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Photography: 45 Special – Shot on Kodak VISION3 200T 5213 at...

45 Special Shot on Kodak VISION3 200T (5213) at EI 200 Color motion picture film in 35mm format      

Photography: Waiting area #02 – Shot on Kodak EKTACHROME 200 E200...

Waiting area #02 Shot on Kodak EKTACHROME 200 E200 at EI 200 Color reversal (slide) film in 120 format shot as 6x6    

Photography: Waiting area #01 – Shot on Kodak EKTACHROME 200 E200...

Waiting area #01 Shot on Kodak EKTACHROME 200 E200 at EI 200 Color reversal (slide) film in 120 format shot as 6x6    

Photography: Lov is the answer – Shot on Kodak Portra 400VC...

Lov is the answer Shot on Kodak Portra 400VC at EI 200 Color negative film in 120 format shot as 6x6      

Photography: This corner of the earth – Shot on Shanghai GP3...

This corner of the earth Shot on Shanghai GP3 100 at EI 200 Black and white negative film in 120 format shot as 6x6 Push processed one...

Photography: Day market #01 – Shot on ILFORD Delta 100 Professional...

Day market #01 Shot on ILFORD Delta 100 Professional at EI 200 Black and white negative film in 120 format shot as 6x12 Push processed one stop   Development...

Photography: Scratch my back… – Shot on ADOX Silvermax 100 at...

Scratch my back... Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed one stop   Development notes: Kodak HC-110: 1+47(E), 20°C/68°F, 11:15 (N) No presoak, 1-minute initial agitation, 5

Photography: Innovation Tower – Shot on ADOX Silvermax 100 at EI...

Innovation Tower Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format   Development notes: Kodak HC-110: 1+47(E), 20°C/68°F, 11:15 (N) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse    

Photography: Roofline – Shot on ADOX Silvermax 100 at EI 200...

Roofline Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed one stop   Development notes: ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal

Photography: Scratching post – Shot on ADOX Silvermax 100 at EI...

Scratching post Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed one stop   Development notes: ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute

Photography: Skewed – Shot on ADOX Silvermax 100 at EI 200...

Skewed Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed one stop   Development notes: ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal

Photography: Zero – Shot on Kodak ColorPlus 200 at EI 200...

Zero Shot on Kodak ColorPlus 200 at EI 200 Color negative film in 35mm format    

Photography: Transition 05 – Shot on Rollei Superpan 200 at EI...

Transition 05 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6x6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide      

Photography: Transition 04 – Shot on Rollei Superpan 200 at EI...

Transition 04 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6x6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide      

Photography: Transition 03 – Shot on Rollei Superpan 200 at EI...

Transition 03 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6x6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide      

Photography: Transition 02 – Shot on Rollei Superpan 200 at EI...

Transition 02 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6x6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide      

Photography: Transition 01 – Shot on Rollei Superpan 200 at EI...

Transition 01 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6x6 Hasselblad 2000FCW + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide    

Photography: Split #06 – Shot on Kodak ColorPlus 200 at EI...

Split #06 Shot on Kodak ColorPlus 200 at EI 200. Color negative film in 35mm format.      

Photography: Shorn – Shot on Kodak EKTACHROME E200 at EI 200...

Shorn Shot on Kodak EKTACHROME E200 at EI 200 Color reversal (slide) film in 120 format shot as 6x6      

Photography: Veins #02 – Shot on Rollei Superpan 200 at EI...

Veins #02 Shot on Rollei Superpan 200 at EI 200 Black and white negative film in 120 format shot as 6x6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan 200 review and experimentation guide.