EMULSIVE: By way of a quick preface, regular readers and followers of EMULSIVE-related ramblings on Twitter will be familiar with our Interview and Photographer’s Daypack series should be familiar with Jonas Lundström.
Let me get this out of the way. AEROCHROME is hands-down my favourite film stock. Yes, that includes EKTACHROME E100VS and I implore you to try some AEROCHROME out if you can.
AgfaPhoto Vista Plus 200 is one of two films previously sold under the AgfaPhoto brand (the other being the higher speed Vista 400).
Shortly after opening the doors to EMULSIVE I kicked off a little #FILMSWAP project on Twitter.
The Imitation Game, Les Miserables, Lincoln, The Wolf of Wall Street, 12 Years a Slave and Argo…oh, and the upcoming Star Wars: Episode VII.
What do all these movies have in common?
Welcome to Field Notes: bite-sized film reviews covering the essential information you need to help make an informed decision when choosing a photographic film stock.
I’ve not always had the best time shooting Fujifilm’s Velvia 100 over the years, or to give it it’s proper name, Fujifilm FUJICHROME Velvia 100.
Following on from my review and experimentation guide, here’s a quick reference for Rollei Superpan 200.
Following on from my review of Fuji Provia 100F (RDP III), here’s our quick reference for (nearly) everyone’s favourite slide film.
Here’s what Fuji have to say:
“FUJICHROME PROVIA 100F Professional is an ultra-high-quality, daylight-type ISO 100-color reversal film.
With
Picking up from my original Provia 100F review, I’m going to talk about how we can experiment with this film and the kinds of results you can expect.
In this article, we’ll be talking about pushing, cross processing and
Following on from our recent review, here’s a quick reference for ILFORD’s fine detail, old school contrast monster, FP4 PLUS.
Here’s what they have to say:
“For high quality black and white photography, ILFORD FP4 PLUS is unrivaled.
Today I’ve decided to give you all a look at the kind of results you can expect from Rollei’s Superpan 200 black and white film in 120 format.
Looking for a medium speed black and white film with buckets of character and great, deep contrast at moderate box speed? Pack ILFORD FP4 PLUS.
Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.
Another quick reference guide for you all. This time it’s Kodak Tri-X 400. As this article proved, Tri-X 400 is is the best film black and white film in the world…if you want a certain look.
Kodak E100VS is a medium speed color reversal film (slide film), produced in 35mm and medium format. The film was retired by Kodak in 2010 but is still available “fresh” on the after market.
Picking up from the original review, I’m going to talk about experiment with Kodak EKTACHROME E100VS and the kinds of results you can expect from pushing and cross processing the film and then pushing and cross processing this film.
A lot of film shooters give The Lomographic Society a hard time and I’ve often asked myself why.
Kodak TRI-X 400 is the film you want if you’re looking for a consistently flexible film that’s reliable in all kinds of conditions and to be fair, if you’re reading this, you’re probably already shooting it.
