Push Processing


Innovation Tower - Shot on ADOX Silvermax 100 at EI 100. Black and white negative film in 35mm format.

Photography: Innovation Tower – Shot on ADOX Silvermax 100 at EI 100 (35mm format)

Innovation Tower

Shot on ADOX Silvermax 100 at EI 100
Black and white negative film in 35mm format

 

Development notes:
Kodak HC-110: 1+47(E), 20°C/68°F, 11:15 (N)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse

 

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Roofline - Shot on ADOX Silvermax 100 at EI 200. Black and white negative film in 35mm format. Push processed one stop.

Photography: Roofline – Shot on ADOX Silvermax 100 at EI 200 (35mm format)

Roofline

Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop

 

Development notes:
ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal

Scratching post - Shot on ADOX Silvermax 100 at EI 200. Black and white negative film in 35mm format. Push processed one stop.

Photography: Scratching post – Shot on ADOX Silvermax 100 at EI 200 (35mm format)

Scratching post

Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop

 

Development notes:
ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute

Skewed - Shot on ADOX Silvermax 100 at EI 200. 35mm format film. Push processed one stop.

Photography: Skewed – Shot on ADOX Silvermax 100 at EI 200 (35mm format)

Skewed

Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop

 

Development notes:
ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal

EMULSIVE 52 Rolls - Week 08 - Kodak Tri-X 400 (35mm) - EI1600

Photography: That’s my ride – Shot on Kodak Tri-X 400 at EI 1600 (35mm format)

That’s my ride

Shot on Kodak Tri-X 400 at EI 1600
Black and white negative film in 35mm format

 

 

 

 

 

Pick and choose - Shot on Kodak Ektar 100 at EI400. Color negative film in 120 format shot as 6x6. Push processed two stops.

Photography: Pick and choose – Shot on Kodak Ektar 100 at EI 400 (120 format)

Pick and choose

Shot on Kodak Ektar 100 at EI 400
Color negative film in 120 format shot as 6×6
Push processed two stops

 

 

 

 

 

Exploded by light - Shot on Kodak Ektar 100 at EI 400. Color negative film in 120 format shot as 6x6. Push processed two stops.

Photography: Shattered by light – Shot on Kodak Ektar 100 at EI 400 (format)

Shattered by light

Shot on Kodak Ektar 100 at EI 400
Color negative film in 120 format shot as 6×6
Push processed two stops

 

 

 

 

 

Famous express - Shot on Kodak Eastman Double-X 5222 at EI 1600. Black and white motion picture film in 35mm format. Push processed 2 and 2/3 stops.

Photography: Famous express – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm)

Famous express

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 2 and 2/3 stops

Famous expressShot on Kodak Eastman Double-X 5222 at EI 1600.Black and white motion picture film in

Rippled leaves - Shot on Kodak Ektar 100 at EI 200 - Color negative film in 120 format shot as 6x6 - Push processed one stop

Photography: Rippled leaves – Shot on Kodak Ektar 100 at EI 200 (120 format)

Rippled leaves
Shot on Kodak Ektar 100 at EI 200
Color negative film in 120 format shot as 6×6
Push processed one stop / Double exposure
 

 
 

 
 

No parking at any time - Shot on Kodak EKTACHROME 200 (E200) at EI 200. Color reversal (slide) film in 120 format shot as 6x6. Cross processed. Over processed one stop.

Photography: No parking at any time – Shot on Kodak EKTACHROME 200 E200 (120 format)

No parking at any time
Shot on Kodak EKTACHROME 200 (E200) at EI 200
Color reversal (slide) film in 120 format shot as 6×6
Over processed one stop
 

 
 

 
 

The morning after the night before - Shot on Kodak EKTACHROME 200 (E200) at EI 200. Color reversal (slide) film in 120 format shot as 6x6. Over processed one stop.

Photography: The morning after the night before – Shot on Kodak EKTACHROME 200 – E200 (120)

The morning after the night before
Shot on Kodak EKTACHROME 200 (E200) at EI 200
Color reversal (slide) film in 120 format shot as 6×6
Over processed one stop