The mighty Fujica Panorama G617 Professional was the camera that made me return to shooting on film. After I’d sold my film gear and gone all digital, I had thought that if I ever found a panoramic camera in a second-hand shop, that it might tempt me back to film – I was right. I […]
Tag: Medium Format Film Camera
GAS and the “wrong” camera: Skateboarders with the Pentax 6×7 in Singapore
I suffer from GAS: Gear Acquisition Syndrome. Even as I write this I have a painfully expensive Mamiya 6 on its way from Japan because I just had to have a medium format camera that’s light and easy to carry. You know, because my 35mm cameras are great, but what if I find myself in […]
A complete guide to the Mamiya RZ67, part five: conclusion and personal stories
This five-part review has taken the best part of three years to complete. At over 40,000 words, I admit that it is quite long (!) but I wanted it to be as detailed and as precise as possible. To the best of my knowledge, no book has ever been written about the Mamiya RZ67 Professional, […]
Building a point and shoot 6×17 camera: the TwoFourths DIY camera kit
In 2016 I decided to back the TwoFourths DIY 617 Kickstarter project, paying about $185 for a kit that would let me use two lenses on the wood and plastic 6×17 format camera. I saw this as a point and shoot camera, requiring less effort than my 4×5 and 8×10, and much less expensive than […]
The mighty Salyut-S; Or how I learned to love a Hasselbladski
While there were a number of different models made – see below – the Soviet copy of Hasselblad’s 1600F modular camera is commonly known as a Kiev, which was both a model name and a reference to it’s place of manufacture, The Arsenal, or more correctly, the Arsenal State Enterprise of Special Instrumentation in Kiev […]
A complete guide to the Mamiya RZ67, part four: maintenance and miscellaneous accessories
Over the past three weeks, I have introduced you to the Mamiya RZ67 Professional camera, its series of film holders and the extensive lens system. In this, part four of the series, I will introduce you to the main system accessories and some basic maintenance/troubleshooting concepts. The neck strap After purchasing my RZ, the first […]
A complete guide to the Mamiya RZ67, part three: lenses, filters and accessories
Welcome back to part three of this guide. We’ve already covered a deep overview of the Mamiya RZ67 Professional system as well as a look at the system’s film holder options. For part three, I’ll be covering the lenses. If you’ve read the previous two parts, you’ll know that I’m a huge fan of the […]
A complete guide to the Mamiya RZ67, part two: film holder system
Welcome to part two of this short but exhaustive series of articles on the Mamiya RZ67 Professional camera system. In part one I gave you a deep overview of the RZ67 system; its history, breadth, basic steps to taking your first photograph, focusing and use cases. Part two dives deep into the RZ’s revolving back, […]
A complete guide to the Mamiya RZ67 Pro: part one – deep system overview
The Mamiya RZ67 is very interesting and in many ways, an unusual camera. It’s not very easy to operate and a little bit slow if you’re not used to it, so it’s maybe not a camera for everybody. It’s also huge and a bit heavy and was primarily created for studio work and landscapes for […]
The Ihagee Photorex: shooting medium format with a 100 year-old plate camera
When it comes to medium format cameras we’re spoilt for choice. This is not surprising considering that 120 film was the main format used by professionals and enthusiasts alike for a good chunk of the 20th century before 35mm film took over.
Reviewing the Rolleiflex 2.8GX Expression 75 years edition (it’s gold!)
Let’s start with the elephant in the room – this camera comes with some serious bling. It is in fact, a special gold-dipped version officially called the “Rolleiflex 2.8GX Expression 75 years edition”.
The Bronica ETR: 40 years old but not an old dog
When I came back to film photography in early 2018, very soon I wanted to try medium format film. Not being sure if I would like it with its lesser number of photos per roll compared to a 35mm film…
Comparing the Super Ikonta 532/16 and Ensign 12-20 folding cameras
British camera manufacturer Barnet Ross Ensign boldly advertised in the post-Second World War period that photographic development had now moved from Europe to Great Britain.
The best medium format camera ever made – Mamiya 6 MF review
About a year and a half ago I finally bit the bullet and bought my very first medium format camera, a Mamiya 6 MF.
My first Impressions with the Bronica ETRSi
I was recently tempted to get into medium format more seriously and began around looking for the camera that would allow me to do so.
Camera review: The Pentacon Six TL, a (hopefully) comprehensive guide to a legend
The Pentacon Six TL is a phenomenon of a camera.
Two out of three. A look at three bellows cameras from the 1950s: Agfa Record III, Voigtländer Perkeo I, and Agfa Isolette
Most of my photo output is from digital cameras, although I have an abiding love for film. I recently bought some 35mm and medium format cameras online.
Holgas in the Himalayas
I continue to carry film cameras long after the world has gone digital. We had a darkroom when I was growing up and I learned to develop film and print photos when I was about 10.
Camera Review: Mamiya 645 Pro, plastic fantastic? – Kikie Wilkins
In 1975, Mamiya introduced their M645 series of medium format cameras. The M645 series have been very successful over the years, continually being upgraded and refined.
Camera review: The Rolleicord 1a – 2 – Model K3
After my first encounters with the Rolleicord 1a – 2 – Model K3 a friend had given me as a present, I decided to take a closer look at this piece of fine engineering.