Photography: Roofline – Shot on ADOX Silvermax 100 at EI 200 (35mm format)

Written by and published on .

Roofline

Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop

 

Development notes:
ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse


 

Roofline - Shot on ADOX Silvermax 100 at EI 200. Black and white negative film in 35mm format. Push processed one stop.
Roofline

Shot on ADOX Silvermax 100 at EI 200.

Black and white negative film in 35mm format.

Push processed one stop.

 

 

Share your knowledge, story or project

At the heart of EMULSIVE is the concept of helping promote the transfer of knowledge across the film photography community. You can support this goal by contributing your thoughts, work, experiences and ideas to inspire the hundreds of thousands of people who read these pages each month. Check out the submission guide here.

If you like what you're reading you can also help this personal passion project by heading on over to the EMULSIVE Patreon page and giving as little as a dollar a month. There's also print and apparel over at Society 6, currently showcasing over two dozen t-shirt designs and over a dozen unique photographs available for purchase.


More related reading

Previous

Camera review: the Pentax 645 – by Martin Jeffery

EMULSIVE interview #183: I am Abigail Crone and this is why I shoot film

Next

2 thoughts on “Photography: Roofline – Shot on ADOX Silvermax 100 at EI 200 (35mm format)”

  1. Thank you! Thank you! Thank you!

    Now I can buy a couple of rolls of Silvermax and a bottle of developer then slap them in one of my beloved Canons and see what happens!

    Reply
    • Don’t get used to it, HEH! Silvermax developer is pretty damned nice. The higher contrast a scene, the better. Also, see if you can shoot some bare metal – chrome is simply STUNNING if you can find a classic car or bike.

      Reply

Join the discussion