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Camera review: Mamiya RB67 Pro-S – by Scott McClarin

What you see below is my Mamiya Sekor RB67 Pro S, the camera I’m reviewing today.

EMULSIVE interview #169: I am Darren Kelland and this is why...

Welcome to this week’s EMULSIVE interview.

EMULSIVE interview #168: I am Christopher P. Michel and this is...

Ladies and gentlemen I’m incredibly proud to bring you the first EMULSIVE interview of 2018, and it’s one I’ve been waiting for myself for quite a while. Indulge yourself and sink into the words and pictures of Christopher P.

Photography: Rippled leaves – Shot on Kodak Ektar 100 at EI...

Rippled leaves Shot on Kodak Ektar 100 at EI 200 Color negative film in 120 format shot as 6x6 Push processed one stop / Double exposure          

Camera review: Mamiya C220 Professional TLR – by Ian Bartlett

The Mamiya C220 Professional TLR is an engineering marvel and I haven’t found anything about it that I don’t like.

EMULSIVE interview #159: I am Toby Van de Velde and this...

Hello and welcome to another fresh EMULSIVE interview, today with Toby Van de Velde, freelance photographer based in the south of England.

5 Frames With… Kodak Ektar 100 (EI 100 / 120 /...

I've been using Kodak Portra for about 5 years but wanted something more.

5 Frames With… ILFORD Delta 3200 Professional (EI 3200 / 120...

ILFORD Delta 3200 Professional is my favorite black and white film.

Interview #158: I am Luis Barrancos and this is why I...

Today's interviewee hails from Portugal and is currently enjoying life in tropical Malaysia.

Camera review: Mamiya 645 1000S by Tim Dobbs

The Mamiya 645 1000S was not my first medium format camera.

Photo story: ILFORD Delta 100 Professional + Pyrocat HD semi-stand by...

From the first time I heard about a developer named Pyrocat HD, I was hooked by it is look.

5 Frames with… Kodak Portra 160 (EI 80 / 120 /...

I almost exclusively shoot on black and white film for the simple reason that I can develop and print it myself in the darkroom.

EMULSIVE interview #154: I am Raymond van Mil and this is...

To my eye, there's something special about portrait photographers. At the very least, photographers who take portraits. As readers will know, that particular photographic niche evades me with all its might.

Film stock review: Rollei Infrared 400

I’ve been an avid film shooter for a couple of years now and I absolutely LOVE the recent revival of the whole industry.

EMULSIVE interview #150: I am Toni Skokovic and this is why...

It's a real pleasure to be able to bring you today's interviewee, Toni Skokovic.

Diario di viaggio: Viaggio d’inverno in Finlandia

English version: https://emulsive.org/articles/travelogue/winter-voyage-to-finland-aka-extreme-cold-weather-photography-jacopo-brancati Sono un etnologo e un fotografo specializzato in questioni marittime. Da molto tempo mi focalizzo sulla comunità dei marittimi in Europa.

Double review: Mamiya Press Super 23 and Mamiya Universal Press

I'm here today to provide you with my review / comparative overview of the Mamiya Press Super 23 and the Mamiya Universal Press cameras.

My return to film: Jake Bryant

I feel lucky to have grown up with film being my only option to create a photograph. It wasn't until I travelled through India in 1992, that the world through a viewfinder opened up to me.

EMULSIVE interview #139: I am Adam White and this is why...

Welcome, welcome to Adam J White, aka Twitter's @burlapandlight. You may remember Adam from his Return to film piece here on EMULSIVE back in February.

EMULSIVE interview #136: I am Marta Beltowska and this is why...

Today we're grabbing some time with Marta Beltowska, currently based in London, UK.