wonders of film photography and darkroom work for some decades now …
I wouldn’t say I’m a completely skeptical person. Superstition isn’t really my thing too. But when it comes to giveaways and raffles, sometimes I like …
My Mamiya RB67 and I go back a long way, beside a dumpster at a Tim Horton’s (a donut and coffee shop for those of …
I have been wanting to try this film for a while now, ever since it was announced. I loved the look, the tones, the grain, …
I highly recommend the Moscow Subway Metro. As someone who loves spending time exploring underground, this was perhaps an unexpected highlight of my 2019 trip …
Read moreILFORD HP5 PLUS vs Kodak Tri-X 400 at EI 1600 in the Moscow Metro with the Mamiya 7II
I’ve always loved classic cars… I had a 1966 Mustang for a number of years, but I sold it to get the down payment on …
When it comes to expired film you‘ll never know exactly, if your shots turn out or not. From harsh grain to weird color shifts, anything …
“Are you drilling?” asked my bleary-eyed wife, coming out of the bedroom of our small apartment at 1:30am. My desk was cluttered with tools, plastic …
I’ve been shooting a lot of panoramic images over the last few years. There’s something about the wide 1×3 aspect ratio that really appeals to …
I set out this Spring and Summer to do a comparative test of Kodak EKTACHROME E100 and Fujifilm Fujichrome Velvia 50 (RVP50). In my lifetime …
A return to film. Again… For the fourth time. Yep, FOUR TIMES. I learned on film, eventually abandoned for digital due to work, got bored …
As the title suggest this article is a love letter to TLR cameras, specifically the Mamiya C220. Before I get to that, I’d like to …
Read moreWhy I love Twin Lens Reflex cameras: A quick Mamiya C220 Professional review
It’s no secret that for many film photographers, taking photos of their cameras is as enjoyable as making photographs with them. Don’t take my word …
Read moreThe evolution of the camera as seen through X-ray imaging
Over the last year or so I’ve been making the transition back in time to using film rather than my digital’ cameras. In life, I …
Read more5 Frames… With Kosmo Foto Mono 100 (EI 100 / 120 format / Mamiya C220) – by Matt Thompson
I first came across today’s interviewee back in December 2019 after she posted a video messing around with Kodak Gold in Barcelona. Thanks to that …
Read moreEMULSIVE interview #214: I am Ejatu Shaw and this is why I shoot film
These photos are of a friend/coworker of mine. Since his roommate’s work had just received a RED Cinema camera and a set of Atlas anamorphic …
Lomography’s LomoChrome Purple XR 100-400 is definitely an interesting film. Until shooting it in late 2019, I had never tried a ‘special effects’ film before …
Read moreWhat I’ve learned from my LomoChrome Purple XR 100-400 experiences: A user’s guide
Have you ever heard off an off-the-grid professional film photographer? You have now. Ladies and gentlemen, introducing Ryan HK. Over to you, Ryan. Hi Ryan, …
Read moreEMULSIVE interview #213: I am Ryan HK and this is why I shoot film
