Mamiya
My First Roll… Of 120 film: ILFORD HP5 PLUS on a Mamiya RB67 at Palm Springs Air Museum – by Ryan HK
A return to film. Again… For the fourth time.
Yep, FOUR TIMES. I learned on film, eventually abandoned for...
Why I love Twin Lens Reflex cameras: A quick Mamiya C220 Professional review
As the title suggest this article is a love letter to TLR cameras, specifically the Mamiya C220. Before I get to that,...
The evolution of the camera as seen through X-ray imaging
It's no secret that for many film photographers, taking photos of their cameras is as enjoyable as making photographs with them. Don't...
5 Frames… With Kosmo Foto Mono 100 (EI 100 / 120 format / Mamiya C220) – by Matt Thompson
Over the last year or so I’ve been making the transition back in time to using film rather than my digital’ cameras....
EMULSIVE interview #214: I am Ejatu Shaw and this is why I shoot film
I first came across today's interviewee back in December 2019 after she posted a video messing around with Kodak Gold in Barcelona....
5 Frames… With ILFORD XP2 SUPER (EI 1600 / 120 format / Mamiya 645 AFD) – by Tyler Longfellow
These photos are of a friend/coworker of mine. Since his roommate's work had just received a RED Cinema camera and a set...
What I’ve learned from my LomoChrome Purple XR 100-400 experiences: A user’s guide
Lomography's LomoChrome Purple XR 100-400 is definitely an interesting film. Until shooting it in late 2019, I had never tried a 'special...
EMULSIVE interview #213: I am Ryan HK and this is why I shoot film
Have you ever heard off an off-the-grid professional film photographer? You have now. Ladies and gentlemen, introducing Ryan HK.
A complete guide to the Mamiya RZ67, part five: conclusion and personal stories
This five-part review has taken the best part of three years to complete. At over 40,000 words, I admit that it is...
A complete guide to the Mamiya RZ67, part two: film holder system
Welcome to part two of this short but exhaustive series of articles on the Mamiya RZ67 Professional camera system. In part one...
A complete guide to the Mamiya RZ67 Pro: part one – deep system overview
The Mamiya RZ67 is very interesting and in many ways, an unusual camera. It's not very easy to operate and a little...
Travelling with film: My Sri Lankan travelogue
I suspect it’s a common dilemma, you’ve booked a holiday with your partner (and or family/friends) and there’s no doubt the destination was influenced by potential photographic opportunities. How on earth are you going to balance wanting to take lots of photos with what other people want to do?!
The GOOSE: Reviewing the Polaroid 600SE
The 600SE was the crème de la creme of Polaroid cameras in its day.
Film photography in album cover design – by Josh Doss
I discovered my love of film photography by accident. Being a collector, I have always frequented thrift stores for anything I could find of interest.
5 Frames… With Kodak Verichrome Pan (EI 80 / 120 format / Mamiya C330 Pro S) – by Bob St. Cyr
At a recent darkroom group meeting I was pleased to receive four rolls of 120 Kodak Verichrome Pan.
Camera Review: Mamiya 645 Pro, plastic fantastic? – Kikie Wilkins
In 1975, Mamiya introduced their M645 series of medium format cameras. The M645 series have been very successful over the years, continually being upgraded and refined.
Film stock review: Comparing Kodak Ektar 100 to Fujifilm Velvia 50 – by Gregor Sinclair
To the analogue landscape photographer, choosing one’s film stock is one of the most crucial steps in the creative process.
Photoset: On business in NYC with my Mamiya 645 1000s and Kodak Portra 400 – by Aivaras Sidla
I wrote this text at the end of spring in 2018, but for some reason, I postponed publishing it anywhere.
EMULSIVE interview #196: I am Markus Hofstaetter and this is why I shoot film
It's an absolute pleasure to welcome you all to join me falling into the words and work of a rather rare beast.
EMULSIVE’s most popular articles of 2018
It's the final part of this amazing series of 2018 listcles. Thank you for bearing with these lazy posts and rest safe in the knowledge that while you've been reading these, I've been away on holiday.
