Black and White Negative Film


Scripted delivery - Shot on CatLABS X-Film 80 at EI 50 - Black and white negative in 120 format shot as 6×6 - Pull processed 2/3 stops

Photography: Scripted delivery – Shot on CatLABS X-Film 80 at EI 50 (120 format)

Scripted delivery Shot on CatLABS X-Film 80 at EI 50Black and white negative in 120 format shot as 6×6Pull processed 2/3 stops Hasselblad 2000FCW / Carl Zeiss …

Read morePhotography: Scripted delivery – Shot on CatLABS X-Film 80 at EI 50 (120 format)

Nature always wins - Shot on CatLABS X-Film 80 at EI 50 - Black and white negative in 120 format shot as 6×6 - Pull processed 2/3 stops

Photography: Nature always wins – Shot on CatLABS X-Film 80 at EI 50 (120 format)

Nature always wins Shot on CatLABS X-Film 80 at EI 50Black and white negative in 120 format shot as 6×6Pull processed 2/3 stops Hasselblad 2000FCW / Carl …

Read morePhotography: Nature always wins – Shot on CatLABS X-Film 80 at EI 50 (120 format)

On the job - shot on ILFORD Delta 400 at EI 25600. Black and white negative film in 120 format shot as 6x6. Push processed 6-stops.

Photography: On the job – Shot on ILFORD Delta 400 Professional at EI 25600 (120 format)

On the job Shot on ILFORD Delta 400 Professional at EI 25600Black and white negative film in 120 format shot as 6×6Push processed 6-stops Hasselblad …

Read morePhotography: On the job – Shot on ILFORD Delta 400 Professional at EI 25600 (120 format)

Side entrance - Shot on Fujifilm NEOPAN 100 ACROS at EI 200. Black and white negative film in 120 format shot as 6x6. 1-stop push process.

Photography: Side entrance #02 – Shot on Fuji NEOPAN 100 ACROS at EI 200 (120 format)

Side entrance #02

Shot on Fujifilm NEOPAN 100 ACROS at EI 200Black and white negative film in 120 format shot as 6×61-stop push process

Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8

 

Development notesKodak HC-110 1+47 (E

Cup holder as standard - Shot on ILFORD HP5 PLUS at EI 400. Black and white negative film in 120 format shot as 6x9. Fuji GW690III + EBC Fujinon 90mm f/3.5.

Photography: Cup holder as standard – Shot on ILFORD HP5 PLUS at EI 400 (120 format)

Cup holder as standard
Shot on ILFORD HP5 PLUS at EI 400.
Black and white negative film in 120 format shot as 6×9.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

 

Development notes
Kodak HC-110: 1+31(B), 20°C/68°F, 05:00

Photography: Put your feet up – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)

Put your feet up
Shot on ILFORD FP4 PLUS at EI 800.
Black and white negative film in wide 35mm format (TEXPan).
Push processed 2⅔-stops.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

 

Development notes
Kodak HC-110: 1+31(B

Off the job - Shot on ILFORD FP4 PLUS at EI 800 - Black and white negative film in wide 35mm format (TEXPan) CROP

Photography: Off the job – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)

Off the job Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji …

Read morePhotography: Off the job – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)

Photography: Inside out – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)

Inside out Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji GW690III …

Read morePhotography: Inside out – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)

Up and to the right #02 - ILFORD SFX 200 shot at EI 6. Black and white infrared sensitive film in 120 format shot as 6x6. Zeiss Distagon CFi 50mm f/4 + R72 IR filter.

Photography: Up and to the right #02 Shot on ILFORD SFX 200 shot at EI 6 (120 format)

Up and to the right #02
Shot on ILFORD SFX 200 at EI 6
Black and white infrared sensitive film in 120 format shot as 6×6
Zeiss Distagon CFi 50mm f/4 + R72 IR filter

 

 

 

Buttcrack - Shot on Oriental Seagull 100 at EI 200. Black and white negative film in 35mm format. Nikon F 100, Nikkor 50mm f/1.8 AF-D.

Photography: Buttcrack – Shot on Oriental Seagull 100 at EI 200 (35mm format)

Buttcrack
Shot on Oriental Seagull 100 at EI 200.
Black and white negative film in 35mm format.
Nikon F 100, Nikkor 50mm f/1.8 AF-D.

Under cover - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops.

Photography: Under cover – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

Under cover

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops

 

Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial agitation, 1

Keep your head down - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops.

Photography: Keep your head down – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

Keep your head down

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600
Black and white negative film in 35mm format
Push processed 22/3 stops

 

Development notes
Rodinal 1+25: 21°C/70°F, 14:30 (N+22/3)
1 minute presoak, 30 seconds initial

Area secured - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600. Black and white negative film in 35mm format. Push processed 2+2/3 stops.

Photography: Area secured – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600 (35mm format)

Area secured

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 22/3 stops

Development notesRodinal 1+25: 21°C/70°F, 14:30 (N+22/3)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30

Pure Colombian - Shot on Konica Pan 100 at EI 100 - Black and white negative film in 120 format shot as 6x6

Photography: Pure Colombian – Shot on Konica Pan 100 at EI 100 (120 format)

Pure Colombian

Shot on Konica Pan 100 at EI 100Black and white negative film in 120 format shot as 6×6

Pure ColombianShot on Konica Pan 100 at EI 100.Black and white negative film in 120 format shot as 6×6.

In the shadows - Shot on Efke KB25 at EI 25. Black and white negative film in 35mm format. Nikon FM3A / Nikkor 50mm f/1.2.

Photography: In the shadows – shot on Efke KB25 at EI 25 (35mm format)

In the shadows

Shot on Efke KB25 at EI 25Black and white negative film in 35mm formatNikon FM3A / Nikkor 50mm f/1.2

Development notesFF No.1 Monobath: 21°C/70°F, 06:00 (N)1 minute presoak, 30 seconds initial agitation, 1 inversions

Acrobatics - Shot on ILFORD FP4 PLUS at EI 125. Black and white negative film in 35mm format.

Photography: Acrobatics – Shot on ILFORD FP4 PLUS (35mm format)

Acrobatics

Shot on ILFORD FP4 PLUS at EI 125Black and white negative film in 35mm formatContax 139Q + Carl Zeiss Tessar T* 45mm f/2.8

Read the ILFORD FP4 PLUS review

Development notesKodak HC-110: 1+31(B), 24°C/75°F, 07:00 (N