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My year on film in 115 photos: A 2019 retrospective or,...

What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article,...

EMULSIVE interview #211: I am Graham Spinks and this is why...

Greetings and welcome to this week's fresh EMULSIVE interview - number 211 to be specific. I have great pleasure in introducing you...

Film review: The magic of TMZ – Kodak T-MAX P3200

Have you ever wondered if magic is real or not? Well, I can tell you that it is, and somehow, Kodak has managed to...

EMULSIVE interview #210: I am Carlos Lopez Medrano and this is...

Welcome to 2020 here on EMULSIVE! I hope you all had a peaceful ringing in of the new year. For my part,...

Say hello to the LEGO Nikon F3, the new "plastic fantastic"...

Christmas has come early for LEGO fans and film photographers alike in the form of the LEGO Nikon F3 created by Ethan...

Camera review: 14 years with the “invisible” Nikon FM3a

In January 2006, after 5 or so years of film photography with a combination of cheaper cameras (e.g., a Minolta SRT-101, a...

Comparing Fujifilm NEOPAN 100 ACROS II to original ACROS. What's the...

Understandably, I was very excited to hear the news of Fujifilm bringing back NEOPAN 100 ACROS in the form of ACROS II...

5 Frames With… KODAK Panchromatic Separation Film 2238 (35mm / EI...

"Your package has been delivered” proclaimed the USPS tracking site. I had signed up for a project where a select few photographers...

EMULSIVE interview #209: I am Paulo Monteiro and this is why...

Ladies and gents, allow me to introduce you to this week's fresh EMULSIVE interviewee: Paulo Monteiro. Over to you,...

5 Frames With… Kodak Panchromatic Separation Film 2238 (35mm / EI...

It isn't often (if ever) that a film comes along and stops me in my tracks. In fact, I can't think of...

5 Frames With… ILFORD Delta 3200 Professional (EI 1600 / 35mm...

With a friend's wedding coming up later this year and being an avid photographer, I decided that as my gift to them...

5 Frames With… Agfa Vista Plus 200 (35mm / EI 200...

I've been shooting film for a couple years now, ever since inheriting some cameras and expired film. Over the past year, though,...

Dream camera: My experiences buying a Nikon F6 from Japan Camera...

Everyone has a dream camera. I have...well, a dream team: a set of cameras designed to meet specific needs and moods, from the small to large formats.

Travelling with film: My Sri Lankan travelogue

I suspect it’s a common dilemma, you’ve booked a holiday with your partner (and or family/friends) and there’s no doubt the destination was influenced by potential photographic opportunities. How on earth are you going to balance wanting to take lots of photos with what other people want to do?!

5 Frames With… Japan Camera Hunter Streetpan 400 (35mm / EI...

I had purchased a couple of rolls of JCH Streetpan 400 in 35mm but held off shooting the film until I had an opportunity I felt was worthy of its Streetpan name. That opportunity came in...

Neshama Sheli: Documenting Israel and the Palestinian territories

This is my ever-changing long-term photo essay about Israel and the Palestinian territories. A place so complex and beautiful at the same time. It isn't always easy or straightforward to put into words but I have done my best to paint

5 Frames With… Kodak Tri-X 400 (35mm / EI 400 /...

In March of 2018, I was heading to Oakland and San Francisco for a photo work assignment and decided to do some street photography on my time off while I was up there.

5 Frames With… CineStill 50D (EI 50 / 35mm / Nikon...

Whenever I go out shooting with film, which seems to be a lot these days, I take my trusty Nikon F2 and the 50mm F/1.4 AI-S. Can I just say that this camera is a bit of a beast?

5 Frames With… Kodak Portra 400 (EI 400 / 35mm /...

For this roll of Kodak Portra, I set out to shoot a series of self-portraits featuring flowers and foliage with my new (to me) Nikon FM and a Nikon Nikkor 50mm f/1.8 lens.

5 Frames With… Kodak EASTMAN Double-X 5222 (EI 200 / 35mm...

After all the roads and film stocks I've shot with over the last couple of months, all have lead to Eastman Kodak Double-X 5222. I've been searching for that go-to film by trying pretty much everything out there.