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Home » Medium Format Film Camera » Page 3

Tag: Medium Format Film Camera

Cover - Camera Review - Kodak Brownie Hawkeye, Flash Model - by Kikie Wilkins v2
Posted inFilm camera reviews, Kodak film camera reviews, Reviews

Camera Review: Kodak Brownie Hawkeye, Flash Model

Avatar - Kikie Wilkinsby Kikie WilkinsJanuary 24, 2019July 31, 2021

In 1900, Eastman Kodak introduced the original Brownie camera, the first in a long-running series of affordable, easy-to-use cameras for the general public.

Cover - The Ultimate guide to the Hasselblad 2000FCW, a focal plane shutter unicorn
Posted inHasselblad film camera reviews

The Ultimate guide to the Hasselblad 2000FCW, a focal plane shutter unicorn

Avatar - EMby EMJanuary 15, 2019July 31, 2021

The Hasselblad 2000FCW was the third in the legendary Swedish company’s family of 6×6 focal plane shutter cameras. If you want to be able to use all Hasselblad lenses (including 13 lenses that can only be used with this

Posted inFilm camera reviews, Hasselblad film camera reviews, Reviews

Camera review: the Hasselblad 903 SWC

Avatar - Richard Forresterby Richard ForresterDecember 4, 2018July 31, 2021

I’ve been photographing with analog cameras for over a decade now and this isn’t my first Hasselblad (previously owning a V-Series 500CM).

RealitySoSubtle 6x12 review -Front
Posted inDarkroom printing, Film camera reviews, Reality So Subtle film camera reviews, Reviews

Camera review: the RealitySoSubtle 6×12

by Wendy ChapmanNovember 29, 2018February 5, 2022

I have been using digital cameras for the past 20 years. Like many of us, my love of photography began when I was a young using a little Kodak Brownie camera.

Cover - Camera review- the Fuji Panorama GX617, a legendary panoramic behemoth
Posted inDarkroom printing, Film camera reviews, Fujifilm film camera reviews, Reviews

Camera review: the Fuji Panorama GX617, a legendary panoramic behemoth

Avatar - Steve Waltonby Steve WaltonNovember 6, 2018July 31, 2021

Beloved of landscape photographers, especially those involved with supplying images for calendars and home decor products both before and well into the digital camera era, the Fuji Panorama GX617 was the final iteration of Fuji’s legendary behemoth panoramic medium

Cover - Camera Review - Pentax 67 Video Review
Posted inDarkroom printing, Film camera reviews, Pentax film camera reviews, Reviews

Camera review: The Pentax 67

Avatar - Alastair Birdby Alastair BirdNovember 1, 2018July 31, 2021

It’s a beast, this Pentax. It weighs a ton and it’s hard to hang on to. It’s slow, has a terrible synch speed and everything is in full stops.

Camera Review - the Vermeer Anamorphic pinhole camera
Posted inFilm camera reviews, Reviews, Vermeer film camera reviews

Camera review: the Vermeer Anamorphic pinhole camera – no lens, lots of distortion

Avatar - Danny Kalkhovenby Danny KalkhovenOctober 11, 2018July 31, 2021

Sometimes, when visiting websites or just browsing pinhole pictures, I would stumble upon strange images that were created with a Vermeer anamorphic camera from Poland. Wow, what’s that? It sure produces beautiful crazy images.

Cover - Review - Kodak Instamatic 500
Posted inKodak film camera reviews

Camera review: the Kodak Instamatic 500 or, why I love 126 format film

Avatar - Ian Flemingby Ian FlemingAugust 16, 2018July 31, 2021

The Kodak Instamatic 500 was the “jewel in the crown’ of the Kodak Instamatic line.

Cover - Review - Yashica Mat-124 - Malcolm Myers
Posted inFilm camera reviews, Reviews, Yashica film camera reviews

Camera review: the Yashica Mat 124

Avatar - Malcolm Myersby Malcolm MyersJuly 31, 2018July 31, 2021

“You can have it for £40, but the meter’s broken, so it’s sold as seen.

The Nameless Camera - a hand-built 6x7 medium format rangefinder camera, with 100mm f/3.5 Mamiya Press lens
Posted inFilm camera reviews, Reviews

Camera review: The mystery 6×7 rangefinder aka “The Nameless Camera”

Avatar - David Hendersonby David HendersonJuly 26, 2018July 31, 2021

Everyone enjoys a mystery and here’s an enigma that certainly has me scratching my head. Maybe you too, although it’s possible you might be able to help solve the puzzle.

Sibling rivalry - Fujica GS645 & GS645S street photography shootout
Posted inFilm camera reviews, Fujifilm film camera reviews, Reviews

Sibling rivalry: Fujica GS645 & GS645S street photography shootout

Avatar - Michael C Dukeby Michael C. DukeJuly 24, 2018July 31, 2021

The Fujica GS645 Professional and its sibling GS645S Professional are very much alike, but different enough that the cameras beg for comparison….which interestingly enough, is what this article is all about: a comparison of Fuji’s two most well-known and loved

Cover - Camera Review - ZEISS IKON NETTAR II 518-16
Posted inFilm camera reviews, Reviews, Zeiss Ikon film camera reviews

Camera review – the Zeiss Ikon Nettar II 517/16 6×6 folding camera

by David HumeJuly 10, 2018July 31, 2021

I bought my Zeiss Ikon Nettar 6×6 folder in 1992 for $50, pretty much in perfect nick. At the time I was shooting a Mamiya RB67 professionally; exclusively running Fuji Velvia through it for magazine covers and editorial work.

Posted inFilm camera reviews, Pentax film camera reviews, Reviews

Camera review: the Pentax 645

Avatar - Martin Jefferyby Martin JefferyJuly 3, 2018July 31, 2021

I have had a Pentax 645 for few months and have really enjoyed using it, so this is an attempt to put some thoughts together on it.

Hasselblad V-System Master Guide - Lenses CF, CF FLE & CF
Posted inHasselblad film camera reviews

The Hasselblad V-System master guide: CF, CF FLE and IHI lenses

Avatar - EMby EMJune 20, 2018July 31, 2021

I kicked off the previous article in this series by stating that in its V-System, Hasselblad created one of, if not the world’s most comprehensive and flexible medium format camera system.

Camera Review - Rolleiflex SL66
Posted inFilm camera reviews, Reviews, Rollei film camera reviews

Camera review: the Rolleiflex SL66

Avatar - Dave Varoby Dave VaroJune 1, 2018July 31, 2021

Mention 6x6cm medium format film cameras to a photographer and most will immediately think Hasselblad. Mention Rolleiflex to the same group and they will almost certainly think of the well-respected range of twin lens reflex (TLR) cameras.

Brendan Morrison - Holga 120N, Kodak Portra 400
Posted inFilm camera reviews, Holga film camera reviews, Reviews

Camera review: Holga 120N + video review

Avatar - Brendan Morrisonby Brendan MorrisonMay 25, 2018July 31, 2021

It’s been a little while since I have gone out to do some shooting with my Holga.

Cover - Review - Yashica Mat-124
Posted inFilm camera reviews, Reviews, Yashica film camera reviews

Camera review: Yashica-mat 124 TLR

by Milan JuzaMay 10, 2018July 31, 2021

As a 6×6 format twin lens reflex camera, the Yashica Mat-124 TLR is considered a great entry-level camera for people who are moving up from 35mm to medium format film.

Cover - Hasselblad a few months in
Posted inFilm camera reviews, Hasselblad film camera reviews, Reviews

Medium format first timer: a few months on with the Hasselblad 500C/M

Avatar - Rick Davyby Rick DavyMay 1, 2018July 31, 2021

It’s been a few months now since I came into the world of medium format and became a Hasselblad owner.

Camera review: the Zenza Bronica ETRS - Workhorse, or Hippopotamus…? - by Neil Piper
Posted inBronica film camera reviews, Film camera reviews, Reviews

Camera review: the Zenza Bronica ETRS – Workhorse, or Hippopotamus…?

Avatar - Neil Piperby Neil PiperApril 16, 2018July 31, 2021

From what I’ve read the Bronica ETRS I get the impression that it is considered the “lesser wanted” of the Bronica family. I really don’t know why.

Hasselblad V-System Master Guide - Lenses C + CT* Lenses
Posted inHasselblad film camera reviews

The Hasselblad V-system master guide: C and C T* lenses

Avatar - EMby EMApril 13, 2018July 31, 2021

In this section of the Hasselblad V-system master guide, I’ll be taking a look at the first two generations of Hasselblad lenses. If you’re looking for lenses for your Hasselblad 500, 500CM 501 or 305 (whichever version), this is the place to start.

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Lush - Kodak Aerochrome III (1443) shot at ISO400. Color infrared slide film in 120 format shot as 6×6. Orange #21 filter
Photography: Lush – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)
Cracking up - Kodak Portra 400 shot at ISO1600. 120 / 6x6 / 3-stop push @kodakCB #believeinfilm
Photography: Cracking up – Shot on Kodak Portra 400 at EI 1600 (120 format)
Until next time - Kodak BW400CN shot at ISO400. Black and white negative film in 35mm format.
Photography: Until next time – Shot on Kodak BW400CN at EI 400 (35mm format)
Maintenance required - Kodak ULTRAMAX 400 shot at EI 1600. Color negative film in 35mm format. Push processed two stops.
Photography: Maintenance required – Kodak ULTRAMAX 400 (35mm)
Compact camera mega test: Contax T2, the world’s most fashionable point and shoot??
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Box of Magic: The Zeiss Ikon Box Tengor 56/2
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EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

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