The high EI shootout is back for part two: the pushening. Poorly executed references to the terrible sequel that was Highlander 2 aside, I'm hoping that you'll find this extension of part one just as informative as the first and
A few months ago I wrote a post about experimenting with pushing Kodak Tri-X from ISO 800 to 12800.
Well here's something you don't see every day or every week for that matter.
As regular readers will know, I've been doing #FILMSWAPs for close to six months now and things are going great guns. Since it all started back in July, I've been lucky enough to swap over 150 rolls (and reels) of
EMULSIVE: By way of a quick preface, regular readers and followers of EMULSIVE-related ramblings on Twitter will be familiar with our Interview and Photographer's Daypack series should be familiar with Jonas Lundström.
Let me get this out of the way. AEROCHROME is hands-down my favourite film stock. Yes, that includes EKTACHROME E100VS and I implore you to try some AEROCHROME out if you can.
AgfaPhoto Vista Plus 200 is one of two films previously sold under the AgfaPhoto brand (the other being the higher speed Vista 400).
The Imitation Game, Les Miserables, Lincoln, The Wolf of Wall Street, 12 Years a Slave and Argo...oh, and the upcoming Star Wars: Episode VII. What do all these movies have in common?
Welcome to Field Notes: bite-sized film reviews covering the essential information you need to help make an informed decision when choosing a photographic film stock.
I've not always had the best time shooting Fujifilm's Velvia 100 over the years, or to give it it's proper name, Fujifilm FUJICHROME Velvia 100.
Following on from my review of Fuji Provia 100F (RDP III), here's our quick reference for (nearly) everyone's favourite slide film. Here's what Fuji have to say: "FUJICHROME PROVIA 100F Professional is an ultra-high-quality, daylight-type ISO 100-color reversal film. With
Picking up from my original Provia 100F review, I'm going to talk about how we can experiment with this film and the kinds of results you can expect. In this article, we'll be talking about pushing, cross processing and
Today I've decided to give you all a look at the kind of results you can expect from Rollei's Superpan 200 black and white film in 120 format.
Looking for a medium speed black and white film with buckets of character and great, deep contrast at moderate box speed? Pack ILFORD FP4 PLUS.
Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.