ADOX SILVERMAX 100


My Nikon Nikkor-P.C. 10.5 cm f:2.5 LTM and Leica M7, José Mendes de Almeida

5 Frames… With the curious Nikon Nikkor-P.C. 10.5 cm f/2.5 LTM on Adox Silvermax 100 (35mm Format / EI 100 / Leica M7) – by José Mendes de Almeida

Let me share some thoughts. For most of the year, my city has plenty of light. And good light, too. This is fortunate for a …

Read more5 Frames… With the curious Nikon Nikkor-P.C. 10.5 cm f/2.5 LTM on Adox Silvermax 100 (35mm Format / EI 100 / Leica M7) – by José Mendes de Almeida

You scratch my back - Shot on ADOX Silvermax 100 at EI 100. Black and white negative film in 35mm format.

Photography: Scratch my back… – Shot on ADOX Silvermax 100 at EI 100 (35mm format)

Scratch my back…

Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop

 

Development notes:
Kodak HC-110: 1+47(E), 20°C/68°F, 11:15 (N)
No presoak, 1-minute initial agitation, 5

Innovation Tower - Shot on ADOX Silvermax 100 at EI 100. Black and white negative film in 35mm format.

Photography: Innovation Tower – Shot on ADOX Silvermax 100 at EI 100 (35mm format)

Innovation Tower

Shot on ADOX Silvermax 100 at EI 100
Black and white negative film in 35mm format

 

Development notes:
Kodak HC-110: 1+47(E), 20°C/68°F, 11:15 (N)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse

 

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Roofline - Shot on ADOX Silvermax 100 at EI 200. Black and white negative film in 35mm format. Push processed one stop.

Photography: Roofline – Shot on ADOX Silvermax 100 at EI 200 (35mm format)

Roofline

Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop

 

Development notes:
ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal

Scratching post - Shot on ADOX Silvermax 100 at EI 200. Black and white negative film in 35mm format. Push processed one stop.

Photography: Scratching post – Shot on ADOX Silvermax 100 at EI 200 (35mm format)

Scratching post

Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop

 

Development notes:
ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute

Skewed - Shot on ADOX Silvermax 100 at EI 200. 35mm format film. Push processed one stop.

Photography: Skewed – Shot on ADOX Silvermax 100 at EI 200 (35mm format)

Skewed

Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop

 

Development notes:
ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal

Cover - Every Film Stock Still Made 1- ADOX to dubblefilm

Every single film stock still made today – Part 1: ADOX to Dubblefilm (v3)

Update 02: 2018-09-20

If you’re anything like me, you’ve probably wondered how many fresh film stocks are still in production and available for purchase today.

Madison Falls, Yellowstone National Park - Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x12. Shot with #21 orange filter.

EMULSIVE interview #132: I am #EMULSIVE and this is why I shoot film

Welcome to this week’s EMULSIVE interview!

Today’s interviewee is someone a few of you may have heard of and to be frank, it’s been a bit of headache to put together.

Self portrait with Leica, Ilford XP2 Super, Leica M6TTL, 2016

EMULSIVE interview #116: I am Richard Pickup and this is why I shoot film

I’m hoping you remember today’s interviewee from his wonderful contributed article discussing the importance and impact of effective visualisation for film photographers. If you haven’t read it yet head on over, we’ll wait.

Back? Excellent.