Tag: EI 200
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Photography: Transition 01 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 01 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6×6 Hasselblad 2000FCW + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide
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Photography: Split #06 – Shot on Kodak ColorPlus 200 at EI 200 (35mm format)
Split #06 Shot on Kodak ColorPlus 200 at EI 200. Color negative film in 35mm format.
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Photography: Veins #02 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Veins #02 Shot on Rollei Superpan 200 at EI 200 Black and white negative film in 120 format shot as 6×6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan 200 review and experimentation guide.  
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Photography: One down – Shot on Rollei Superpan 200 at EI 200 (120 format)
One down Shot on Rollei Superpan 200 at EI 200 Black and white negative film in 120 format shot as 6×6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan 200 review and experimentation guide.  
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Photography: Off at the door – Shot on Silberra ULTIMA 200 (120 format)
Off at the door Shot on Silberra ULTIMA 200 at EI 200 Black and white negative film in 120 format shot as 6×6
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Photography: Lit – Shot on Bergger Pancro 400 at EI 200 (35mm format)
Lit Shot on Bergger Pancro 400 at EI 200 Black and white negative film in 35mm format Reversal developed overexposed one-stop Read the Bergger Pancro 400 reviews
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Photography: Bird bar – Shot on Silberra ULTIMA 200 at EI 200 (35mm format)
Bird bar Shot on Silberra ULTIMA 200 at EI 200 Black and white negative film in 35mm format
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Photography: Bathed in light – Shot on Rollei Superpan 200 at EI 3 (120 format)
Bathed in light Shot on Rollei Superpan 200 at EI 3 Black and white negative film in 120 format shot as 6×6 R72 filter Read the Rollei Superpan 200 review and experimentation guide.
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Photography: Shrimping – Shot on Agfa Vista Plus 200 at EI 200 (35mm format)
Shrimping Shot on Agfa Vista Plus 200 at EI 200 Color negative film in 35mm format Read the Agfa Vista Plus 200 review
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Photography: Slits – Shot on Kodak Ektar 100 (120)
Slits Shot on Kodak Ektar 100 at EI 200 Color negative film in 120 format shot as 6×6 Push processed one stop
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Photography: Rippled leaves – Shot on Kodak Ektar 100 at EI 200 (120 format)
Rippled leaves Shot on Kodak Ektar 100 at EI 200 Color negative film in 120 format shot as 6×6 Push processed one stop / Double exposure
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Photography: No parking at any time – Shot on Kodak EKTACHROME 200 E200 (120 format)
No parking at any time Shot on Kodak EKTACHROME 200 (E200) at EI 200 Color reversal (slide) film in 120 format shot as 6×6 Over processed one stop
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Photography: The morning after the night before – Shot on Kodak EKTACHROME 200 – E200 (120)
The morning after the night before Shot on Kodak EKTACHROME 200 (E200) at EI 200 Color reversal (slide) film in 120 format shot as 6×6 Over processed one stop
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Photography: Panels – Shot on Silberra ULTIMA 200 at EI 200 (35mm format)
Panels Shot on Silberra ULTIMA 200 at EI 200 35mm black and white format film Orange #21 filter Leica M6 / Leica Tele-Elmarit 90mm f/2.8