Tag: Kodak Portra 400
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Nothing to lose… My Indian road trip – by Bernard Lim
“I have nothing to lose.” This was what I thought to myself before clicking on the button that...
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EMULSIVE Interview 191: I am Robin Kuusela and this is why I shoot film
A film shooter for a little under ten years so far, this week’s fresh EMULSIVE interviewee...
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How-to: Shoot a wedding on film… dos, don’ts and the beauty of film
First things first, I am not a full time professional (or really even a part-time) wedding...
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Camera review – the Zeiss Ikon Nettar II 517/16 6×6 folding camera
I bought my Zeiss Ikon Nettar 6×6 folder in 1992 for $50, pretty much in perfect nick. At the...
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5 Frames With… Kodak Portra 400 (EI 320 / 120 Format / Mamiya 7) – by Kathleen E. Johnson
On August 21, 2017, thousands of people converged on Alliance, Nebraska, as one of the prime Solar...
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EMULSIVE interview 182: I am Yan Wang Preston and this is why I shoot film
Regular readers will remember reading about Yan’s current project, Mother River here on...
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Featured project: Creating the Mother River photobook – by Yan Wang Preston
In 2010 I decided to embark on the hardest adventure of my life, to photograph the entire 6,211km...
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Every single film stock still made today – Part 4: Kodak to Maco Direct (v4)
Update 03: 2018-11-20 Welcome to part four of this series exploring every single film stock...
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Camera review: Holga 120N + video review – by Brendan Morrison
It’s been a little while since I have gone out to do some shooting with my Holga. Just the other...
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Featured project : Vues sur mer – by Daphne Schnitzer
The road to this photo book wasn’t paved in roses exactly – more like sea salt! – but it did...
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EMULSIVE interview #179: I am Daphne Schnitzer and this is why I shoot film
A huge welcome to Daphne Schnitzer, past 5 Frames With contributor here on EMULSIVE and pinhole...
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Test shots: Revolog Kosmos (35mm) + Bronica ETRSi – by Nils Karlson
A few weeks ago, Nils suggested putting together an unorthodox camera/film review that he felt...
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Film review: Kodak EKTACHROME E100G – by James King
I wasn’t overly keen on writing a film review when EM first suggested it. I usually stick to Kodak...
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EMULSIVE interview #177: I am Clara Araujo and this is why I shoot film
It’s my pleasure to welcome you all to the words and work of occasional EMULSIVE...
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Engine #9 – Shot on Kodak Portra 400 at EI 400 (120 Format)
Engine #9 Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6 ...
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5 Frames With… Kodak Portra 400 (EI 400 / 120 / NuBox 1 Box Camera) – by Robert Hamm
A warm day popped up in early spring after a harsh winter. My kids wanted to head down to the...
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#4 – Shot on Kodak Portra 400 at EI 400 (120 Format)
#4 Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6 ...
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Got a minute? – Shot on Kodak Portra 400 at EI 400 (120 format)
Got a minute? Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as...
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EMULSIVE interview #176: I am Josip Šore and this is why I shoot film
Welcome all. This week I have the pleasure of bringing you the work and words of Josip Šore,...
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One outta two – Shot on Kodak Portra 400 at EI 400 (120 format)
One outta two Shot on Kodak Portra 400 at EI 400 Color negative film in120 format shot as 6×6...
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