Everything covering Push Processing on EMULSIVE

Stand alone - Shot on ILFORD PAN F PLUS at EI 32. Black and white negative film in 120 format shot as 6x6.

Photography: Stand alone – Shot on ILFORD PAN F PLUS at EI 32 (120 format)

by EMSeptember 18, 2018July 31, 2021

Stand alone

Shot on ILFORD PAN F PLUS at EI 32
Black and white negative film in 120 format shot as 6×6
Over-developed 2/3 stop
Hasselblad 2000FCW / Carl Zeiss Distagon CFi 50mm f/4

Development notes
Cinestill Df96 monobath

Super absorbent - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400. Black and white negative film in 35mm format. Push processed 2.3 stop.

35mm format, Photography

Photography: Super absorbent – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)

by EMAugust 29, 2018July 31, 2021

Super absorbent

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
Push processed 2/3 stop

Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 06:45 (N+2/3)
No presoak, 1-minute initial agitation, 5

Flow - Shot on Kodak Tri-X 400 at EI 51200. Black and white negative film in 120 format shot as 6x6. Push processed seven stops.

Medium format, Photography

Photography: Flow – Shot on Kodak Tri-X 400 at EI 51200 (120 format)

by EMAugust 13, 2018July 31, 2021

Flow

Shot on Kodak Tri-X 400 at EI 51200
Black and white negative film in 120 format shot as 6×6
Push processed seven stops

This corner of the earth - Shot on Shanghai GP3 100 at EI 200. Black and white negative film in 120 format shot as 6x6. Push processed one stop.

Medium format, Photography

Photography: This corner of the earth – Shot on Shanghai GP3 100 at EI 200 (120 format)

by EMJuly 30, 2018July 31, 2021

This corner of the earth Shot on Shanghai GP3 100 at EI 200 Black and white negative film in 120 format shot as 6×6 Push processed one stop Development notes: Kodak HC-110: 1+47, 21°C/70°F, 13:00 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse.

35mm format

Photography: Don’t leave your sh!t at the beach – Shot on Kodak Ektar 100 at EI 100 (35mm format)

by EMJuly 25, 2018July 31, 2021

Don’t leave your sh1t at the beach

Shot on Kodak Ektar 100 at EI 100
Color negative film in 35mm format
Over processed one stop.

You scratch my back - Shot on ADOX Silvermax 100 at EI 100. Black and white negative film in 35mm format.

35mm format, Photography

Photography: Scratch my back… – Shot on ADOX Silvermax 100 at EI 100 (35mm format)

by EMJuly 6, 2018July 31, 2021

Scratch my back…

Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop

Development notes:
Kodak HC-110: 1+47(E), 20°C/68°F, 11:15 (N)
No presoak, 1-minute initial agitation, 5

Innovation Tower - Shot on ADOX Silvermax 100 at EI 100. Black and white negative film in 35mm format.

35mm format, Photography

Photography: Innovation Tower – Shot on ADOX Silvermax 100 at EI 100 (35mm format)

by EMJuly 5, 2018July 31, 2021

Innovation Tower

Shot on ADOX Silvermax 100 at EI 100
Black and white negative film in 35mm format

Development notes:
Kodak HC-110: 1+47(E), 20°C/68°F, 11:15 (N)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse

&nbsp

Roofline - Shot on ADOX Silvermax 100 at EI 200. Black and white negative film in 35mm format. Push processed one stop.

35mm format, Photography

Photography: Roofline – Shot on ADOX Silvermax 100 at EI 200 (35mm format)

by EMJuly 4, 2018July 31, 2021

Roofline

Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop

Development notes:
ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal

35mm format, Photography

Photography: Scratching post – Shot on ADOX Silvermax 100 at EI 200 (35mm format)

by EMJuly 3, 2018July 31, 2021

Scratching post

Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop

Development notes:
ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute

Skewed - Shot on ADOX Silvermax 100 at EI 200. 35mm format film. Push processed one stop.

35mm format, Photography

Photography: Skewed – Shot on ADOX Silvermax 100 at EI 200 (35mm format)

by EMJuly 2, 2018July 31, 2021

Skewed

Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop

Development notes:
ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal

Waiting time - Shot on Kodak Tri-X 400 at EI 800. Black and white negative film in 120 format shot as 6x6.

Medium format, Photography

Photography: Waiting time – Shot on Tri-X 400 at EI 800 (120 format)

by EMJune 29, 2018July 31, 2021

Waiting time

Shot on Kodak Tri-X 400 at EI 800
Black and white negative film in 120 format shot as 6×6

Chop chop - Shot on Kodak Ektar 100 at EI 800. Color negative film in 120 format shot as 6x6. Push processed three stops.

Medium format, Photography

Photography: Chop chop – Shot on Kodak Ektar 100 at EI 800 (120 format)

by EMJune 26, 2018July 31, 2021

Chop chop

Shot on Kodak Ektar 100 at EI 800
Color negative film in 120 format shot as 6×6
Push processed three stops

Scratched to bits - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250. Black and white negative film in 35mm format. Push processed 1 stop.

35mm format, Photography

Photography: Scratched to bits – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 (35mm format)

by EMMay 22, 2018July 31, 2021

Scratched to bits

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250
Black and white negative film in 35mm format
Push processed 1 stop

Just a lick - Shot on Kodak ULTRA MAX at EI 1600. Color negative film in 35mm format. Push processed two stops.

35mm format, Photography

Photography: Just a lick – Shot on Kodak ULTRA MAX at EI 1600 (35mm Format)

by EMMay 21, 2018July 31, 2021

Just a lick

Shot on Kodak ULTRA MAX at EI 1600.
Color negative film in 35mm format.
Push processed two stops.

EMULSIVE 52 Rolls - Week 08 - Kodak Tri-X 400 (35mm) - EI1600

35mm format, Photography

Photography: That’s my ride – Shot on Kodak Tri-X 400 at EI 1600 (35mm format)

by EMApril 19, 2018July 31, 2021

That’s my ride

Shot on Kodak Tri-X 400 at EI 1600
Black and white negative film in 35mm format

Cast off - Shot on Kodak Ektar 100 at EI 100. Color negative film in 35mm format. Over processed one stop.

35mm format, Photography

Photography: Cast off – Shot on Kodak Ektar 100 at EI 100 (35mm format)

by EMApril 16, 2018July 31, 2021

Cast off

Shot on Kodak Ektar 100 at EI 100
Color negative film in 35mm format
Over processed one stop

35mm format, Photography

Photography: Face the waves – Shot on Kodak Ektar 100 at EI 100 (35mm format)

by EMApril 13, 2018July 31, 2021

Face the waves

Shot on Kodak Ektar 100 at EI 100
Color negative film in 35mm format
Over processed one stop

Pick and choose - Shot on Kodak Ektar 100 at EI400. Color negative film in 120 format shot as 6x6. Push processed two stops.

Medium format, Photography

Photography: Pick and choose – Shot on Kodak Ektar 100 at EI 400 (120 format)

by EMApril 4, 2018July 31, 2021

Pick and choose

Shot on Kodak Ektar 100 at EI 400
Color negative film in 120 format shot as 6×6
Push processed two stops

Exploded by light - Shot on Kodak Ektar 100 at EI 400. Color negative film in 120 format shot as 6x6. Push processed two stops.

Medium format, Photography

Photography: Shattered by light – Shot on Kodak Ektar 100 at EI 400 (format)

by EMApril 2, 2018July 31, 2021

Shattered by light

Shot on Kodak Ektar 100 at EI 400
Color negative film in 120 format shot as 6×6
Push processed two stops

35mm format

Photography: Famous express – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm)

by EMFebruary 8, 2018July 31, 2021

Famous express

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 2 and 2/3 stops

Famous expressShot on Kodak Eastman Double-X 5222 at EI 1600.Black and white motion picture film in