Tag: 2018 – May
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Photography: Just a lick – Shot on Kodak ULTRA MAX at EI 1600 (35mm Format)
Just a lick Shot on Kodak ULTRA MAX at EI 1600. Color negative film in 35mm format. Push processed two stops.
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5 Frames… With Fuji Pro 160 NS (EI 160 / 120 format / Arca-Swiss F-Line)
13 years ago I used to shoot Fuji 160C and I have a great souvenir of it for the vivid colours, it has been discontinued and is unobtainable nowadays (at least in Europe).
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Photography: To the gate – Shot on Fuji Superia Premium 400 at EI 400 (35mm Format)
To the gate Shot on Fuji Superia Premium 400 at EI 400 Color negative film in 35mm format film
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![Analog [dis?]ability: photography as a tool for healing](https://emulsive.org/wp-content/uploads/2018/05/Cover-Analog-Ability.png)
Analog [dis?]ability: photography as a tool for healing
Every time we pick up our cameras we probably take them for granted.
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Photography: Postie – Shot on ILFORD FP4 PLUS at EI 100 (35mm format)
Postie Shot on ILFORD FP4 PLUS at EI 100 Black and white negative film in 35mm format Holga 120 PAN + Schneider Angulon 90mm f/6.8 Read the ILFORD FP4 PLUS review
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Dear Benice 5: Monkey see, monkey don’t
Dear Benice, I’ve recently moved to film after many years of shooting digital.
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Photography: Seat to seat – Shot on Kodak Hawkeye Traffic Surveillance Color Film 2486 at EI 400 (35mm format)
Seat to seat Shot on Kodak Hawkeye Traffic Surveillance Color Film 2486 EI 400 Color negative film in 35mm format
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Gear review: SP-445 4×5 film processing system
Since beginning large format photography I’ve been developing my 4×5* sheet film in trays. This is not a process for the faint hearted and takes more than a modicum of skill.
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Photography: Off peak – Shot on Fuji Superia Premium 400 at EI 400 (35mm Format)
Off peak Shot on Fuji Superia Premium 400 at EI 400 Color negative film in 35mm format film
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5 Frames… With Fujifilm Fujicolor C200 (EI100 / 35mm format / Pentax MZ-S)
When I started my path of analog photography somewhere in 2012, my first film stocks were widely available Fujifilm consumer grade films – mostly Fujifilm Superia 200 and Fujicolor C200.
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Photo story: I shot the Sheriff, photographing Bob Marley
On the 6th of July, 1980, Bob Marley played the now historic concert at Dalymount Park on Dublin’s north side, at that time the home of the soccer club Bohemians.
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Photography: The moon in her hands – Shot on Kosmo Foto Mono 100 at EI 100 (35mm format)
The moon in her hands Shot on Kosmo Foto Mono 100 at EI 100. Black and white negative film in 35mm format
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5 Frames… With Fomapan 100 Classic (EI 100 / 4×5 format / DIY Pinhole)
Some time ago I read about a workshop dedicated to instructing participants in building their own pinhole camera and venturing into the field to record some images. Somehow this idea resonated with me.
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Camera review: Yashica-mat 124 TLR
As a 6×6 format twin lens reflex camera, the Yashica Mat-124 TLR is considered a great entry-level camera for people who are moving up from 35mm to medium format film.
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Photography: Split #05 – Shot on ILFORD Delta 100 Professional at EI 800 (35mm format)
Split #05 Shot on ILFORD Delta 100 Professional at EI 800 Black and white negative film in 35mm format Push processed 3 stops
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EMULSIVE interview #179: I am Daphne Schnitzer and this is why I shoot film
A huge welcome to Daphne Schnitzer, past 5 Frames With contributor here on EMULSIVE and pinhole aficionado.
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Photography: By a nose – Kodak PROFESSIONAL ELITE Chrome 100 – EB-3 (35mm format)
By a nose Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100. Color reversal (slide) film in 35mm format. Cross processed.
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Photo story: Rediscovering my 35mm soul through one photograph
I asked my self this question very recently: can one photo make a difference? You betcha!







