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Cover - Film showdown - ADOX Silvermax 100 vs original Agfa APX 100

Film showdown: ADOX Silvermax 100 vs original Agfa APX 100

ADOX Films
Adox CMS 20 II (EI 20 - ID-11 - Nikon F4S)

5 Frames With… Adox CMS 20 II (EI 20 / ID-11...

5 Frames With
You scratch my back - Shot on ADOX Silvermax 100 at EI 100. Black and white negative film in 35mm format.

Photography: Scratch my back… – Shot on ADOX Silvermax 100 at...

35mm format
Innovation Tower - Shot on ADOX Silvermax 100 at EI 100. Black and white negative film in 35mm format.

Photography: Innovation Tower – Shot on ADOX Silvermax 100 at EI...

35mm format
Roofline - Shot on ADOX Silvermax 100 at EI 200. Black and white negative film in 35mm format. Push processed one stop.

Photography: Roofline – Shot on ADOX Silvermax 100 at EI 200...

35mm format
Scratching post - Shot on ADOX Silvermax 100 at EI 200. Black and white negative film in 35mm format. Push processed one stop.

Photography: Scratching post – Shot on ADOX Silvermax 100 at EI...

35mm format
Skewed - Shot on ADOX Silvermax 100 at EI 200. 35mm format film. Push processed one stop.

Photography: Skewed – Shot on ADOX Silvermax 100 at EI 200...

35mm format
Cover - Every Film Stock Still Made 1- ADOX to dubblefilm

Every single film stock still made today – Part 1: ADOX...

ADOX Films
Cover - Most popular film stock reviews 2017

EMULSIVE's most popular film stock reviews of 2017

Articles
Coiled #03 - Shot on ADOX Silvermax 100 at EI 100. Black and white negative film in 35mm format.

Photography: Coiled #03 – Shot on ADOX Silvermax 100 at EI...

35mm format
Coiled #02 - Shot on ADOX Silvermax 100 at EI 100. Black and white negative film in 35mm format.

Photography: Coiled #02 – Shot on ADOX Silvermax 100 (35mm)

35mm format
"Untitled", Cabeça Gorda, Redondo, Portugal. Minolta X700, MD 50mm f1.7, loaded with Kodak T-MAX 400 exposed at EI 800 and developed in Kodak T-MAX developer. Printed on ILFORD MGIV FB Warmtone, developed in Kodak Dektol. Dektol in general seemed to produce a slightly warmer rendition.

Interview #158: I am Luis Barrancos and this is why I...

Film Photographer Interviews
Madison Falls, Yellowstone National Park - Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x12. Shot with #21 orange filter.

EMULSIVE interview #132: I am #EMULSIVE and this is why I...

Film Photographer Interviews
In thought - Shot on ADOX Silvermax 100 at EI 200. Black and white negative film in 35mm format.

Photography: In thought – ADOX Silvermax 100 (35mm)

35mm format
Stop - Shot on ADOX Silvermax 100 at EI 100. Black and white negative film in 35mm format.

Photography: Stop – Shot on ADOX Silvermax 100 at EI 100...

35mm format
Safe harbour - Shot on ADOX Silvermax 100 at EI 100. Black and white negative film in 35mm format.

Photography: Safe harbour – Shot on ADOX Silvermax 100 at EI...

35mm format
Fire damage - Shot on ADOX Silvermax 100 at EI 200. Black and white negative film in 35mm format. Push processed 1 stop.

Photography: Fire damage – ADOX Silvermax 100 (35mm)

35mm format
Streetshooter - Shot on ADOX Silvermax 100 at EI 100. Black and white negative film in 35mm format.

Photography: Streetshooter – Shot on ADOX Silvermax 100 at EI 100...

35mm format
Self portrait with Leica, Ilford XP2 Super, Leica M6TTL, 2016

EMULSIVE interview #116: I am Richard Pickup and this is why...

Film Photographer Interviews
Coiled - ADOX Silvermax 100 shot at EI 100. Black and white negative film in 35mm format.

Photography: Coiled #01 – ADOX Silvermax 100 (35mm)

35mm format
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