Shot on Fuji NEOPAN 100 ACROS II at EI 400 (read the ACROS vs ACROS II comparison here)Black and white negative film in 35mm formatNikon FM3a + Nikon Nikkor 50mm f/1.2 AI-S Development notesKodak HC-110 1+31 (B): 20°C/68°F, 10:00 (N+2)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30 seconds, 5 minute rinse
Tag: Nikon
Posted in35mm format
Photography: At the market – Shot on Fujifilm FUJICOLOR 100 at EI 100 (35mm format)
Shot on Fujifilm FUJICOLOR 100 at EI 100Color negative film in 35mm formatNikon F6 + Nikkor 85mm f/1.8 AF-D At the marketFujifilm FUJICOLOR 100, EI 100, 35mm formatNikon F6, Nikkor 85mm f/1.8 AF-D The following is a sample from my photographic archive. Posted as one of over a thousand examples of my photography on this […]
Posted in5 Frames...
5 Frames… Of CineStill 800T (35mm Format / EI 800 / Nikon F3 + Nikon Zoom-Nikkor 35-70mm f/2.8 AF-D)
There’s a big difference between capturing someone as they are and modeling someone to appear as they are. Does that make sense? One of my friends I was photographing said something that caught my attention during our first time making portraits. She said that last time she was photographed the pictures came out feeling fake. […]
Posted in35mm format
Photography: Day to night – Shot on Kodak Ektar 100 at EI 200 (35mm format)
Shot on Kodak Ektar 100 at EI 200Color negative film in 35mm formatNikon F6 + Nikkor 85mm f/1.8 AF-D
Posted in5 Frames...
5 Frames… Of Kodak Portra 400 under tungsten light, color corrected in post (35mm Format / EI 400 / Nikon F3 + Nikon 50mm f/1.8 Series E)
A lot has been written about the famous Nikon F3, so I decided to make it a little bit more personal and tell the story of how I shot my first roll of film in a Nikon camera. So, I was there in the middle of the lockdown, a cinematographer choosing to sell my digital […]
Posted in35mm format
Photography: Pure gold – Shot on Fujifilm FUJICOLOR 100 at EI 100 (35mm format)
Shot on Fujifilm FUJICOLOR 100 at EI 100Color negative film in 35mm formatNikon F6 + Nikkor 85mm f/1.8 AF-D The following is a sample from my photographic archive. Posted as one of over a thousand examples of my photography on this website. While occasionally pretty to look at, these photographs serve to show some of […]
Posted in5 Frames...
5 Frames… Of 1977-expired Agfapan 100 Professional with a Nikon FM2n (35mm format / EI 50 / Nikkor 50mm f/2.0 AI)
Since the beginning of the pandemic, I started shooting film next to digital photographs. I wanted to become a better photographer and as there were no more music events (I am a photographer in the music scene), I felt it was the right time to take on this analogue challenge. After about 10 rolls of […]
Posted inNews
For new black and white film, say the secret codeword: “Kosmo Foto Agent Shadow”…but is it really a film noir film?
London-based Kosmo Foto recently announced their Kickstarter for a new film stock: Agent Shadow, a 35mm ISO 400 black and white panchromatic film that can be rated to at least EI 3200. The film is penciled in for a September 2021 release and I was lucky enough to be given a couple of rolls to […]
Posted in5 Frames...
5 Frames… Of my return to black and white film photography on Kodak T-MAX 100 (35mm Format / EI 100 / Nikon N90 + NIKKOR 80-200mm f/4.0)
I am located in La Ceja, a municipality 40 km from Medellín, Colombia’s second city in South America. For my return to the chemical process of black and white film photography, I dusted off my old Nikon N90 camera, which I used commercially in combination with the Nikon F4 in the last decade of the […]
Posted in35mm format
Photography: Shortcut – Shot on Fujifilm NEOPAN 400 at EI 800 (35mm Format)
Shot on Fujifilm NEOPAN 400 at EI 800Black and white negative film in 35mm formatNikon F100 + Nikon Zoom-Nikkor 35-70mm f/2.8 AF-D Development notesKodak HC-110: 1+31(B), 20°C/68°F, 07:15 (N+1)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
Posted in35mm format
Photography: Magic happening – Shot on Fujifilm FUJICOLOR C200 at EI 200 (35mm Format)
Shot on Fujifilm FUJICOLOR C200 at EI 200Color negative film in 35mm formatNikon F100, Nikkor 85mm f/1.8 AF-D
Posted in35mm format
Photography: Anamorphic test #04 – Shot on Kodak Ektar 100 at EI 100 (35mm Format)
Part of my ongoing 35mm anamorphic tests on film… Shot on Kodak Ektar 100 at EI 100Color negative film in 35mm formatNikon F100, Nikkor 85mm f/1.8 AF-D + ISCO Ultra Star 2.1
Posted in5 Frames...
5 Frames… With a Nikon S2 and original Fujifilm NEOPAN 100 ACROS in Downtown Calgary
I think the main thing I need to state before anything else is I’m not a rangefinder man. I’ve shot them and had, for the most part, mixed feelings about them. Examples of rangefinders I’ve liked include the Argus C3, and the Kiev 4. So when I say I liked the Nikon S2, despite what […]
Posted inArticles
5̶ 6 Frames… Of Hand-lettered double exposures on Kodak Portra 400 (35mm Format / EI 400 / Nikon FM2n
Before I ditched my smartphone, four or five years back, I used to make hand-lettering composites with it. I would ink out a design in my sketchbook, snap an iPhone pic, invert it, and mash it together with a photo in Photoshop Mix. I could eat a sandwich and pump out a little piece of […]
Posted in35mm format
Photography: Anamorphic Test #03 – Shot on Kodak Eastman Double-X (5222) at EI 800 (35mm Format)
Part of my ongoing 35mm anamorphic tests on film… Shot on Kodak Eastman Double-X (5222) at EI 800Black and white negative film in 35mm formatPush processed 3 stopsNikon F100, Nikkor 85mm f/1.8 AF-D + ISCO Ultra Star 2.1
Posted in35mm format
Photography: Anamorphic Tests #02 – Shot on Fujifilm NEOPAN 100 ACROS at EI 200 (35mm Format)
Part of my ongoing 35mm anamorphic tests on film… Shot on Fujifilm NEOPAN 100 ACROS at EI 200Black and white negative film in 35mm formatPush processed a single-stopNikon F100, Nikkor 85mm f/1.8 AF-D + ISCO Ultra Star 2.1
Posted inFeatured, Film Photographer Interviews, Interviews
EMULSIVE Interview #225: I am Andrea Bianchi and this is why I shoot film
Say hello to Andrea Bianchi; Surfer, extreme sports photographer, photo editor and portraitist based in one of the most beautiful parts of the world. Andrea and I have been crossing paths for 18 months now and I’m glad to finally be able to bring his interview to you. Settle in, this is going to be […]
Posted inFilm Photographer Interviews
EMULSIVE Interview #223: I am Ellen Rogers and this is why I shoot film (Mildly NSFW)
Welcome to today’s fresh EMULSIVE interview. We have a bit of a treat this week in the form of polymath Ellen Rogers. Ellen is a photographer, colourist, lecturer, PhD student and fantasist — among other things. I’m so, so glad to be able to welcome her onto these pages! A couple of the photos are […]
Posted in35mm format
Photography: Road Warrior – Shot on ILFORD FP4 PLUS at EI 500 (35mm Format)
Shot on ILFORD FP4 PLUS at EI 500.Black and white negative film in 35mm format.Push processed 2-stops.Nikon F6 + Nikon 70-200mm f/2.8 VR / Nikon Super Coolscan 4000 ED Read the full ILFORD FP4 PLUS review here. Development notesILFORD ILFOTEC LC29: 1+19, 20°C / 68°F, 14:15 (N+2)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
Posted in5 Frames..., Articles
5 Frames… Of Old Main Street, Fort Worth, Texas (35mm Format / EI 400 / Nikon FA + Nikkor 50mm f/1.8 AI)
As a film photographer, I am always drawn to some of the more timeworn parts of town, so to speak, and that propensity for the foregone cannot be more satisfied than in the old part of Main Street in Fort Worth, Texas. The old Main Street has tons of classic heritage but it’s not immune […]
