Tag: Mamiya
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5 Frames With… Kodak Ektar 100 (EI 100 / 120 format / Mamiya 7) – by Jacob Firsel
It is said that landscapes should be shot with, at the very least, a medium-film camera. So much...
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5 Frames With… Kodak ColorPlus 200 (El 100 / 35mm / Mamiya 7 + Panoramic Kit) – by Martin Jeffery
I have lusted after a Hasselblad XPan for a while, but the prices have gone through the roof to...
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Peeled apart for good: The last frames of FUJI FP-100C or, the creative obligation not to f**k it up – by Ludwig Hagelstein
For about a year and a half, every time I opened my fridge I saw my last remaining 10 exposure...
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5 Frames With… Kodak T-MAX 400 (EI 400 / 120 / Mamiya 7) – by Kathleen E. Johnson
Last July I spent an afternoon at a special Photographer’s Open House at the Walker Ranch...
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EMULSIVE interview #174: I am Ian Bartlett and this is why I shoot film
If you remember 2017’s Mamiya C220 TLR review, or spend any time at all with the wonderful...
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Camera review: Mamiya RB67 Pro-S – by Scott McClarin
What you see below is my Mamiya Sekor RB67 Pro S, the camera I’m reviewing today. It’s a bellows...
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EMULSIVE interview #169: I am Darren Kelland and this is why I shoot film
Welcome to this week’s EMULSIVE interview. Today I’m welcoming Darren Kelland into the fold with...
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I am Christopher P. Michel and this is why I shoot film
Ladies and gentlemen I’m incredibly proud to bring you the first EMULSIVE interview of 2018, and...
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Rippled leaves – Shot on Kodak Ektar 100 at EI 200 (120 format)
Rippled leaves Shot on Kodak Ektar 100 at EI 200 Color negative film in 120 format shot as...
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Camera review: Mamiya C220 Professional TLR by Ian Bartlett
The Mamiya C220 Professional TLR is an engineering marvel and I haven’t found anything about it...
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Interview #159: I am Toby Van de Velde and this is why I shoot film
Hello and welcome to another fresh EMULSIVE interview, today with Toby Van de Velde, freelance...
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5 Frames With… Kodak Ektar 100 (EI 100 / 120 / 6×7 / Mamiya 7ii) by Jascha Oakes
I’ve been using Kodak Portra for about 5 years but wanted something more. I love all Kodak...
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5 Frames With… ILFORD Delta 3200 Professional (EI 3200 / 120 / 6×6 / Mamiya 645 1000S) – by Aivaras Sidla
ILFORD Delta 3200 Professional is my favorite black and white film. I love it because of the...
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I am Luis Barrancos and this is why I shoot film
Today’s interviewee hails from Portugal and is currently enjoying life in tropical Malaysia....
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Camera review: Mamiya 645 1000S by Tim Dobbs
The Mamiya 645 1000S was not my first medium format camera. I dabbled with a Lubitel 166 followed...
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Photo story: ILFORD Delta 100 Professional + Pyrocat HD semi-stand by Kornelije Sajler
From the first time I heard about a developer named Pyrocat HD, I was hooked by it is look. I...
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5 Frames with… Kodak Portra 160 (EI 80 / 120 / 6×7 / Mamiya RB67) by Holger Feroudj
I almost exclusively shoot on black and white film for the simple reason that I can develop and...
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I am Raymond van Mil and this is why I shoot film
To my eye, there’s something special about portrait photographers. At the very least,...
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Film review: Rollei Infrared 400 – 120 format
I’ve been an avid film shooter for a couple of years now and I absolutely LOVE the recent revival...
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I am Toni Skokovic and this is why I shoot film
It’s a real pleasure to be able to bring you today’s interviewee, Toni Skokovic....
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All Categories
- Articles (581)
- 52 Rolls (9)
- A Brief History Of (1)
- AEROgraphic (6)
- Challenges (1)
- Community Critique (1)
- Dear Benice (7)
- Film Culture (20)
- Film Love (7)
- Film Parties (38)
- Delta Def Jam (7)
- FP4 Party (15)
- NEOPANTASTIC (3)
- Portra Party (1)
- Summer Film Party (7)
- TMAXParty (5)
- Finding Film (15)
- Horoscope (6)
- My inspiration (2)
- My Return to Film (8)
- News (11)
- Photoset (4)
- Photostory (11)
- Projects (28)
- Secret Santa (16)
- Thoughts (14)
- Travelogue (20)
- What Is (1)
- Why Shoot Film (5)
- Darkroom (28)
- Developing Film (13)
- Development Times (2)
- My Darkroom (1)
- Printing (3)
- Wet Plate (1)
- Experiments (43)
- Long Exposure (3)
- Reversal Development (1)
- Interviews (201)
- Community Interviews (11)
- Photography (1,088)
- 110 format (4)
- 35mm format (476)
- 5 Frames With (107)
- 65mm format (3)
- Large format (13)
- Medium format (483)
- Reviews (270)
- Camera Reviews (66)
- A&K Cameras (1)
- AGFA Cameras (1)
- Bronica Cameras (6)
- Canon Cameras (2)
- Chamonix Cameras (1)
- Exakta Cameras (1)
- Fuji Cameras (4)
- Gould Cameras (1)
- Hasselblad Cameras (7)
- Holga Cameras (3)
- Impossible Cameras (1)
- Intrepid Cameras (1)
- Kodak Cameras (2)
- Leica Cameras (1)
- Lomography Cameras (3)
- Mamiya Cameras (6)
- Minolta Cameras (1)
- Nagaoka Cameras (1)
- Olympus Cameras (3)
- Pentax Cameras (4)
- Ricoh Cameras (1)
- Rollei Cameras (3)
- Steky Camera Reviews (1)
- Voigtlander Cameras (1)
- Yashica Cameras (3)
- Zeiss Cameras (1)
- Zeiss Ikon Cameras (2)
- Zorki Cameras (1)
- Film Reviews (193)
- ADOX Films (2)
- AGFA Films (4)
- Arista Films (1)
- Bergger Films (11)
- CineStill Films (6)
- Dubblefilm films (1)
- Efke Films (1)
- FILM Ferrania Films (10)
- Film List (7)
- Foma Films (4)
- Fuji Films (39)
- ILFORD Films (37)
- JCH Films (4)
- Kodak Films (55)
- Lomography Films (10)
- Luckyfilm Films (4)
- Notes (7)
- Revolog Films (2)
- Rollei Films (13)
- Shanghai Films (1)
- Silberra Films (3)
- Street Candy Films (1)
- Tasma Films (1)
- Ultrafine Films (1)
- Washi Films (3)
- Yodica Films (1)
- Gear Reviews (11)
- Bag Reviews (3)
- Darkroom Equipment (1)
- Lens Reviews (4)
- Scanners (1)
- Strap Reviews (2)
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