Many of us read the story of Ektar film, and know that the current Kodak Ektar 100 is a different film from Ektar produced decades ago. When I want to know “the look of the film” I search for it on Flickr, and I found only one or two pictures made with Ektar 125. I […]
Tag: Mamiya
Posted in5 Frames...
5 Frames… Outside Toronto with a Mamiya RB67 Pro SD wingman on Kodak Portra 400 (120 format / EI 400 / Mamiya-Sekor 80mm f/3.5 KL)
Moving to Toronto in 2020 may have been the riskiest, rewarding and hectic phase of my life to date. With COVID-19 at its peak then, the city didn’t feel like itself. But through that slow pace, I was able to get a feel and footing on the city. With so many lives passing by you […]
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5 Frames… Of Northern Arizonan Americana on Kodak Portra 400 with a Mamiya 23 Standard + Mamiya Sekor 150mm f/5.6 – by Garry Cahal
I have passed through this area of Northern Arizona known as Grey Mountain many times for work. This trip was different. I had my new to me Mamiya 23 Standard 6×9 medium format camera with me and a fresh roll of Kodak Portra 400. The abandoned Whiting Hotel has recently had a colorful facelift from […]
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5 Frames… At Bull Island on Kodak T-MAX 100 and my Mamiya 6 (120 Format / EI 100 / Mamiya 75mm / f3.5)
The lockdown has been a big lesson for me, in that I have come to appreciate the little things in life. Photography is my hobby (some would say obsession) and it takes me to another world, away from the normal every day. I enjoy the gear, the chemicals, and more recently, darkroom printing. I am […]
Posted inMy First Roll...
My first roll… In a Mamiya 7 on Shanghai GP3 100 (120 Format / EI 100 / Mamiya 80mm f/4 lens)
This roll is the peak moment of my path to purchasing the camera I was dreaming about for a long time – the Mamiya 7. And also my entry to medium format film. My journey, from deciding to buy this camera, to actually buying the notoriously expensive Mamiya rangefinder, was not easy. I sold both […]
Posted inArticles, Film camera reviews, Mamiya film camera reviews, Pentax film camera reviews, Reviews
Same format, different story: Making the switch from a Pentax 67 to a Mamiya 7ii
I had been meaning to get into the medium format 6×7 game for a while and I finally bought the Pentax 67 (the “middle” version before the 67II) at an auction. For a long time, it was my go-to medium format camera. We had a real love-hate relationship. I loved the 105mm lens and hated, […]
Posted inFilm Photographer Interviews
EMULSIVE Interview #223: I am Ellen Rogers and this is why I shoot film (Mildly NSFW)
Welcome to today’s fresh EMULSIVE interview. We have a bit of a treat this week in the form of polymath Ellen Rogers. Ellen is a photographer, colourist, lecturer, PhD student and fantasist — among other things. I’m so, so glad to be able to welcome her onto these pages! A couple of the photos are […]
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5 Frames… Of Finnish sauna tradition on a Mamiya RB67 (120 Format / EI 200-400 / Fomapan 200 Creative)
Finnish sauna tradition is strong and living heritage. It was in fact added to Unesco’s list of the intangible cultural heritage of humanity a few months ago. Smoke sauna is the most traditional form of sauna. Though it is considered by many to be the finest kind it is clear why they are somewhat rare […]
Posted inArticles, Film camera reviews, Mamiya film camera reviews, Reviews
The Analogue Studio Polaroid conversion kit for the Mamiya RB67
I get easily excited about the little things. Whether it’s a new film stock, a film stock revived from the dead (come on Agfa Vista 400!), a new camera, a newly discovered old camera, or literally anything with the word Mamiya in it, my creativity starts rolling and I get my butt off the couch […]
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5 Frames… Of Icelandic industrial edge on Fuji Pro 400H and a Mamiya 645 Pro (120 Format / EI 400 / Mamiya Sekor-C 80 mm f/2.8)
In between covid lockdowns, my girlfriend and I had the chance to visit Iceland. We went lightweight and camped everywhere. Lightweight except that I had brought my digital Pentax SLR in conjunction with two film bodies: the Mamiya C220 6×6 format TLR and my Mamiya 645 Pro 6×4.5 format SLR. Although I regretted the extra […]
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5 Sheets… Of Fujifilm Instax Square Monochrome on a Mamiya RB67 (EI 800 / Mamiya Sekor C 127mm f/3.8)
I’ve spent over a decade of my life living and breathing photography. Like many, I started with digital but quickly realized that I wanted a more physical process. I was, and still am, spending entirely too much time behind a computer. I’ve shot multiple formats, from 35mm to medium and even large format. And then, […]
Posted inBest Of
EMULSIVE’S most popular film camera reviews of 2020
Time for this year’s penultimate listicle, and it’s one for the gear heads out there, this year’s most popular camera reviews on EMULSIVE. Thanks to everyone who submitted their own reviews, and helped my with my own efforts this year cataloguing a series of exhaustive Leica M Camera guides! I’d love to hear from you […]
Posted inBest Of
EMULSIVE’S most popular film stock reviews of 2020
There are a few days left for 2020 (well, 2 at the time of publication) and like 2019, we didn’t see any film stocks being discontinued. A small blessing, given everything else that’s been going on. I was hoping for official news of a couple of new film stocks at least but you’ll have to […]
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5 Frames… Of the Saskatchewan prairies on Kodak AEROCHROME III Infrared Film 1443 (120 Format / EI 400 / Mamiya C330 Professional S)
What an amazing way to visualise the world. I have pursued the joys and wonders of film photography and darkroom work for some decades now and within this journey find it not only therapeutic but fascinating when I can try new film emulsions, chemistry or papers (really liking ILFORD’S new RC MG V). Thanks to […]
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5 Frames… And a bit of luck with a Mamiya 645 PRo and Kodak Portra 400 (120 Format / EI 400 / Mamiya Sekor C 80mm f/2.8)
I wouldn’t say I’m a completely skeptical person. Superstition isn’t really my thing too. But when it comes to giveaways and raffles, sometimes I like to play the odds. With my Mamiya 645 Pro, that was the case. I saw a raffle online with three prizes and a few numbers at a reasonable price. The […]
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5 Frames… Of Polaroid 600 + SX-70 film on a Mamiya RB67 and a Rezivot Instant Film back
My Mamiya RB67 and I go back a long way, beside a dumpster at a Tim Horton’s (a donut and coffee shop for those of you not from Canada) where I bought her off of a guy who was selling cameras he picked up from studios that had gone bankrupt. She was heavily used and […]
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5 Frames… With Lomography Potsdam Kino 100 on a Mamiya 645 AFD (120 Format / EI 100)
I have been wanting to try this film for a while now, ever since it was announced. I loved the look, the tones, the grain, just everything about the film. Well, I finally bought a roll, loaded it up in my Mamiya 645 AFD with my 150mm f/3.5 AF (because I need to use this […]
Posted inFilm stock reviews
ILFORD HP5 PLUS vs Kodak Tri-X 400 at EI 1600 in the Moscow Metro with the Mamiya 7II
I highly recommend the Moscow Subway Metro. As someone who loves spending time exploring underground, this was perhaps an unexpected highlight of my 2019 trip to Russia. If you are going for a photo trip (after the obvious COVID restrictions are lifted), I highly suggest Sunday mornings between 8-10am. Weekdays will be hell as you’re […]
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5 Frames… Working within limitations: Long exposures at the Concours d’Elegance
I’ve always loved classic cars… I had a 1966 Mustang for a number of years, but I sold it to get the down payment on my first house. I still go to car shows once in a while and usually bring a film camera along to rip through a roll or two. It’s probably considered […]
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5 Frames… in Nuremberg on Kodak Vericolor III (120 Format / EI 50 / Mamiya RB67 Pro-S)
When it comes to expired film you‘ll never know exactly, if your shots turn out or not. From harsh grain to weird color shifts, anything can happen. Some folks like all these flaws and shoot expired film because of it, but I generally don‘t and that‘s why I usually tend to avoid it. One day […]
