Tag: 2018 – December
-
How-to: Build a photography website…what you need to know
The new year is upon us but it needn’t be filled with broken resolutions, especially if you’ve committed yourself to create a new photography website (or plan on refreshing one you already have).
-
EMULSIVE’s most popular articles of 2018
It’s the final part of this amazing series of 2018 listcles. Thank you for bearing with these lazy posts and rest safe in the knowledge that while you’ve been reading these, I’ve been away on holiday.
-
EMULSIVE’s most popular #5FramesWith articles of 2018
I started “5 Frames With…” with Hamish over at 35mmc.
-
EMULSIVE’s most popular film photography experimentation articles of 2018
Life would be boring without experimentation and this fifth article for 2018’s lazy post listicles should help you scratch that itch…or not. Either way, it’s here. Comparing Fujifilm Acros to… Fujifilm Acros – READ Crank Case – Minolta XD7
-
EMULSIVE’s most popular film stock reviews of 2018
It’s the fourth article in 2018’s end-of-year lazy post, this time counting down the most popular film reviews here on EMULSIVE over the course of 2018. Ready?
-
5 Frames… With Fujicolor 200 (EI 200 / 35mm format / Nikon FG-20)
Fujicolor cross processes as a wonderful black & white film with great tonality and nice grain.
-
Loss, PTSD and finding my father in the searchlights
It all started with a conversation with my Dad in 2015.
-
Interview #194: I am Ezequiel Grimaldi and this is why I shoot film
I’m pleased to be able to introduce today’s fresh interview with Ezequiel Grimaldi, film photographer based in Spain’s San Sebastian. I’ll keep this short so you can spend as much time as possible on the images below.
-
Photography: No garbage! – Shot on Kodak T-MAX 400 at EI 400 (120 format)
No garbage! Shot on Kodak T-MAX 400 at EI 400 Black and white negative film in 120 format shot as 6×6
-
Photoset: Three strikes and you’re out or, a lesson in not taking things for granted
The three strikes mentality is such a cliché these days. It’s now used as a yardstick for punishment. Whether baseball or criminal offenses.
-
Photography: On point – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)
On point Shot on Fuji Provia 100F (RDP III) at EI 100. Color reversal (slide) film in 120 format shot as 6×6. Cross processed.
-
5 Frames… With Kodak Portra 400 (EI 400 / 35mm format / Olympus MJU-II)
Rustic fishing piers and floating docks, colorful fishing boats, and historic buildings are ideal subjects for film photography.
-
Photography: Lunch – Shot on Kodak ColorPlus 200 at EI 200
Lunch Shot on Kodak ColorPlus 200 at EI 200. Color negative film in 35mm format. Olympus XA. More samples here.
-
5 Frames… With Fujifilm Superia X-TRA 400 (EI 200 / 35mm format / Minolta XD-7)
I purchased this camera through Gumtree because it came with some great accessories (Minolta Auto 320X Flash, the Hanimex lens used here, a Makinon MC f/4.5 80-200mm zoom, Minolta auto winder and various filters!) and, it was an excellent
-
Photography: 1, 2, 3… – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
1, 2, 3… Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format shot as 6×4.5
-
Photoset: Malcolm in Millennia
Over the summer of 2018, I had the opportunity to visit Cincinnati and experience the people of The Queen City.
-
EMULSIVE x CineStill Film Community Interview: submit your questions
It’s time to introduce the latest in this series of EMULSIVE Community Interviews, this time we’re going one-on-one (one-on-two?) with the Brothers Wright, the brains and brawn behind CineStill Film – Cinema film for Still cameras.
-
Photography: Left – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
Left Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format shot as 6×4.5
-
How to build a simple Arduino shutter speed tester
I’ve been stuck in my house filling orders for my Kickstarter campaign for the CAMERADACTYL 4×5 Field Camera, mostly just babysitting printers, changing filaments and adjusting extruders every few hours.
-
Photography: Meeting place – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
Meeting place Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format shot as 6×6
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
