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New from ILFORD: 35mm and 120 ortho films, MULTIGRADE papers, camera...

One important voice has been missing from the crowd of new film announcements these past few years, that of 140 year-old ILFORD...

EMULSIVE Secret Santa 2019 updates: Sponsors! Gifting! Shopping!

UPDATE: Registration for EMULSIVE Santa 2019 has closed. There is a little over one week to go before registration for EMULSIVE Secret Santa...

5 Frames With… ADOX HR-50 (EI 50 / 35mm / Leica...

Ever since starting to shoot film again after a longish foray into the digital world, I have been looking for a replacement for my beloved Kodak Technical Pan, which was discontinued at the turn of the millennium.

Film showdown: ADOX Silvermax 100 vs original Agfa APX 100

Is ADOX Silvermax 100 film the same as the old and revered Agfa APX 100 film? One day I decided to find out.

5 Frames With… Adox CMS 20 II (EI 20 / ID-11...

For a while, I was intrigued with the ADOX story and curious about the films they make.

Photography: Scratch my back… – Shot on ADOX Silvermax 100 at...

Scratch my back... Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed one stop   Development notes: Kodak HC-110: 1+47(E), 20°C/68°F, 11:15 (N) No presoak, 1-minute initial agitation, 5

Photography: Innovation Tower – Shot on ADOX Silvermax 100 at EI...

Innovation Tower Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format   Development notes: Kodak HC-110: 1+47(E), 20°C/68°F, 11:15 (N) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse    

Photography: Roofline – Shot on ADOX Silvermax 100 at EI 200...

Roofline Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed one stop   Development notes: ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal

Photography: Scratching post – Shot on ADOX Silvermax 100 at EI...

Scratching post Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed one stop   Development notes: ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute

Photography: Skewed – Shot on ADOX Silvermax 100 at EI 200...

Skewed Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed one stop   Development notes: ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal

Every single film stock still made today – Part 1: ADOX...

Update 02: 2018-09-20 If you're anything like me, you've probably wondered how many fresh film stocks are still in production and available for purchase today.

EMULSIVE's most popular film stock reviews of 2017

Welcome to the fourth lazy-post of the end of year season here at EMULSIVE.

Photography: Coiled #03 – Shot on ADOX Silvermax 100 at EI...

Coiled #03 Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format Read the ADOX Silvermax 100 review here          

Photography: Coiled #02 – Shot on ADOX Silvermax 100 (35mm)

Coiled #02 Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format Read the ADOX Silvermax 100 review here          

Interview #158: I am Luis Barrancos and this is why I...

Today's interviewee hails from Portugal and is currently enjoying life in tropical Malaysia.

EMULSIVE interview #132: I am #EMULSIVE and this is why I...

Welcome to this week's EMULSIVE interview! Today's interviewee is someone a few of you may have heard of and to be frank, it's been a bit of headache to put together.

Photography: In thought – ADOX Silvermax 100 (35mm)

In thought Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format      

Photography: Stop – Shot on ADOX Silvermax 100 at EI 100...

Stop Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format      

Photography: Safe harbour – Shot on ADOX Silvermax 100 at EI...

Safe harbour Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format      

Photography: Fire damage – ADOX Silvermax 100 (35mm)

Fire damage Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed 1 stop