Rustic fishing piers and floating docks, colorful fishing boats, and historic buildings are ideal subjects for film photography. I found all of these at Noyo Harbor, which is one of the last remaining working harbors in Northern California.
I stumbled upon this hidden gem while visiting Mendocino with my wife. From the moment we drove down the tiny road that led to the picturesque fishing harbor, I knew it was perfectly suited for 35mm film.
I grabbed a roll of Kodak Portra 400 from my camera bag, opened my Olympus MJU-II, and quickly loaded it. I was like a kid in a candy store when I was walking around Noyo Harbor. It looked like a movie set from decades past, and I was lucky to have bright sunlight in the skies above. I’ve been shooting Kodak Portra 400 for many years, and I find that it produces consistent colors, great sharpness, and excellent highlights with landscapes and street photography, particularly when there is abundant natural light. The fine grain is apparent with Kodak Portra 400, but it’s never overdone or intrusive.
Kodak Portra 400 is one of my go-to film stocks for outdoor and nature photography when I have no control over lighting. Other comparable film stocks I recommend for these scenarios include Kodak Ektar 100 and Cinestill 50D, both of which are always in my refrigerator. Kodak Portra was introduced in the late 1990s and is available in 160, 400, and 800 ASA.
I think my Olympus MJU-II is an ideal camera for most film stocks, and it does the job really well with Kodak Portra 400. The fixed lens is super sharp and fast, and the picture quality is excellent. When I picked up my prints of Noyo Harbor from the photo lab, I was glad to see a mix of sharp, vivid images along with some with faded color palettes and a nostalgic 1970s vibe. This is most likely the result of the large ocean clouds that occasionally made their way overhead and diffused the sunlight.
I hope you enjoy this article and the images.
You can see more of my film photography work on my website and on Instagram.
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This series is produced in conjunction with Hamish Gill's excellent 35mmc.com. Head on over to read the other half of these stories there.
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