Tag: EI 200
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Kodak EKTACHROME E100 comparison #04: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #04 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross...
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Kodak EKTACHROME E100 comparison #03: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #03 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross...
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Kodak EKTACHROME E100 comparison #02: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #02 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross...
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Kodak EKTACHROME E100 comparison #01: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #01 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross...
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Film review: Kodak EKTACHROME E100 – shot at EI 100, 200, 400 + 800 first impressions
Here’s a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then...
Read MoreCronut – Shot on Kodak EKTACHROME 100 (E100) at EI 100 (35mm format)
Cronut Shot on new Kodak EKTACHROME 100 (E100) at EI 100. Color reversal (slide) film in 35mm format. Write for EMULSIVE The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film...
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On edge – Shot on Kodak EKTACHROME 100 (E100) at EI 100 (35mm format)
On edge Shot on new Kodak EKTACHROME 100 (E100) at EI 100. Color reversal (slide) film in 35mm...
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Morning light – Shot on Kodak EKTACHROME 100 (E100) at EI 200 (35mm format)
Morning light Shot on Kodak EKTACHROME 100 (E100) at EI 200 Color reversal (slide) film in 35mm...
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Stuffed – Shot on Wittner Chrome 200 at EI 200 (35mm format)
Stuffed Shot on Wittner Chrome 200 at EI 200 Color reversal (slide) film in 35mm format ...
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Sheaves – Shot on Fujicolor C200 at EI 200 (35mm format)
Sheaves Shot on Fujicolor C200 at EI 200 Color negative film in 35mm format Contax AX + Carl Zeiss...
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12 kilos – Shot on Fujicolor C200 at EI 200 (35mm format)
12 kilos Shot on Fujicolor C200 at EI 200 Color negative film in 35mm format Contax AX + Carl...
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Black sand – Kodak VISION3 200T 5213 at EI 200 (35mm format)
Black sand Shot on Kodak VISION3 200T 5213 at EI 200 Color motion picture film in 35mm format ...
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45 Special – Shot on Kodak VISION3 200T 5213 at EI 200 (35mm format)
45 Special Shot on Kodak VISION3 200T (5213) at EI 200 Color motion picture film in 35mm format ...
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Waiting area #02 – Shot on Kodak EKTACHROME 200 E200 at EI 200 (120 format)
Waiting area #02 Shot on Kodak EKTACHROME 200 E200 at EI 200 Color reversal (slide) film in 120...
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Waiting area #01 – Shot on Kodak EKTACHROME 200 E200 at EI 200 (120 format)
Waiting area #01 Shot on Kodak EKTACHROME 200 E200 at EI 200 Color reversal (slide) film in 120...
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Lov is the answer – Shot on Kodak Portra 400VC at EI 200 (120 format)
Lov is the answer Shot on Kodak Portra 400VC at EI 200 Color negative film in 120 format shot as...
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This corner of the earth – Shot on Shanghai GP3 100 at EI 200 (120 format)
This corner of the earth Shot on Shanghai GP3 100 at EI 200 Black and white negative film in 120...
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Day market #01 – Shot on ILFORD Delta 100 Professional at EI 200 (120 format)
Day market #01 Shot on ILFORD Delta 100 Professional at EI 200 Black and white negative film in...
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Scratch my back… – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Scratch my back… Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm...
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Innovation Tower – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Innovation Tower Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format...
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