I am a long-term Leica user, but have always admired the Contax aesthetic and Contax users were usually as enthusiastic about the Zeiss product as Leica users were about the Leitz products. So I recently took the opportunity to acquire fairly elderly Kiev-4a camera and prepared to enjoy the Contax experience. The Kiev-4a is sometimes […]
Tag: 35mm Format Film
Posted in35mm format
Photography: A delivery in 4 parts… – Shot on JCH Streetpan 400 at EI 800 (35mm Format)
Shot on JCH Streetpan 400 at EI 80035mm format black and white film in 35mm formatPush processed 1-stop Development notesKodak HC-110: 1+47(E), 20°C/68°F, 11:30 (N+1)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse A delivery in 4 parts… – Shot on JCH Streetpan 400 at EI 800 (35mm Format) A delivery in 4 parts… – […]
Posted inPhotography
Photography: Under the over – Shot on Kodak Ektar 100 at EI 200 (35mm format)
Shot on Kodak Ektar 100 at EI 100Color negative film in 35mm formatNikon F6 + Nikkor 85mm f/1.8 AF-D
Posted inMedium format
Photography: Cloccian – Shot on LomoChrome Metropolis XR 100–400 at EI 400 (120 format)
Shot on LomoChrome Metropolis XR 100–400 at EI 400Color negative film in 120 formatHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Cloccian – Shot on LomoChrome Metropolis XR 100–400 at EI 400 (120 format)
Posted in35mm format
Photography: Don’t head towards the light – Shot on Kodak EKTACHROME E100G at EI 1600 (35mm format)
Shot on Kodak EKTACHROME E100G at EI 1600Color reversal (slide) film in 35mm formatCross processed and push processed 4-stopsRicoh GR1s + GR Lens 28mm f/2.8 lens Read the Kodak EKTACHROME E100G review here.
Posted in5 Frames...
5 Frames… Of Dublin’s Georgian Quarter on Kodak 100 T-MAX (35mm format / EI 100 / Nikon F65 + Nikon AF-S NIKKOR 50mm f/1.8G) – by Conor O’Brien
When I saw the “$20 Film Camera Challenge” article on DPReview in August 2020, I never expected to end up writing this article a year later. Being a child of the 70s and 80s, I grew up in an analogue world where a good camera was something you aspired to. You didn’t buy the latest […]
Posted in35mm format
Photography: Split #08 – Shot on Silberra COLOR160 at EI 160 (35mm Format)
Shot on Silberra COLOR160 at EI 160Color negative film in 35mm formatNikon F6, Nikkor 85mm f/1.8 AF-D Split #08 – Shot on Silberra COLOR160 at EI 160. Color negative film in 35mm format. Nikon F6, Nikkor 85mm f/1.8 AF-D
Posted in35mm format
Photography: Side on – Shot on Lomography Color Negative 800 at EI 800 (35mm Format)
Shot on Lomography Color Negative 800 at EI 800Color negative film in 35mm formatNikon F100 + Nikkor 85mm f/1.8 AF-D Side on – Lomography CN 800 (200) – Nikon F100 – Nikkor 85mm f/1.8 AF-D
Posted in35mm format
Photography: Tinkledbell – Shot on Fujifilm NEOPAN 100 ACROS II at EI 400 (35mm Format)
Fujifilm NEOPAN 100 ACROS II shot at EI 400Black and white negative film in 35mm formatNikon F6 + Nikkor 85mm f/1.8 AF-D Development notesKodak HC-110: 1+31(B), 20°C/68°F, 10:00 (N+2)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse Tinkledbell – Shot on Fujifilm NEOPAN 100 ACROS II at EI 400 (35mm Format)
Posted in35mm format
Photography: Swap shop – Shot on Silberra U400 at EI 400 (35mm Format)
Leverage
Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800
Black and white negative film in 35mm format
Push processed one-stop
Posted in35mm format
Photography: By a nose – Rollei RPX 400 (35mm)
Leverage
Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800
Black and white negative film in 35mm format
Push processed one-stop
Posted in35mm format
Photography: Big night – Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm)
Leverage
Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800
Black and white negative film in 35mm format
Push processed one-stop
Posted in35mm format
Photography: Splish splash – Shot on Fujifilm NEOPAN 100 ACROS II
Shot on Fuji NEOPAN 100 ACROS II at EI 400 (read the ACROS vs ACROS II comparison here)Black and white negative film in 35mm formatNikon FM3a + Hasselblad Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+31 (B): 20°C/68°F, 10:00 (N+2)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30 seconds, 5 minute rinse Splish […]
Posted in35mm format
Photography: Laundry day – Shot on Fujifilm NEOPAN 100 SS at EI 200 (35mm Format)
Shot on Fujifilm NEOPAN 100 SSBlack and white negative film in 35mm formatNikkormat FT3 + Nikon NIKKOR 50mm f/1.4 AI-S Development notesKodak HC-110 1+47 (E), 20°C/68°F, 06:15 (N+1)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
Posted in35mm format
Photography: Blergh – Shot on Wittner Chrome 200 (Agfa RSX200) at EI 200 (35mm format)
Shot on Wittner Chrome 200 (Agfa RSX200) at EI 200Color reversal (Slide) film in 35mm format Blergh – Shot on Wittner Chrome 200 (Agfa RSX200) at EI 200 (35mm format)
Posted in35mm format
Photography: Corona – Shot on Kosmo Foto Agent Shadow at EI 400 + #15 yellow filter (35mm Format)
Shot on Kosmo Foto Agent Shadow at EI 400 + #15 yellow filterBlack and white negative film in 35mm FormatLeica M2 and 7Artisans 75mm f/1.25 Development notesILFORD ILFOTEC LC29: 1+29, 20°C/68°F, 11:00 (N)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
Posted in35mm format
Photography: Pretty boy – Shot on Fujifilm NEOPAN 100 ACROS II at EI 400 (35mm Format)
Shot on Fuji NEOPAN 100 ACROS II at EI 400 (read the ACROS vs ACROS II comparison here)Black and white negative film in 35mm formatNikon FM3a + Nikon Nikkor 50mm f/1.2 AI-S Development notesKodak HC-110 1+31 (B): 20°C/68°F, 10:00 (N+2)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30 seconds, 5 minute rinse
Posted in35mm format
Photography: At the market – Shot on Fujifilm FUJICOLOR 100 at EI 100 (35mm format)
Shot on Fujifilm FUJICOLOR 100 at EI 100Color negative film in 35mm formatNikon F6 + Nikkor 85mm f/1.8 AF-D At the marketFujifilm FUJICOLOR 100, EI 100, 35mm formatNikon F6, Nikkor 85mm f/1.8 AF-D The following is a sample from my photographic archive. Posted as one of over a thousand examples of my photography on this […]
Posted in5 Frames...
5 Frames… Around West Palm Beach’s downtown on ILFORD DELTA 100 Professional (120 Format / EI 100 / Yashica Mat-124G)
I love my Yashica Mat-124G not only because it was my first medium format camera but because there is something special in the photos that it produces. Despite the square format and the short learning curve the TLR requires, it is my favorite medium format camera. Paired with ILFORD DELTA 100 Professional, one of my […]
Posted in35mm format
Photography: The crew’s back – Shot on Fujifilm ETERNA Vivid 250D (8546) at EI 250 (35mm Format)
Shot on Fujifilm ETERNA Vivid 250D (8546) at EI 250Color motion picture negative film in 35mm formatRicoh GR1v + Ricoh GR 28mm F/2.8
