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Home » EI 200

Tag: EI 200

Get the steps - Shot on Shanghai GP3 100 at EI 100. Black and white negative film in 120 format shot as 6×9. Fuji GW690III + EBC Fujinon 90mm f/3.5
Posted inMedium format

Photography: Get the steps – Shot on Shanghai GP3 100 at EI 100 (120 Format)

Avatar - EMby EMJanuary 6, 2022January 6, 2022

Shot on Shanghai GP3 100 at EI 100Black and white negative film in 120 format shot as 6×9Fuji GW690III + EBC Fujinon 90mm f/3.5 Development notesKodak HC-110: 1+47(E), 20°C/68°F, 06:30 (N)2x 1-minute presoaks, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse Get the steps – Shot on Shanghai GP3 100 at EI 100. Black and white […]

Blergh - Shot on Wittner Chrome 200 (Agfa RSX200) at EI 200 (35mm format)
Posted in35mm format

Photography: Blergh – Shot on Wittner Chrome 200 (Agfa RSX200) at EI 200 (35mm format)

Avatar - EMby EMSeptember 7, 2021September 7, 2021

Shot on Wittner Chrome 200 (Agfa RSX200) at EI 200Color reversal (Slide) film in 35mm format Blergh – Shot on Wittner Chrome 200 (Agfa RSX200) at EI 200 (35mm format)

Shanghai GP3 100, EI 200, 35mm format - Olympus XA, Zuiko 35mm f2.8
Posted in35mm format

Photography: No place to run – Shot on Shanghai GP3 100 at EI 200 (35mm Format)

Avatar - EMby EMMay 27, 2021December 26, 2021

Shot on Shanghai GP3 100 at EI 200Black and white negative film in 35mm formatOlympus XA, Zuiko 35mm f/2.8 Development notesKodak HC-110: 1+31(B), 20°C/68°F, 06:00 (N+1)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse

Posted in35mm format

Photography: Anamorphic Tests #02 – Shot on Fujifilm NEOPAN 100 ACROS at EI 200 (35mm Format)

Avatar - EMby EMMay 11, 2021December 26, 2021

Part of my ongoing 35mm anamorphic tests on film… Shot on Fujifilm NEOPAN 100 ACROS at EI 200Black and white negative film in 35mm formatPush processed a single-stopNikon F100, Nikkor 85mm f/1.8 AF-D + ISCO Ultra Star 2.1

Decked out - Shot on Kodak Portra 800 at EI 200. Color negative film in 120 format shot as 6x6.
Posted inMedium format

Photography: Decked out – Shot on Kodak Portra 800 at EI 200 (120 format)

Avatar - EMby EMAugust 11, 2019July 31, 2021

Decked out Shot on Kodak Portra 800 at EI 200Color negative film in 120 format shot as 6×6 Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Decked out Shot on Kodak Portra 800 at EI 200. Color negative film in 120 format shot as 6×6.

Guardians at the door #02 - Shot on Fuji Pro 400H at EI 200. Color negative film in 35mm format. Nikon F100 / Nikon Nikkor 85mm f1.8 AF-D
Posted in35mm format

Photography: Guardians at the door #02 – Shot on Fuji Pro 400H at EI 200 (35mm format)

Avatar - EMby EMJune 16, 2019July 31, 2021

Guardians at the door #02

Shot on Fuji Pro 400H at EI 200.
Color negative film in 35mm format.
Nikon F100 / Nikon Nikkor 85mm f1.8 AF-D

Guardians at the door #02Shot on Fuji Pro 400H at EI 200.Color

Side entrance - Shot on Fujifilm NEOPAN 100 ACROS at EI 200. Black and white negative film in 120 format shot as 6x6. 1-stop push process.
Posted inMedium format

Photography: Side entrance #02 – Shot on Fuji NEOPAN 100 ACROS at EI 200 (120 format)

Avatar - EMby EMJune 9, 2019July 31, 2021

Side entrance #02

Shot on Fujifilm NEOPAN 100 ACROS at EI 200Black and white negative film in 120 format shot as 6×61-stop push process

Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8

 

Development notesKodak HC-110 1+47 (E

Guardians at the door #01 - Shot on Fuji Pro 400H at EI 200. Color negative film in 35mm format. Nikon F100 / Nikon Nikkor 85mm f1.8 AF-D
Posted in35mm format

Photography: Guardians at the door #01 – Shot on Fuji Pro 400H at EI 200 (35mm format)

Avatar - EMby EMJune 8, 2019July 31, 2021

Guardians at the door #01

Shot on Fuji Pro 400H at EI 200.Color negative film

Cover - Our lady of heaven / 天上聖母 / Tiānshàng Shèngmǔ - Shot on Kosmo Foto Mono 100 at EI 200. Black and white negative film in anamorphic 35mm format. Push processed 1-stop. Nikon F100 + Nikkor 85mm f/1-4 AF-D + ISCO Cinemascope Ultra Star Plus 2.1.
Posted in35mm format

Photography: Our lady of heaven – Shot on Kosmo Foto Mono 100 at EI 200 (35mm format)

Avatar - EMby EMMarch 24, 2019July 31, 2021

Our lady of heaven (天上聖母 / Tiānshàng Shèngmǔ)
Shot on Kosmo Foto Mono 100 at EI 200
Black and white negative film in anamorphic 35mm format
Push processed 1-stop
Nikon F100 + Nikkor 85mm f/1.4 AF-D + ISCO Cinemascope Ultra

Up and to the right #02 - ILFORD SFX 200 shot at EI 6. Black and white infrared sensitive film in 120 format shot as 6x6. Zeiss Distagon CFi 50mm f/4 + R72 IR filter.
Posted inMedium format, Photography

Photography: Up and to the right #02 Shot on ILFORD SFX 200 shot at EI 6 (120 format)

Avatar - EMby EMJanuary 7, 2019July 31, 2021

Up and to the right #02
Shot on ILFORD SFX 200 at EI 6
Black and white infrared sensitive film in 120 format shot as 6×6
Zeiss Distagon CFi 50mm f/4 + R72 IR filter

 

 

 

Lunch - Shot on Kodak ColorPlus 200 at EI 200. Color negative film in 35mm format.
Posted in35mm format, Photography

Photography: Lunch – Shot on Kodak ColorPlus 200 at EI 200

Avatar - EMby EMDecember 17, 2018July 31, 2021

Lunch
Shot on Kodak ColorPlus 200 at EI 200.
Color negative film in 35mm format.
Olympus XA.

More samples here.

 

 

 

Buttcrack - Shot on Oriental Seagull 100 at EI 200. Black and white negative film in 35mm format. Nikon F 100, Nikkor 50mm f/1.8 AF-D.
Posted inPhotography

Photography: Buttcrack – Shot on Oriental Seagull 100 at EI 200 (35mm format)

Avatar - EMby EMDecember 3, 2018July 31, 2021

Buttcrack
Shot on Oriental Seagull 100 at EI 200.
Black and white negative film in 35mm format.
Nikon F 100, Nikkor 50mm f/1.8 AF-D.

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s
Posted in35mm format, Darkroom printing, Photography

Photography: Kodak EKTACHROME E100 comparison #04: EI 100, EI 200 and EI 100 XPRO (35mm format)

Avatar - EMby EMNovember 9, 2018July 31, 2021

Kodak (new) EKTACHROME E100 comparison #04

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s
Posted in35mm format, Darkroom printing, Photography

Photography: Kodak EKTACHROME E100 comparison #03: EI 100, EI 200 and EI 100 XPRO (35mm format)

Avatar - EMby EMNovember 8, 2018July 31, 2021

Kodak (new) EKTACHROME E100 comparison #03

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s
Posted in35mm format, Darkroom printing, Photography

Photography: Kodak EKTACHROME E100 comparison #02: EI 100, EI 200 and EI 100 XPRO (35mm format)

Avatar - EMby EMNovember 7, 2018July 31, 2021

Kodak (new) EKTACHROME E100 comparison #02

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s
Posted in35mm format, Darkroom printing, Photography

Photography: Kodak EKTACHROME E100 comparison #01: EI 100, EI 200 and EI 100 XPRO (35mm format)

Avatar - EMby EMNovember 6, 2018July 31, 2021

Kodak (new) EKTACHROME E100 comparison #01

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Cover - Film review - Kodak EKTACHROME E100 - EI 100, 200, 400, 800 first impressions
Posted inFeatured, Film stock reviews, Kodak Film Stock Reviews, Reviews

Film stock review: Kodak EKTACHROME E100 – shot at EI 100, 200, 400 + 800 first impressions

Avatar - EMby EMOctober 31, 2018July 31, 2021

Here’s a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and 800 – one, two and three-stops of push processing. *1

The images below form part

Cronut - Shot on new Kodak EKTACHROME 100 (E100) at EI 100. Color reversal (slide) film in 35mm format.
Posted in35mm format, Photography

Photography: Cronut – Shot on Kodak EKTACHROME 100 (E100) at EI 100 (35mm format)

Avatar - EMby EMOctober 25, 2018July 31, 2021

Cronut
Shot on new Kodak EKTACHROME 100 (E100) at EI 100.
Color reversal (slide) film in 35mm format.

 

 

 

On edge - Shot on new Kodak EKTACHROME 100 (E100) at EI 100. Color reversal (slide) film in 35mm format. Push processed one stop.
Posted in35mm format, Photography

Photography: On edge – Shot on Kodak EKTACHROME 100 (E100) at EI 100 (35mm format)

Avatar - EMby EMOctober 24, 2018July 31, 2021

On edge

Shot on new Kodak EKTACHROME 100 (E100) at EI 100.
Color reversal (slide) film in 35mm format.

 

 

 

Morning light - Shot on new Kodak EKTACHROME 100 (E100) at EI 200. Color reversal (slide) film in 35mm format. Push processed one stop.
Posted in35mm format, Photography

Photography: Morning light – Shot on Kodak EKTACHROME 100 (E100) at EI 200 (35mm format)

Avatar - EMby EMOctober 23, 2018July 31, 2021

Morning light

Shot on Kodak EKTACHROME 100 (E100) at EI 200
Color reversal (slide) film in 35mm format
Push processed one stop

 

 

 

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EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

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