Category: All Reviews
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Compact camera mega test: The Fujifilm DL Super Mini (aka Fujifilm Tiara), the upmarket MJU?
Fujifilm made some nice mid-range compacts, but inexplicably, they are priced like premium compacts. I couldn’t bring myself to pay the prices being demanded for a Natura Classica or a Klasse.
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Compact camera mega test: The Contax Tvs III, hot property?
The Contax T2 is hot property, the compact de jour, if you will. The Contax Tvs III is basically a T2 with a zoom lens. It’s also much cheaper, so the Tvs III should also be hot property, right?
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Fujifilm Pro 400H: The Best Film I’ll Never Shoot Again
A lot of my early digital work was rooted in colour theory, and as a result (despite wanting to limit my film photography to black and white) I have shot through as many different colour films as I could find.
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The Ihagee Photorex: shooting medium format with a 100 year-old plate camera
When it comes to medium format cameras we’re spoilt for choice. This is not surprising considering that 120 film was the main format used by professionals and enthusiasts alike for a good chunk of the 20th century before 35mm film took over.
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Compact camera mega test: The Contax T3, a super-rich hipster’s dream
The Contax T3 is so cute and desirable! The problem is that the T3 is crazy-expensive. If you are not wealthy, look away now.
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Compact camera mega test: The Contax T2, the world’s most fashionable point and shoot??
The Contax T2 is the world’s most fashionable camera, apparently. Kendall Jenner uses the T2. Chris Hemsworth uses the T2. Various other celebrities I don’t know use the T2.
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Reviewing the Rolleiflex 2.8GX Expression 75 years edition (it’s gold!)
Let’s start with the elephant in the room – this camera comes with some serious bling. It is in fact, a special gold-dipped version officially called the “Rolleiflex 2.8GX Expression 75 years edition”.
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Field testing the Billingham AVEA 7 and AVEA 8 end pockets
I’ve been hanging these off my Billinghams for years. For the uninitiated, Billingham’s AVEA end pockets are small add-on packs which clip onto either…
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The Bronica ETR: 40 years old but not an old dog
When I came back to film photography in early 2018, very soon I wanted to try medium format film. Not being sure if I would like it with its lesser number of photos per roll compared to a 35mm film…
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An early swansong? Reviewing the CONTAX AX: autofocusing manual lenses
When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and…
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The Unique Nikon Nikkor-Q 25CM f/4 for Bronica S2/S2A
Most people will never see, hold, or use the Bronica S2A’s Nikon Nikkor-Q 25CM f/4 lens. In fact, Tony Hilton’s authoritative Bronica S2A book “Bronica: The Early History and Definitive Collector’s Guide” lists only five known copies.
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Oly travel twins: The Olympus Trip 35 vs the Olympus XA2 in the field
Both these little cameras get a lot of love and I think they deserve it.
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The GOOSE: Reviewing the Polaroid 600SE
The 600SE was the crème de la creme of Polaroid cameras in its day.
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The best medium format camera ever made – Mamiya 6 MF review
About a year and a half ago I finally bit the bullet and bought my very first medium format camera, a Mamiya 6 MF.
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Color drama: Negative Lab Pro v2… Finding the right workflow for scanning color film at home
What if you had a scanning solution for color negative and black and white film that enabled you to scan and convert a whole roll of 35mm film in less than 15 minutes and all that in next to
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My first Impressions with the Bronica ETRSi
I was recently tempted to get into medium format more seriously and began around looking for the camera that would allow me to do so.
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Polaroid Originals SX-70 film review and user guide
If you want my Cliff notes on the Impossible/Polaroid Originals SX-70 Film – here they are: It’s shit – but it’s the only shit we got.It’s useful today in a way the old stuff wasn’t back then. Allow me
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Film review: ORWO N 74plus ISO 400 black and white negative film
Disclaimer: Unlike most film reviews that have comparison shots of the same subject, taken under different settings and exposure values, this review will feature a set of photos that show the film’s capability to perform under different lighting conditions.
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Blind film review #02: CineStill 800T vs Kodak Portra 400 in 120 format
This article pits Kodak’s medium format Portra 400 against CineStill’s 800T in a head-to-head.