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It isn't often (if ever) that a film comes along and stops me in my tracks. In fact, I can't think of...
With a friend's wedding coming up later this year and being an avid photographer, I decided that as my gift to them...
I've been shooting film for a couple years now, ever since inheriting some cameras and expired film. Over the past year, though,...
Everyone has a dream camera. I have...well, a dream team: a set of cameras designed to meet specific needs and moods, from the small to large formats.
I suspect it’s a common dilemma, you’ve booked a holiday with your partner (and or family/friends) and there’s no doubt the destination was influenced by potential photographic opportunities. How on earth are you going to balance wanting to take lots of photos with what other people want to do?!
I had purchased a couple of rolls of JCH Streetpan 400 in 35mm but held off shooting the film until I had an opportunity I felt was worthy of its Streetpan name. That opportunity came in...
This is my ever-changing long-term photo essay about Israel and the Palestinian territories. A place so complex and beautiful at the same time. It isn't always easy or straightforward to put into words but I have done my best to paint
In March of 2018, I was heading to Oakland and San Francisco for a photo work assignment and decided to do some street photography on my time off while I was up there.
Whenever I go out shooting with film, which seems to be a lot these days, I take my trusty Nikon F2 and the 50mm F/1.4 AI-S. Can I just say that this camera is a bit of a beast?
For this roll of Kodak Portra, I set out to shoot a series of self-portraits featuring flowers and foliage with my new (to me) Nikon FM and a Nikon Nikkor 50mm f/1.8 lens.
After all the roads and film stocks I've shot with over the last couple of months, all have lead to Eastman Kodak Double-X 5222. I've been searching for that go-to film by trying pretty much everything out there.
Halfway through... six months in already? How did that happen... didn’t we just start? Actually, we are settling into our routine but the bloom is off the rose...
Most people will never see, hold, or use the Bronica S2A's Nikon Nikkor-Q 25CM f/4 lens. In fact, Tony Hilton's authoritative Bronica S2A book "Bronica: The Early History and Definitive Collector's Guide" lists only five known copies.
To answer this question, I researched the foundations of film and digital photography; and which factors can influence the style of the results for my bachelor thesis.
Since I started shooting film 2 years ago, I have wanted to shoot Motion Picture Stock and have it processed in its native ECN-2 chemistry.
Guardians at the door #02 Shot on Fuji Pro 400H at EI 200. Color negative film in 35mm format. Nikon F100 / Nikon Nikkor 85mm f1.8 AF-D Guardians at the door #02Shot on Fuji Pro 400H at EI 200.Color
Thirsty work Shot on Kodak Pro Image 100 at EI 400Color negative film in
Guardians at the door #01 Shot on Fuji Pro 400H at EI 200.Color negative film
“I thought it was color!” That was what my friend Adele texted me when she saw the scans I’d sent. I can understand her surprise.