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Black and white film high EI shootout part 2: Kodak Tri-X...

The high EI shootout is back for part two: the pushening. Poorly executed references to the terrible sequel that was Highlander 2 aside, I'm hoping that you'll find this extension of part one just as informative as the first and

Black and white film high EI shootout part 1: Kodak Tri-X...

A few months ago I wrote a post about experimenting with pushing Kodak Tri-X from ISO 800 to 12800.

Film stock review: Kodak Professional Portra 400BW

Well here's something you don't see every day or every week for that matter.

Photoset #01: Kodak Ektar 100 – +1-stop push with +1 over...

As regular readers will know, I've been doing #FILMSWAPs for close to six months now and things are going great guns. Since it all started back in July, I've been lucky enough to swap over 150 rolls (and reels) of

Film stock review: Kodak EASTMAN DOUBLE-X (5222) – 35mm format

EMULSIVE: By way of a quick preface, regular readers and followers of EMULSIVE-related ramblings on Twitter will be familiar with our Interview and Photographer's Daypack series should be familiar with Jonas Lundström.

Film stock review: Kodak AEROCHROME III color infrared film

Let me get this out of the way. AEROCHROME is hands-down my favourite film stock. Yes, that includes EKTACHROME E100VS and I implore you to try some AEROCHROME out if you can.

Film stock review: AgfaPhoto Vista Plus 200 – 35mm format

AgfaPhoto Vista Plus 200 is one of two films previously sold under the AgfaPhoto brand (the other being the higher speed Vista 400).

Film stock review: Efke KB-25 in 35mm format

Shortly after opening the doors to EMULSIVE I kicked off a little #FILMSWAP project on Twitter.

Film stock review: Kodak VISION3 250D (5207) motion picture film

The Imitation Game, Les Miserables, Lincoln, The Wolf of Wall Street, 12 Years a Slave and Argo...oh, and the upcoming Star Wars: Episode VII. What do all these movies have in common?

Film notes: Lomography LomoChrome Turquoise XR 100-400

Welcome to Field Notes: bite-sized film reviews covering the essential information you need to help make an informed decision when choosing a photographic film stock.

Film notes: Fuji Velvia 100 (RVP 100)

Here we are again with more field notes.

Film stock review: Fujifilm FUJICHROME Velvia 100 (RVP 100) in 35mm,...

I've not always had the best time shooting Fujifilm's Velvia 100 over the years, or to give it it's proper name, Fujifilm FUJICHROME Velvia 100.

Film notes: Rollei Superpan 200

Following on from my review and experimentation guide, here's a quick reference for Rollei Superpan 200.

Film notes: Fuji Provia 100F (RDPIII)

Following on from my review of Fuji Provia 100F (RDP III), here's our quick reference for (nearly) everyone's favourite slide film. Here's what Fuji have to say: "FUJICHROME PROVIA 100F Professional is an ultra-high-quality, daylight-type ISO 100-color reversal film. With

Experiments: cross processing and push processing Fuji Provia 100F (RDP III)

Picking up from my original Provia 100F review, I'm going to talk about how we can experiment with this film and the kinds of results you can expect. In this article, we'll be talking about pushing, cross processing and

Film notes: ILFORD FP4 PLUS 125

Following on from our recent review, here's a quick reference for ILFORD's fine detail, old school contrast monster, FP4 PLUS. Here's what they have to say: "For high quality black and white photography, ILFORD FP4 PLUS is unrivaled.

Experimenting with Rollei Superpan 200 (with bonus infrared)

Today I've decided to give you all a look at the kind of results you can expect from Rollei's Superpan 200 black and white film in 120 format.

Film stock review: ILFORD FP4 PLUS in 35mm, 120 format and...

Looking for a medium speed black and white film with buckets of character and great, deep contrast at moderate box speed? Pack ILFORD FP4 PLUS.

Shooting Kodak Tri-X 400 from EI 800 to EI 12800 (+...

Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.

Film notes: Kodak Tri-X 400 (400TX)

Another quick reference guide for you all.  This time it's Kodak Tri-X 400.  As this article proved, Tri-X 400 is is the best film black and white film in the world...if you want a certain look.

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