Tag: Kodak Portra 400
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EMULSIVE Interview #202: I am Wendy Gunderson and this is why I shoot film
Welcome to EMULSIVE interview #202! Today I’m featuring the work and words of Wendy Gunderson, lawyer, photographer, community builder and serial website creator to name a few.
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My first Impressions with the Bronica ETRSi
I was recently tempted to get into medium format more seriously and began around looking for the camera that would allow me to do so.
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Blind film review #02: CineStill 800T vs Kodak Portra 400 in 120 format
This article pits Kodak’s medium format Portra 400 against CineStill’s 800T in a head-to-head.
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Film photography in album cover design
I discovered my love of film photography by accident. Being a collector, I have always frequented thrift stores for anything I could find of interest.
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Camera Review: Mamiya 645 Pro, plastic fantastic? – Kikie Wilkins
In 1975, Mamiya introduced their M645 series of medium format cameras. The M645 series have been very successful over the years, continually being upgraded and refined.
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Photoset: On business in NYC with my Mamiya 645 1000s and Kodak Portra 400
I wrote this text at the end of spring in 2018, but for some reason, I postponed publishing it anywhere.
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EMULSIVE’s most popular film photography experimentation articles of 2018
Life would be boring without experimentation and this fifth article for 2018’s lazy post listicles should help you scratch that itch…or not. Either way, it’s here. Comparing Fujifilm Acros to… Fujifilm Acros – READ Crank Case – Minolta XD7
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5 Frames… With Kodak Portra 400 (EI 400 / 35mm format / Olympus MJU-II)
Rustic fishing piers and floating docks, colorful fishing boats, and historic buildings are ideal subjects for film photography.
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EMULSIVE Interview #193: I am Lee Gavin and this is why I shoot film
I managed to grab some time with Lee Gavin, an English film photographer and teacher based in Kent, UK. Over to you, Lee. Hi Lee, what’s this picture, then? Memory – Fuji Fujicolor 200 LG: Having always been fascinated
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Nothing to lose… My Indian road trip
“I have nothing to lose.” This was what I thought to myself before clicking on the button that subsequently led me on a solo trip to Delhi and North India in July 2018. 2018 started off slow.
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EMULSIVE Interview #191: I am Robin Kuusela and this is why I shoot film
A film shooter for a little under ten years so far, this week’s fresh EMULSIVE interviewee is Robin Kuusela.
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How-to: Shoot a wedding on film… dos, don’ts and the beauty of film
First things first, I am not a full time professional (or really even a part-time) wedding photographer.
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Welcome to #PortraParty 2018: celebrating 20 years of Kodak Portra films
It’s Kodak Portra’s 20th anniversary and we’re here to celebrate!
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Camera review – the Zeiss Ikon Nettar II 517/16 6×6 folding camera
I bought my Zeiss Ikon Nettar 6×6 folder in 1992 for $50, pretty much in perfect nick. At the time I was shooting a Mamiya RB67 professionally; exclusively running Fuji Velvia through it for magazine covers and editorial work.
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5 Frames… With Kodak Portra 400 (EI 320 / 120 Format / Mamiya 7)
On August 21, 2017, thousands of people converged on Alliance, Nebraska, as one of the prime Solar Eclipse viewing locations in North America.
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EMULSIVE interview #182: I am Yan Wang Preston and this is why I shoot film
Regular readers will remember reading about Yan’s current project, Mother River here on EMULSIVE a couple of weeks ago and I’m, please to be able to finally bring more of her words and work to you in today’s fresh EMULSIVE
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Yan Wang Preston: Creating Mother River
In 2010 I decided to embark on the hardest adventure of my life, to photograph the entire 6,211km of the Yangtze River in China.
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Every single film stock still made today – Part 4: Kodak to Maco Direct (v4)
Update 03: 2018-11-20 Welcome to part four of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.
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Camera review: Holga 120N + video review
It’s been a little while since I have gone out to do some shooting with my Holga.