EI 200


Guardians at the door #02 - Shot on Fuji Pro 400H at EI 200. Color negative film in 35mm format. Nikon F100 / Nikon Nikkor 85mm f1.8 AF-D

Photography: Guardians at the door #02 – Shot on Fuji Pro 400H at EI 200 (35mm format)

Guardians at the door #02

Shot on Fuji Pro 400H at EI 200.
Color negative film in 35mm format.
Nikon F100 / Nikon Nikkor 85mm f1.8 AF-D

Guardians at the door #02Shot on Fuji Pro 400H at EI 200.Color

Side entrance - Shot on Fujifilm NEOPAN 100 ACROS at EI 200. Black and white negative film in 120 format shot as 6x6. 1-stop push process.

Photography: Side entrance #02 – Shot on Fuji NEOPAN 100 ACROS at EI 200 (120 format)

Side entrance #02

Shot on Fujifilm NEOPAN 100 ACROS at EI 200Black and white negative film in 120 format shot as 6×61-stop push process

Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8

 

Development notesKodak HC-110 1+47 (E

Cover - Our lady of heaven / 天上聖母 / Tiānshàng Shèngmǔ - Shot on Kosmo Foto Mono 100 at EI 200. Black and white negative film in anamorphic 35mm format. Push processed 1-stop. Nikon F100 + Nikkor 85mm f/1-4 AF-D + ISCO Cinemascope Ultra Star Plus 2.1.

Photography: Our lady of heaven – Shot on Kosmo Foto Mono 100 at EI 200 (35mm format)

Our lady of heaven (天上聖母 / Tiānshàng Shèngmǔ)
Shot on Kosmo Foto Mono 100 at EI 200
Black and white negative film in anamorphic 35mm format
Push processed 1-stop
Nikon F100 + Nikkor 85mm f/1.4 AF-D + ISCO Cinemascope Ultra

Up and to the right #02 - ILFORD SFX 200 shot at EI 6. Black and white infrared sensitive film in 120 format shot as 6x6. Zeiss Distagon CFi 50mm f/4 + R72 IR filter.

Photography: Up and to the right #02 Shot on ILFORD SFX 200 shot at EI 6 (120 format)

Up and to the right #02
Shot on ILFORD SFX 200 at EI 6
Black and white infrared sensitive film in 120 format shot as 6×6
Zeiss Distagon CFi 50mm f/4 + R72 IR filter

 

 

 

Buttcrack - Shot on Oriental Seagull 100 at EI 200. Black and white negative film in 35mm format. Nikon F 100, Nikkor 50mm f/1.8 AF-D.

Photography: Buttcrack – Shot on Oriental Seagull 100 at EI 200 (35mm format)

Buttcrack
Shot on Oriental Seagull 100 at EI 200.
Black and white negative film in 35mm format.
Nikon F 100, Nikkor 50mm f/1.8 AF-D.

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s

Photography: Kodak EKTACHROME E100 comparison #04: EI 100, EI 200 and EI 100 XPRO (35mm format)

Kodak (new) EKTACHROME E100 comparison #04

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s

Photography: Kodak EKTACHROME E100 comparison #03: EI 100, EI 200 and EI 100 XPRO (35mm format)

Kodak (new) EKTACHROME E100 comparison #03

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s

Photography: Kodak EKTACHROME E100 comparison #02: EI 100, EI 200 and EI 100 XPRO (35mm format)

Kodak (new) EKTACHROME E100 comparison #02

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s

Photography: Kodak EKTACHROME E100 comparison #01: EI 100, EI 200 and EI 100 XPRO (35mm format)

Kodak (new) EKTACHROME E100 comparison #01

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Cover - Film review - Kodak EKTACHROME E100 - EI 100, 200, 400, 800 first impressions

Film stock review: Kodak EKTACHROME E100 – shot at EI 100, 200, 400 + 800 first impressions

Here’s a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and 800 – one, two and three-stops of push processing. *1

The images below form part

Cronut - Shot on new Kodak EKTACHROME 100 (E100) at EI 100. Color reversal (slide) film in 35mm format.

Photography: Cronut – Shot on Kodak EKTACHROME 100 (E100) at EI 100 (35mm format)

Cronut
Shot on new Kodak EKTACHROME 100 (E100) at EI 100.
Color reversal (slide) film in 35mm format.

 

 

 

On edge - Shot on new Kodak EKTACHROME 100 (E100) at EI 100. Color reversal (slide) film in 35mm format. Push processed one stop.

Photography: On edge – Shot on Kodak EKTACHROME 100 (E100) at EI 100 (35mm format)

On edge

Shot on new Kodak EKTACHROME 100 (E100) at EI 100.
Color reversal (slide) film in 35mm format.

 

 

 

Morning light - Shot on new Kodak EKTACHROME 100 (E100) at EI 200. Color reversal (slide) film in 35mm format. Push processed one stop.

Photography: Morning light – Shot on Kodak EKTACHROME 100 (E100) at EI 200 (35mm format)

Morning light

Shot on Kodak EKTACHROME 100 (E100) at EI 200
Color reversal (slide) film in 35mm format
Push processed one stop

 

 

 

Stuffed - Shot on Wittner Chrome 200 at EI 200. Color reversal (slide) film in 35mm format.

Photography: Stuffed – Shot on Wittner Chrome 200 at EI 200 (35mm format)

Stuffed

Shot on Wittner Chrome 200 at EI 200Color reversal (slide) film in 35mm format

StuffedShot on Wittner Chrome 200 at EI 200.Color reversal (slide) film in 35mm format.

Sheave - Shot on Fujicolor C200 at EI 200. Color negative film in 35mm format.

Photography: Sheaves – Shot on Fujicolor C200 at EI 200 (35mm format)

Sheaves

Shot on Fujicolor C200 at EI 200Color negative film in 35mm formatContax AX + Carl Zeiss Sonnar T* 135mm f/2.8

SheaveShot on Fujicolor C200 at EI 200.Color negative film in 35mm format.

12 kilos - Shot on Fujicolor C200 at EI 200. Color negative film in 35mm format.

Photography: 12 kilos – Shot on Fujicolor C200 at EI 200 (35mm format)

12 kilos

Shot on Fujicolor C200 at EI 200Color negative film in 35mm formatContax AX + Carl Zeiss Sonnar T* 135mm f/2.8

12 kilosShot on Fujicolor C200 at EI 200.Color negative film in 35mm format.