Tag: ISO 100
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Photography: Power up – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6×6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here.
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Photography: It can wait – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6×6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here.
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Photography: Under the over – Shot on Kodak Ektar 100 at EI 200 (35mm format)
Shot on Kodak Ektar 100 at EI 100Color negative film in 35mm formatNikon F6 + Nikkor 85mm f/1.8 AF-D
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Photography: Welcome – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6×6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here.
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Photography: Tear it down, tear it all down – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6×6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here.
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Photography: Get the steps – Shot on Shanghai GP3 100 at EI 100 (120 Format)
Shot on Shanghai GP3 100 at EI 100Black and white negative film in 120 format shot as 6×9Fuji GW690III + EBC Fujinon 90mm f/3.5 Development notesKodak HC-110: 1+47(E), 20°C/68°F, 06:30 (N)2x 1-minute presoaks, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Via Jäger – Shot on Fujifilm NEOPAN 100 ACROS II at EI 100 (120 Format)
Shot on Fuji NEOPAN 100 ACROS II at EI 100 (read the ACROS vs ACROS II comparison here)Black and white negative film in 120 format shot as 6×6Hasselblad 2000FCW + Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+31 (B): 20°C/68°F, 04:45 (N)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30 seconds, 5 minute rinse
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Photography: Danger close – Shot on ILFORD Delta 100 Professional at EI 200 (120 Format)
Danger close – Shot on ILFORD Delta 100 Professional at EI 200 (120 Format)
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Photography: Be with you in just a moment – Shot on Kodak Ektar 100 at EI 100 (120 Format)
Shot on Kodak Ektar 100 at EI 100Color negative film in 120 format shot as 6×6Hasselblad 2000FCW + Carl Zeiss Planar F 80mm f/2.8
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Photography: Diffuse purpose – Shot on Kodak T-MAX 100 at EI 100 (120 Format)
Shot on Kodak T-MAX 100 at EI 100Black and white negative film in 120 format shot as 6×6Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110: 1+47(E), 20°C/68°F, 09:45 (N)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Failing light – Shot on Fuji Provia 100F (RDP III) at EI 100 (4×5 format)
Autumn glow Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 4×5 formatAEROgraphic: Kodak Aero Ektar 7″ (178mm) f/2.5 + Graflex Pacemaker Speed Graphic Read the Fuji Provia 100F (RDP III) review here.
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Photography: Splish splash – Shot on Fujifilm NEOPAN 100 ACROS II
Shot on Fuji NEOPAN 100 ACROS II at EI 400 (read the ACROS vs ACROS II comparison here)Black and white negative film in 35mm formatNikon FM3a + Hasselblad Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+31 (B): 20°C/68°F, 10:00 (N+2)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30 seconds, 5 minute rinse
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Photography: Laundry day – Shot on Fujifilm NEOPAN 100 SS at EI 200 (35mm Format)
Shot on Fujifilm NEOPAN 100 SSBlack and white negative film in 35mm formatNikkormat FT3 + Nikon NIKKOR 50mm f/1.4 AI-S Development notesKodak HC-110 1+47 (E), 20°C/68°F, 06:15 (N+1)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Pretty boy – Shot on Fujifilm NEOPAN 100 ACROS II at EI 400 (35mm Format)
Shot on Fuji NEOPAN 100 ACROS II at EI 400 (read the ACROS vs ACROS II comparison here)Black and white negative film in 35mm formatNikon FM3a + Nikon Nikkor 50mm f/1.2 AI-S Development notesKodak HC-110 1+31 (B): 20°C/68°F, 10:00 (N+2)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30 seconds, 5 minute rinse
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Photography: At the market – Shot on Fujifilm FUJICOLOR 100 at EI 100 (35mm format)
Shot on Fujifilm FUJICOLOR 100 at EI 100Color negative film in 35mm formatNikon F6 + Nikkor 85mm f/1.8 AF-D The following is a sample from my photographic archive. Posted as one of over a thousand examples of my photography on this website. While occasionally pretty to look at, these photographs serve to show some of…
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Photography: Day to night – Shot on Kodak Ektar 100 at EI 200 (35mm format)
Shot on Kodak Ektar 100 at EI 200Color negative film in 35mm formatNikon F6 + Nikkor 85mm f/1.8 AF-D