Tag: Push Processing
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Photography: Power up – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6×6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here.
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Photography: It can wait – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6×6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here.
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Photography: Welcome – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6×6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here.
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Photography: Tear it down, tear it all down – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 120 format shot as 6×6Cross processed in C-41 ChemistryHasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Read the Fuji Provia 100F (RDP III) review here.Read the Fuji Provia 100F (RDP III) cross processing and push processing guide here.
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Photography: Danger close – Shot on ILFORD Delta 100 Professional at EI 200 (120 Format)
Danger close – Shot on ILFORD Delta 100 Professional at EI 200 (120 Format)
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5 Frames… With Kodak EKTACHROME E100VS (EI 100 / 120 format / Bronica SQ-A)
“What on earth had I been thinking?” This is the question that I asked myself from the moment that I dropped the roll of film off at the lab, until the moment that I had picked it up.
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Photography: On the job – Shot on ILFORD Delta 400 Professional at EI 25600 (120 format)
On the job Shot on ILFORD Delta 400 Professional at EI 25600Black and white negative film in 120 format shot as 6×6Push processed 6-stops Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+79 (F): 23°C/73°F, 47: (N+6), no presoak, 1-minute initial agitation, 5 seconds agitation / minute, 1-minute stop, 5-minute fix , 5-minute…
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Photography: Thirsty work – Shot on Kodak Pro Image 100 at EI 400 (35mm format)
Thirsty work Shot on Kodak Pro Image 100 at EI 400Color negative film in
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Photography: Put your feet up – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Put your feet up Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B
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Photography: Off the job – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Off the job Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 17:00 (N+2⅔) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Inside out – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Inside out Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 17:00 (N+2⅔) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Leave it to burn – Shot on ILFORD FP4 PLUS at EI 800 (120 format)
Leave it to burn Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in 120 format shot as 6×9. Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B