Let me share some thoughts. For most of the year, my city has plenty of light. And good light, too. This is fortunate for a …
I love cycling. I also love taking pictures. An old Rollei 35mm camera turned out to be the ideal way to marry these two things …
I always loved the original Agfa Scala 200X black and white slide film when it was available back in the late ‘90s. So I was thrilled when…
It can be a strange experience visiting an old stamping ground after a gap of many years as it was when I went back to …
Read more5 Frames… With Adox HR-50 (EI 50 / 35mm format / Nikon F100) – by Adam Cotterill
ADOX SILVERMAX 100 is one of my favorite black and white films. The tonal range is extremely wide, and if exposed properly the imagery is …
Read more5 Frames… With ADOX SILVERMAX 100 (EI 100 / 35mm format / Leica M3) – by Louis Sousa
ADOX CMS 20 II is a microfilm. No other film is sharper, no other film is more fine-grained, no other film resolves more lines per …
Read more5 Frames… With Adox CMS 20 II (EI 6 / 35mm format / Canon EOS 3) – by Rudiger Hartung
One important voice has been missing from the crowd of new film announcements these past few years, that of 140 year-old ILFORD PHOTO. So, it …
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Ever since starting to shoot film again after a longish foray into the digital world, I have been looking for a replacement for my beloved Kodak Technical Pan, which was discontinued at the turn of the millennium.
Is ADOX Silvermax 100 film the same as the old and revered Agfa APX 100 film? One day I decided to find out.
For a while, I was intrigued with the ADOX story and curious about the films they make.
Scratch my back…
Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop
Development notes:
Kodak HC-110: 1+47(E), 20°C/68°F, 11:15 (N)
No presoak, 1-minute initial agitation, 5
Innovation Tower
Shot on ADOX Silvermax 100 at EI 100
Black and white negative film in 35mm format
Development notes:
Kodak HC-110: 1+47(E), 20°C/68°F, 11:15 (N)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
 
Roofline
Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop
Development notes:
ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal
Scratching post
Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop
Development notes:
ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute
Skewed
Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop
Development notes:
ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal
Update 02: 2018-09-20
If you’re anything like me, you’ve probably wondered how many fresh film stocks are still in production and available for purchase today.
Welcome to the fourth lazy-post of the end of year season here at EMULSIVE.
Coiled #03
Shot on ADOX Silvermax 100 at EI 100
Black and white negative film in 35mm format
Read the ADOX Silvermax 100 review here
Coiled #02
Shot on ADOX Silvermax 100 at EI 100
Black and white negative film in 35mm format
Read the ADOX Silvermax 100 review here
