Let me share some thoughts. For most of the year, my city has plenty of light. And good light, too. This is fortunate for a number of reasons but, in particular, it allows me to use lower ISO film for street photography. Good resolution and plenty of flexibility. ADOX Silvermax is a fantastic film for […]
Tag: ADOX SILVERMAX 100
Posted in5 Frames..., Articles
5 Frames… With ADOX SILVERMAX 100 (EI 100 / 35mm format / Leica M3)
ADOX SILVERMAX 100 is one of my favorite black and white films. The tonal range is extremely wide, and if exposed properly the imagery is free of grain. I used my sublime Carl Zeiss Distagon T* 35mm f/1.4 ZM lens for the first time with a film camera. Using this lens with the Leica M3 […]
Posted inFilm stock reviews
Film showdown: ADOX Silvermax 100 vs original Agfa APX 100
Is ADOX Silvermax 100 film the same as the old and revered Agfa APX 100 film? One day I decided to find out.
Posted in35mm format, Photography
Photography: Scratch my back… – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Scratch my back…
Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop
Development notes:
Kodak HC-110: 1+47(E), 20°C/68°F, 11:15 (N)
No presoak, 1-minute initial agitation, 5
Posted in35mm format, Photography
Photography: Innovation Tower – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Innovation Tower
Shot on ADOX Silvermax 100 at EI 100
Black and white negative film in 35mm format
Development notes:
Kodak HC-110: 1+47(E), 20°C/68°F, 11:15 (N)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
 
Posted in35mm format, Photography
Photography: Roofline – Shot on ADOX Silvermax 100 at EI 200 (35mm format)
Roofline
Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop
Development notes:
ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal
Posted in35mm format, Photography
Photography: Scratching post – Shot on ADOX Silvermax 100 at EI 200 (35mm format)
Scratching post
Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop
Development notes:
ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute
Posted in35mm format, Photography
Photography: Skewed – Shot on ADOX Silvermax 100 at EI 200 (35mm format)
Skewed
Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop
Development notes:
ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal
Posted inADOX Film Stock Reviews, AGFA Film Stock Reviews, Arista Film Stock Reviews, Articles, Bergger Film Stock Reviews, CineStill Film Stock Reviews, Dubblefilm film Stock Reviews, FILM Ferrania Film Stock Reviews, Film List, Film stock reviews
Every single film stock still made today – Part 1: ADOX to Dubblefilm (v3)
Update 02: 2018-09-20
If you’re anything like me, you’ve probably wondered how many fresh film stocks are still in production and available for purchase today.
Posted inArticles, Best Of
EMULSIVE's most popular film stock reviews of 2017
Welcome to the fourth lazy-post of the end of year season here at EMULSIVE.
Posted in35mm format, Photography
Photography: Coiled #03 – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Coiled #03
Shot on ADOX Silvermax 100 at EI 100
Black and white negative film in 35mm format
Read the ADOX Silvermax 100 review here
Posted in35mm format, Photography
Photography: Coiled #02 – Shot on ADOX Silvermax 100 (35mm)
Coiled #02
Shot on ADOX Silvermax 100 at EI 100
Black and white negative film in 35mm format
Read the ADOX Silvermax 100 review here
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #132: I am #EMULSIVE and this is why I shoot film
Welcome to this week’s EMULSIVE interview!
Today’s interviewee is someone a few of you may have heard of and to be frank, it’s been a bit of headache to put together.
Posted in35mm format, Photography
Photography: In thought – ADOX Silvermax 100 (35mm)
In thought
Shot on ADOX Silvermax 100 at EI 100
Black and white negative film in 35mm format
Posted in35mm format, Photography
Photography: Stop – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Stop
Shot on ADOX Silvermax 100 at EI 100
Black and white negative film in 35mm format
Posted in35mm format, Photography
Photography: Safe harbour – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Safe harbour
Shot on ADOX Silvermax 100 at EI 100
Black and white negative film in 35mm format
Posted in35mm format, Photography
Photography: Fire damage – ADOX Silvermax 100 (35mm)
Fire damage
Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed 1 stop
Posted in35mm format, Photography
Photography: Streetshooter – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Streetshooter
Shot on ADOX Silvermax 100 at EI 100
Black and white negative film in 35mm format
Posted inFilm Photographer Interviews, Interviews
EMULSIVE interview #116: I am Richard Pickup and this is why I shoot film
I’m hoping you remember today’s interviewee from his wonderful contributed article discussing the importance and impact of effective visualisation for film photographers. If you haven’t read it yet head on over, we’ll wait.
Back? Excellent.
Posted in35mm format, Photography
Photography: Coiled #01 – ADOX Silvermax 100 (35mm)
Coiled #01
Shot on ADOX Silvermax 100 at EI 100
Black and white negative film in 35mm format
