This past November, I had the opportunity to visit a close friend of mine in Los Angeles, California. Given the current situation with covid, I didn’t really know what to expect on my trip. I was worried that there may not be enough going on to enjoy or photograph. I am thankful that there ended […]
Tag: Kodak Portra 400
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5 Frames… From Bloomsbury to Kings Cross on Kodak Portra 400 and a Pentax ME Super
The Pentax Super ME is a beautiful little camera, introduced in 1979, superseding the old Pentax ME. It’s an extremely compact camera, with aperture priority and manual mode, making it a great camera for beginners, or a cheap alternative to adding to your collection. Coming from the family of the Pentax K mount, you are […]
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5 Frames… Around Vassar College, New York, on Kodak Portra 400 (120 format / EI 400 / Mamiya RB67 Pro SD + Mamiya-Sekor 180mm f/4.5 C)
I bought a Mamiya RB67 Pro SD and 180mm f4.5 C lens in fall 2021 and did)n’t want to stray too far from home for the first roll through the camera. We recently moved to the Hudson Valley of New York and live across the street from Vassar College, which is more and more becoming […]
Posted inArticles
My return to film: Roy Shiro
Many photographers look back at their work at the end of the year, to assess, critique, and, if you’re like me, to convince themselves that they’re moving forward with their work. This year was a bit different in some respects for me, as the end of the year marks the one-year anniversary of my move […]
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5 Frames… Around Virginia Beach on Kodak Portra 400 (Konica Hexar RF + Voigtlander Ultron 35mm f/2 MC Aspherical Type II)
“Are you taking pictures of me?” he asked somewhat curiously, somewhat annoyed. I was. He spontaneously struck a pose, I quickly took the shot. “They stole one of my guitars,” he candidly shared. “It’s okay: I have two more, motherf*ckers!” I lamented the unfortunate turn of events. Seemingly unfazed, he replied, “I only need one […]
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5 Frames… Outside Toronto with a Mamiya RB67 Pro SD wingman on Kodak Portra 400 (120 format / EI 400 / Mamiya-Sekor 80mm f/3.5 KL)
Moving to Toronto in 2020 may have been the riskiest, rewarding and hectic phase of my life to date. With COVID-19 at its peak then, the city didn’t feel like itself. But through that slow pace, I was able to get a feel and footing on the city. With so many lives passing by you […]
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5 Frames… Of Northern Arizonan Americana on Kodak Portra 400 with a Mamiya 23 Standard + Mamiya Sekor 150mm f/5.6 – by Garry Cahal
I have passed through this area of Northern Arizona known as Grey Mountain many times for work. This trip was different. I had my new to me Mamiya 23 Standard 6×9 medium format camera with me and a fresh roll of Kodak Portra 400. The abandoned Whiting Hotel has recently had a colorful facelift from […]
Posted inOpinion
Film makes me lazy. And smart. And harder working.
Why do we photograph with film? On the one level, it is a silly question. Why do some people like cookies and cream, and others like choc fudge? Because it exists, it is an option, and we just do. For those of us where film photography is an equal option to digital photography, there is no need to necessarily […]
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5 Frames… Of Kodak Portra 400 under tungsten light, color corrected in post (35mm Format / EI 400 / Nikon F3 + Nikon 50mm f/1.8 Series E)
A lot has been written about the famous Nikon F3, so I decided to make it a little bit more personal and tell the story of how I shot my first roll of film in a Nikon camera. So, I was there in the middle of the lockdown, a cinematographer choosing to sell my digital […]
Posted inArticles
Taking Stock: A shootout with 3 very different color films highlights creative possibilities – Kodak Portra, Fuji C200 and Fuji Velvia 100
I recently acquired a Rollei 35 after dreaming about shooting with this ultra-compact camera and its legendarily sharp Carl Zeiss lens for many years. I was able to score a great deal on a lightly used “Made in Germany” variant at my local camera shop by trading in an old Canon A1 and 50mm lens […]
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5 Frames… Of Reno, the Biggest Little City in the World on Kodak Portra 400 (120 Format / EI 400 / Zenza Bronica ETRSi + Zenzanon EII 75mm f/2.8)
It was a sunny but cold day in November 2020. Coronavirus was in full swing, but I decided to head up from Las Vegas to Reno for a week to get away from the job search which had characterized my existence for the previous few months and see my brother. On my agenda for the […]
Posted inArticles
5̶ 6 Frames… Of Hand-lettered double exposures on Kodak Portra 400 (35mm Format / EI 400 / Nikon FM2n
Before I ditched my smartphone, four or five years back, I used to make hand-lettering composites with it. I would ink out a design in my sketchbook, snap an iPhone pic, invert it, and mash it together with a photo in Photoshop Mix. I could eat a sandwich and pump out a little piece of […]
Posted inArticles, Film camera reviews, Mamiya film camera reviews, Pentax film camera reviews, Reviews
Same format, different story: Making the switch from a Pentax 67 to a Mamiya 7ii
I had been meaning to get into the medium format 6×7 game for a while and I finally bought the Pentax 67 (the “middle” version before the 67II) at an auction. For a long time, it was my go-to medium format camera. We had a real love-hate relationship. I loved the 105mm lens and hated, […]
Posted inFilm Photographer Interviews
EMULSIVE Interview #222: I am Kris Askey and this is why I shoot film
After an 8-month hiatus, I’d like to welcome you all back to the EMULSIVE interview. Yes, yes, 2020 be damned, etc. Last year was a challenging one for me and I took a bit more of a hit than I expected but, as I kept telling myself, there are two things to remember: 1) things […]
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5 Frames… Testing a Canon AE-1 on Kodak Portra 400 (35mm Format / EI 125 / Canon AE-1 + FD 70-210mm f/4)
“Miss Kozun, you look fantastic! Love the outfit” … “Thanks! It was either this or I was going to be wearing a giraffe onesie all day!” Oh, 2020, what a strange year you have been! Thankfully with only a few days left, Kristi and I managed to squeeze in a little respite of normal and […]
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5 Frames… Of sharp shots on a soft lens with Kodak Portra 400 + flash (35mm Format / EI 400 / Olympus OM-1n + G. Zuiko 55mm f/1.2)
Oh … well, this is more of a story of how I quit film and then went back to it again. You see, I was having some issues with the toxicity of the film community here in Vietnam and so I decided to quit film photography for good. I got myself a Fujifilm X-T2 but […]
Posted inArticles
On the set of Netflix’s Bridgerton with Barnaby Boulton and Kodak film
Netflix’s Bridgerton needs no introduction. 82 million households have already seen it, and as I write this, it’s back to being #1 in the United States. It’s been an entertaining, refreshing, and raunchy hug for many souls since Christmas 2020, and I have not encountered such passionate exaltation of a love story since my high […]
Posted inPhotosets and stories
After 56 years: The last days of Riviera Salon on Kodak Portra 400
On an early grey wet and gloomy Friday morning I walk through Cape Town’s Thibault Square in search of Riviera Salon. With the weather hanging heavy and dark over the city and over myself, I feel a bitter weariness pulling at me and I know the story I’m most likely about to hear is certainly […]
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5 Frames… Of Yosemite National Park on a Yashica Mat-124 G and Kodak Portra 400 (120 Format / EI 400)
In order to reduce the number of folks that are visiting Yosemite National Park due to Covid-19, only a handful of park passes were being released at 7am each day through the Yosemite National Park website. After a few failed attempts and early wake-ups that were in vain, my fiancée and I finally got the […]
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9 Frames… Or 3 triptychs from a Fujifilm TX-1 in New York, California and Japan
At this point in my film career, I own my fair share of cameras. I’ve bought a Mamiya RB67 and some lenses. I splurged on a Plaubel Makina 67. I even found a Mamiya 7 II for half street value courtesy of a kind old man on craigslist. And I’ve shot with all of these […]
