Tag: 2018 – May
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Peeled apart for good: the creative obligation not to f**k it up, my last frames of FUJI FP-100C
For about a year and a half, every time I opened my fridge I saw my last remaining 10 exposure pack of Fuji FP 100C instant film, and every time I opened said fridge I was reluctant to take it
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Photography: Shard – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (120 format)
Shard Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide  
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Every single film stock still made today – Part 4: Kodak to Maco Direct (v4)
Update 03: 2018-11-20 Welcome to part four of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.
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Photography: One down – Shot on Rollei Superpan 200 at EI 200 (120 format)
One down Shot on Rollei Superpan 200 at EI 200 Black and white negative film in 120 format shot as 6×6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan 200 review and experimentation guide.  
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Four seasons with: Kodak EASTMAN Plus-X 5231
And this is where my journey of home developing begins! After a couple of disappointments – in rapid succession – of the work of some photo labs, it was time to take full responsibility for all the loosely cut last
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Photography: Breather – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (120 format)
Breather Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide  
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5 Frames… With Kentmere 400 (EI 1600 / 35mm format / Leica M4)
I shot this roll during a visit to Hull in the United Kingdom.
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Why shoot film part 3: ILFORD XP2 Super report
Although I’ve been experimenting with a few different films, using ILFORD Delta 3200 Professional at LFW, some Fuji Neopan for Street, and some CineStill for low light nights, I am yet to find a film stock I am consistently
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Photography: Street rider – Shot on Rollei Infrared 400 at EI 400 (35mm format)
Street rider Shot on Rollei Infrared 400 at EI 400 Black and white negative film in 35mm format
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5 Frames… With Fujicolor C200 (EI 200 / 35mm format / Pentax Spotmatic)
I’ve been into photography for about two years, using a digital Canon. I was doing mostly long exposures and street photography.
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Camera review: Holga 120N + video review
It’s been a little while since I have gone out to do some shooting with my Holga.
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Photography: Cotton candy – Shot on Fuji Superia Premium 400 at EI 400 (35mm Format)
Cotton candy Shot on Fuji Superia Premium 400 at EI 400 Color negative film in 35mm format film
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2017 travelogue retrospective: part 2 – Europe and beyond
Welcome to part two of my 2017 travelogue retrospective. In part one, I promised I’d be back with photos from Denmark, Switzerland, Spain, Vietnam and maybe more.
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Photography: Beat – Shot on Fuji NEOPAN 1600 at EI 1600 (35mm format)
Beat Shot on Fuji NEOPAN 1600 at EI 1600. Black and white negative film in 35mm format.
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EMULSIVE interview 180: I am Anil Mistry and this is why I shoot film
It’s Anil Mistry, everyone. To regular readers or EMULSIVE and listeners of the Sunny16 Podcast, that name should at the very least ring a few bells.
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Photography: Chrysalised – Shot on Fuji Superia Premium 400 at EI 400 (35mm format)
Chrysalised Shot on Fuji Superia Premium 400 at EI 400 Color negative film in 35mm format film
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Photography: Scratched to bits – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 (35mm format)
Scratched to bits Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in 35mm format Push processed 1 stop
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5 Frames… With Arista Edu Ultra 200 (EI 200 / 35mm format / Pentax K1000)
The pictures that are presented here today were taken during a workshop about analog photography in July 2017.
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Film stock review: CineStill 50D in the Arctic Circle
Having read a selection of blog posts and reviews about the CineStill range of 120 and 135 films I was intrigued.
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
