Tag: 2018 – August
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Photography: Light traffic – Shot on Rollei Ortho 25 at EI 25 (120 format)
Light traffic Shot on Rollei Ortho 25 at EI 25 Black and white negative film in 120 format shot as 6×6 Development notes: Rodinal: 1+50, 21°C/70°F, 06:00 (N) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse  
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5 Frames… With Fuji NEOPAN ACROS 100 (EI 100 / 35mm format / Olympus OM-1n)
This was the first roll of Acros I ever shot. It came with the bikkuri case I ordered from Japan Camera Hunter. In honor of its discontinuation, I thought I should finally give it a shot.
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Photography: My pond has no fish – Shot on ILFORD FP4 PLUS at EI 400 (120 format)
My pond has no fish Shot on ILFORD FP4 PLUS at EI 400 Black and white negative film in 120 format shot as 6×6 Push processed 1 2/3 stops Read the ILFORD FP4 PLUS review
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Camera review: the Kodak Instamatic 500 or, why I love 126 format film
The Kodak Instamatic 500 was the “jewel in the crown’ of the Kodak Instamatic line.
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Photography: Seventeen sticks – Shot on Kodak EKTACHROME Professional Plus 100 (6005) at EI 100 (120 format)
Seventeen sticks Shot on Kodak EKTACHROME Professional Plus 100 (6005) at EI 100Color reversal (slide) film in 120
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Dear Benice 7: Landscape wedding photography?
Dear Benice My friend has asked me to take the photographs at his upcoming wedding as he “Knows I’m into that photography stuff”. What I’m actually into is shooting large format landscapes in utter peace and solitude, and I have
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Photography: Light pollution – Shot on Fuji ACROS 100 at EI 50 (120 format)
Light pollution Shot on Fuji ACROS 100 at EI 50 Black and white negative film in 120 format shot as 6×6 Pull processed one stop
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Film stock review: Comparing Kodak ColorPlus 200 and Fuji Fujicolor C200
The two most popular consumer films used today are Kodak ColorPlus 200 and Fuji Fujicolor C200.
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Photography: Bound – Shot on Fuji Superia 100 at EI 100 (35mm format)
Bound Shot on Fuji Superia 100 at EI 100 Color negative film in 35mm format
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EMULSIVE Secret Santa 2018 – Public registration is now open
Update 2018-11-05: Registration is now closed at 1200+ players in 54 countries but you can and should still make a “Community Causes” nomination or two for this year’s event! Update 2018-09-03: EMULSIVE Santa 2018 official sponsor and “Community Causes” announcement
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5 Frames… With ILFORD DELTA 100 Professional (EI 80 / 35mm format / Leica MP)
In the beginning, there was film. My favorite emulsions for the decades starting in 1976, were slow speed Kodachrome (25 and 64) and Tri-X shot on a Canon F-1n.
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Photography: Flow – Shot on Kodak Tri-X 400 at EI 51200 (120 format)
Flow Shot on Kodak Tri-X 400 at EI 51200 Black and white negative film in 120 format shot as 6×6 Push processed seven stops
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A look back at EMULSIVE Secret Santa 2017
EMULSIVE Secret Santa is simply the most wonderful time of the year.
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Magazine: PhotoKlassik International – Issue one on Kickstarter
PhotoKlassik International is back on Kickstarter shooting for a late September 2018 launch at this year’s Photokina.
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5 Frames… With Cinestill BwXX (EI 250 / 35mm format / Pentax Spotmatic SP II)
When Cinestill reintroduced their BwXX 250 film stock, I was intrigued and bought a roll immediately. Like their other film stocks, BwXX 250 is movie film re-engineered for still cameras.
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Photography: Stumps #01 – Shot on Bergger Pancro 400 at EI 200 (4×5 format)
Stumps #01 Shot on Bergger Pancro 400 at EI 200 Black and white film in 4×5 format AEROgraphic (Graflex Pacemaker Speed Graphic) / Kodak Aero Ektar 178mm f/2.5 / Orange #21 filter Read the Bergger Pancro 400 film reviews here.
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Photography: Second choice – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 (35mm format)
Second choice Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 Black and white negative film in 35mm format Push processed 1 and 2/3 stops
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EMULSIVE interview #185: I am Tony Vaccaro and this is why I shoot film
It’s impossible to understate Tony Vaccaro’s contribution to the 20th century, be it in his role as World War II combatant and documentarian, or his post-war work in fashion and portrait photography.
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Picnic time – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)
Picnic time Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm format Read the Fuji Velvia 100 (RVP100) review here.
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Camera review: teak wood meets carbon fibre, the Chamonix C45F-2 4×5
After my first exposure to working with large format sheet film in a DIY pinhole camera, I decided to explore this line of film photography a bit further.
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
