Nikon


5 Frames… On 30+ year expired Kodak Panatomic X driving through New Mexico (EI 32 / Nikon F3 / Voigtlander Nokton 58mm f/1.4) – by Andrew Collins

The bulk loader was a deal and came with mystery film. It had a label that said ‘Plus X 125’ so I loaded a small …

Read more5 Frames… On 30+ year expired Kodak Panatomic X driving through New Mexico (EI 32 / Nikon F3 / Voigtlander Nokton 58mm f/1.4) – by Andrew Collins

Shooting expired Agfa Scala 200X as a negative film: the Historic Port of Santos, Brazil

Agfa Scala 200X is a black and white transparency film, well known in its day for being the only option for generating slides in monochrome. …

Read moreShooting expired Agfa Scala 200X as a negative film: the Historic Port of Santos, Brazil

EMULSIVE’S most popular film stock reviews of 2020

There are a few days left for 2020 (well, 2 at the time of publication) and like 2019, we didn’t see any film stocks being …

Read moreEMULSIVE’S most popular film stock reviews of 2020

5 Frames... From the Peter Pan Cup Christmas Day 2019, on ILFORD Delta 3200 Professional and HP5 PLUS - by Simon King

5 Frames… From the Peter Pan Cup Christmas Day 2019, on ILFORD Delta 3200 Professional and HP5 PLUS – by Simon King

The Peter Pan Cup is a yearly 100m race, a swim across the icy-cold Serpentine Lido in Hyde Park. Swimmers have met in the park …

Read more5 Frames… From the Peter Pan Cup Christmas Day 2019, on ILFORD Delta 3200 Professional and HP5 PLUS – by Simon King

5 Frames... On 30-ish year old Svema FN 64 (35mm Format / EI 64 / Nikkormat FTN + Nikkor-H 50mm f/2 Non-AI) - by Michael Bovee

5 Frames… On 30-ish year old Svema FN 64 (35mm Format / EI 64 / Nikkormat FTN + Nikkor-H 50mm f/2 Non-AI) – by Michael Bovee

I’m fairly new to the world of film photography, so I’ve been doing quite a bit of experimentation lately. In order to better understand the …

Read more5 Frames… On 30-ish year old Svema FN 64 (35mm Format / EI 64 / Nikkormat FTN + Nikkor-H 50mm f/2 Non-AI) – by Michael Bovee

5 Frames… At Wisley Gardent on Fuji Superia 1600 35mm Format / EI 1600 / Nikon F90X + Nikkor 135mm f/2.8 AI + Micro-Nikkor 55mm f/3.5 AI) – by Charles Mutter

This is by way of being a plea to @fujifilmeu to bring this magical film stock back into production! I now only have one or …

Read more5 Frames… At Wisley Gardent on Fuji Superia 1600 35mm Format / EI 1600 / Nikon F90X + Nikkor 135mm f/2.8 AI + Micro-Nikkor 55mm f/3.5 AI) – by Charles Mutter

5 Frames in the rain on Street Candy ATM 400 (35mm Format / EI 400 / Nikon FM + Nikon Nikkor f/1.4 AI) - by Jul Adjuvant

5 Frames in the rain on Street Candy ATM 400 (35mm Format / EI 400 / Nikon FM + Nikon Nikkor f/1.4 AI) – by Jul Adjuvant

5 frames with a single film on a single camera with a single lens. It seems so obvious at first glance. Being original and offering …

Read more5 Frames in the rain on Street Candy ATM 400 (35mm Format / EI 400 / Nikon FM + Nikon Nikkor f/1.4 AI) – by Jul Adjuvant

5 Frames... On the Buffalo River with ILFORD HP5 PLUS (35mm Format / EI 400 / Nikon EM + Nikon Series E 50mm F/1.8) - by Chase Taylor

5 Frames… On the Buffalo River with ILFORD HP5 PLUS (35mm Format / EI 400 / Nikon EM + Nikon Series E 50mm F/1.8) – by Chase Taylor

Having been a Boy Scout for the majority of my life, I have spent a lot of time looking for a capable and lightweight SLR …

Read more5 Frames… On the Buffalo River with ILFORD HP5 PLUS (35mm Format / EI 400 / Nikon EM + Nikon Series E 50mm F/1.8) – by Chase Taylor

My Wista 45D + Nikkor W 150mm f/5.6, Roger Hyam

5 Frames… Of Edinburgh and Braemar on an emulsion I rustled up at the weekend (4×5 Format / EI <1 / Wista 45D + Nikkor W 150mm f/5.6) - by Roger Hyam

Over the past couple of years, I have revisited many techniques and discovered new ones in my quest for a personal way of working. I …

Read more5 Frames… Of Edinburgh and Braemar on an emulsion I rustled up at the weekend (4×5 Format / EI <1 / Wista 45D + Nikkor W 150mm f/5.6) - by Roger Hyam

My Nikon FM2n, Timothy John Low

5 Frames… Around Hamilton on Kodak Portra 400 (35mm Format / EI 200 / Nikon FM2n) – by Timothy John Low

Just before COVID-19 hit Australasia, I was a student starting a 3-month overseas internship in Hamilton, New Zealand. Being 8,500 km away from home, I …

Read more5 Frames… Around Hamilton on Kodak Portra 400 (35mm Format / EI 200 / Nikon FM2n) – by Timothy John Low

Shooting São Paulo with a Nikon 500mm f/8 Reflex-NIKKOR: The Pandemic from my Window

Shooting São Paulo with the Nikon 500mm f/8 Reflex-NIKKOR: the Pandemic from my Window

During this worldwide quarantine, as everyone was generally confined to their homes, I too was stuck inside but still had the desire to get out …

Read moreShooting São Paulo with the Nikon 500mm f/8 Reflex-NIKKOR: the Pandemic from my Window

MY Nikon FM2n and Nikkor AF 28-70mm f:3.5-4.5D, David Whenham

5 Frames… Of my grandsons on Rollei Retro 100 (EI 100 / 35mm format / Nikon FM2n) – by David Whenham

It’s not often I shoot 35mm film these days despite a drawer full of film and twenty-plus 35mm cameras to chose from. However, on a …

Read more5 Frames… Of my grandsons on Rollei Retro 100 (EI 100 / 35mm format / Nikon FM2n) – by David Whenham

5 Frames... Of a quiet Tokyo on Fujifilm C200 with a Nikon FE (35mm Format / EI 200 / Nikon AF Micro-Nikkor 105mm f/2.8 D) - by Clemens

5 Frames… Of a quiet Tokyo on Fujifilm C200 with a Nikon FE (35mm Format / EI 200 / Nikon AF Micro-Nikkor 105mm f/2.8 D) – by Clemens

I always wanted a cheap, simple camera. That would not make me too sad, if I scratched it, lost it, broke it, a real user …

Read more5 Frames… Of a quiet Tokyo on Fujifilm C200 with a Nikon FE (35mm Format / EI 200 / Nikon AF Micro-Nikkor 105mm f/2.8 D) – by Clemens

My Nikon F3 and Nikkor 50mm f/1.4 AI lens, Lucas Dul

5 Frames… Of a 1969 Olivetti Valentine on Kodak ColorPlus 200, Overexposed 2/3 stop (35mm Format / EI 125 / Nikon F3 + Nikkor 50mm f/1.4 AI) – by Lucas Dul

5 Frames… Of a 1969 Olivetti Valentine on Kodak ColorPlus 200, Overexposed 2/3 stop (35mm Format / EI 125 / Nikon F3 + Nikkor 50mm …

Read more5 Frames… Of a 1969 Olivetti Valentine on Kodak ColorPlus 200, Overexposed 2/3 stop (35mm Format / EI 125 / Nikon F3 + Nikkor 50mm f/1.4 AI) – by Lucas Dul

5 Frames... Of fear and self-loathing in Farm Vegas on CineStill 800T (35mm Format : EI 800 : Nikkormat FTN + Nikkor-S 35mm f:2.8) - by Michael Reynolds

5 Frames… Of fear and self-loathing in Farm Vegas on CineStill 800T (35mm Format / EI 800 / Nikkormat FTN + Nikkor-S 35mm f/2.8) – by Michael Reynolds

I shot film back in 2004, so it shouldn’t be difficult to jump back in. At least that’s what I told myself when I found …

Read more5 Frames… Of fear and self-loathing in Farm Vegas on CineStill 800T (35mm Format / EI 800 / Nikkormat FTN + Nikkor-S 35mm f/2.8) – by Michael Reynolds

My Nikon EM + Nikon 50mm f/1.8 Series E, Jonathan King

5 Frames… Of taking Robert Palmer’s advice on Fomapan 200 Creative (35mm Format / EI 160 / Nikon EM + Nikon 50mm f/1.8 Series E) – by Jonathan King

This is a weird time to have photography as a hobby. Due to Covid-19 many places are still closed, while others have limit capacity or …

Read more5 Frames… Of taking Robert Palmer’s advice on Fomapan 200 Creative (35mm Format / EI 160 / Nikon EM + Nikon 50mm f/1.8 Series E) – by Jonathan King

My Nikon FM kit, Mitch Walker

5 Frames… Of ILFORD HP5 PLUS developed in Cinestill Df96 Monobath (35mm / EI 400 / Nikon FM2) – by Mitch Walker

The staying indoors because of the COVID-19 pandemic has allowed me to work on several projects that I been neglecting for several months now. This …

Read more5 Frames… Of ILFORD HP5 PLUS developed in Cinestill Df96 Monobath (35mm / EI 400 / Nikon FM2) – by Mitch Walker

My Nikon FG + Nikkor 50mm f/1.8 AI-S "Pancake", Max J Raulff

5 Frames… Of a night out in Trastevere on Kodak T-MAX 400 pushed to 3200 (35mm format / EI 3200 / Nikon FG + Nikkor 50mm f/1.8 AI-S “Pancake”) – by Max J. Raulff

The following five frames were taken on a typical summer night in Rome, in early June 2019, where I had moved to in the spring …

Read more5 Frames… Of a night out in Trastevere on Kodak T-MAX 400 pushed to 3200 (35mm format / EI 3200 / Nikon FG + Nikkor 50mm f/1.8 AI-S “Pancake”) – by Max J. Raulff