Push Processing

5 Frames With Kodak EKTACHROME E100VS (EI 400 / 120 / Bronica SQ-A) - by Monika

5 Frames… With Kodak EKTACHROME E100VS (EI 100 / 120 format / Bronica SQ-A) – by Monika

“What on earth had I been thinking?” This is the question that I asked myself from the moment that I dropped the roll of film off at the lab, until the moment that I had picked it up.

On the job - shot on ILFORD Delta 400 at EI 25600. Black and white negative film in 120 format shot as 6x6. Push processed 6-stops.

Photography: On the job – Shot on ILFORD Delta 400 Professional at EI 25600 (120 format)

On the job Shot on ILFORD Delta 400 Professional at EI 25600Black and white negative film in 120 format shot as 6×6Push processed 6-stops Hasselblad …

Read morePhotography: On the job – Shot on ILFORD Delta 400 Professional at EI 25600 (120 format)

Photography: Put your feet up – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)

Put your feet up
Shot on ILFORD FP4 PLUS at EI 800.
Black and white negative film in wide 35mm format (TEXPan).
Push processed 2⅔-stops.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

 

Development notes
Kodak HC-110: 1+31(B

Off the job - Shot on ILFORD FP4 PLUS at EI 800 - Black and white negative film in wide 35mm format (TEXPan) CROP

Photography: Off the job – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)

Off the job Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji …

Read morePhotography: Off the job – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)

Photography: Inside out – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)

Inside out Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji GW690III …

Read morePhotography: Inside out – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)

Leave it to burn - Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in 120 format shot as 6x9. Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5.

Photography: Leave it to burn – Shot on ILFORD FP4 PLUS at EI 800 (120 format)

Leave it to burn
Shot on ILFORD FP4 PLUS at EI 800.
Black and white negative film in 120 format shot as 6×9.
Push processed 2⅔-stops.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

 

Development notes
Kodak HC-110: 1+31(B

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s

Photography: Kodak EKTACHROME E100 comparison #04: EI 100, EI 200 and EI 100 XPRO (35mm format)

Kodak (new) EKTACHROME E100 comparison #04

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s

Photography: Kodak EKTACHROME E100 comparison #03: EI 100, EI 200 and EI 100 XPRO (35mm format)

Kodak (new) EKTACHROME E100 comparison #03

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s

Photography: Kodak EKTACHROME E100 comparison #02: EI 100, EI 200 and EI 100 XPRO (35mm format)

Kodak (new) EKTACHROME E100 comparison #02

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s

Photography: Kodak EKTACHROME E100 comparison #01: EI 100, EI 200 and EI 100 XPRO (35mm format)

Kodak (new) EKTACHROME E100 comparison #01

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Cronut - Shot on new Kodak EKTACHROME 100 (E100) at EI 100. Color reversal (slide) film in 35mm format.

Photography: Cronut – Shot on Kodak EKTACHROME 100 (E100) at EI 100 (35mm format)

Cronut
Shot on new Kodak EKTACHROME 100 (E100) at EI 100.
Color reversal (slide) film in 35mm format.

 

 

 

On edge - Shot on new Kodak EKTACHROME 100 (E100) at EI 100. Color reversal (slide) film in 35mm format. Push processed one stop.

Photography: On edge – Shot on Kodak EKTACHROME 100 (E100) at EI 100 (35mm format)

On edge

Shot on new Kodak EKTACHROME 100 (E100) at EI 100.
Color reversal (slide) film in 35mm format.

 

 

 

Morning light - Shot on new Kodak EKTACHROME 100 (E100) at EI 200. Color reversal (slide) film in 35mm format. Push processed one stop.

Photography: Morning light – Shot on Kodak EKTACHROME 100 (E100) at EI 200 (35mm format)

Morning light

Shot on Kodak EKTACHROME 100 (E100) at EI 200
Color reversal (slide) film in 35mm format
Push processed one stop

 

 

 

Stand alone - Shot on ILFORD PAN F PLUS at EI 32. Black and white negative film in 120 format shot as 6x6.

Photography: Stand alone – Shot on ILFORD PAN F PLUS at EI 32 (120 format)

Stand alone

Shot on ILFORD PAN F PLUS at EI 32
Black and white negative film in 120 format shot as 6×6
Over-developed 2/3 stop
Hasselblad 2000FCW / Carl Zeiss Distagon CFi 50mm f/4

 

Development notes
Cinestill Df96 monobath

Super absorbent - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400. Black and white negative film in 35mm format. Push processed 2.3 stop.

Photography: Super absorbent – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)

Super absorbent

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
Push processed 2/3 stop

 

Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 06:45 (N+2/3)
No presoak, 1-minute initial agitation, 5

Flow - Shot on Kodak Tri-X 400 at EI 51200. Black and white negative film in 120 format shot as 6x6. Push processed seven stops.

Photography: Flow – Shot on Kodak Tri-X 400 at EI 51200 (120 format)

Flow

Shot on Kodak Tri-X 400 at EI 51200
Black and white negative film in 120 format shot as 6×6
Push processed seven stops

 

 

This corner of the earth - Shot on Shanghai GP3 100 at EI 200. Black and white negative film in 120 format shot as 6x6. Push processed one stop.

Photography: This corner of the earth – Shot on Shanghai GP3 100 at EI 200 (120 format)

This corner of the earth Shot on Shanghai GP3 100 at EI 200 Black and white negative film in 120 format shot as 6×6 Push …

Read morePhotography: This corner of the earth – Shot on Shanghai GP3 100 at EI 200 (120 format)

Don't leave your sh1t at the beach - Shot on Kodak Ektar 100 at EI 100. Color negative film in 35mm format. Over processed one stop.

Photography: Don’t leave your sh!t at the beach – Shot on Kodak Ektar 100 at EI 100 (35mm format)

Don’t leave your sh1t at the beach

Shot on Kodak Ektar 100 at EI 100
Color negative film in 35mm format
Over processed one stop.

 

 

 

You scratch my back - Shot on ADOX Silvermax 100 at EI 100. Black and white negative film in 35mm format.

Photography: Scratch my back… – Shot on ADOX Silvermax 100 at EI 100 (35mm format)

Scratch my back…

Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop

 

Development notes:
Kodak HC-110: 1+47(E), 20°C/68°F, 11:15 (N)
No presoak, 1-minute initial agitation, 5