In the beginning, there was film. My favorite emulsions for the decades starting in 1976, were slow speed Kodachrome (25 and 64) and Tri-X shot on a Canon F-1n. I fell in love with photography, descended into the dark room and stayed there. But years later, with the advent of the digital age, I flipped over to a Canon 5D mk II and sold my film kit thinking film was dead.
Recently, like many others, I decided to take a hiatus from digital and return to film photography. What a wonderful experience! I ordered a Leica MP just for the radical manual nature of the camera, it’s solid build, it’s utter simplicity and the slow good approach it encourages. And for the last nine months, I’ve essentially shot only with film again.
I decided to spend some serious quality time with a few new films to see how they would render in this more modern era of film / scanning highbred. I’d heard good things about Delta 100 and decided to commit to shooting it under various conditions.
Delta 100 is a very sharp film with very small grain that renders in a wonderfully filmic way. I shoot with a slight bias to overexposure, setting ISO at 80 and then metering mid-grey or on the subject with some contrast. Despite it’s sharp and contrasty look, the skies were too white for my taste with only a yellow filter. So I shot this roll with an orange filter with my Leica Summilux-M 50mm f/1.4 ASPH. You can see how that adds additional contrast as well as darkening the sky.
I shot these five in my home, Venice beach, CA. They represent a nice juxtaposition from the sun-drenched, color-driven experience that typifies the beach culture. I’m loving the Delta 100 in this context!
~ Roger Wojahn
Submit your own 5 Frames With...
Get your 5 frames featured on EMULSIVE. Submit your 300-350 word article using this Google form. If you would prefer to submit another way, please use the @contact@ link at the top of the page.
This series is being produced in conjunction with Hamish Gill's excellent 35mmc.com. Head on over to read the other half of these stories there.
Your turn: submit an article
EMULSIVE is all about promoting knowledge transfer across the film photography community. You can help by contributing your thoughts, work and ideas to inspire others reading these pages: check out the submission guide.
If you like what you're reading you can help this passion project by heading on over to the EMULSIVE Patreon page. There's also print and apparel over at Society 6, currently showcasing over two dozen t-shirt designs and over a dozen unique photographs available for purchase.