ADOX
5 Frames… With Adox Scala 160 (35mm / EI 160 / Nikon F5) by Wyman Pattee
I always loved the original Agfa Scala 200X black and white slide film when it was available back in the late ‘90s. So I was thrilled when...
5 Frames… With Adox HR-50 (EI 50 / 35mm format / Nikon F100) – by Adam Cotterill
It can be a strange experience visiting an old stamping ground after a gap of many years as it was when I...
5 Frames… With ADOX SILVERMAX 100 (EI 100 / 35mm format / Leica M3) – by Louis Sousa
ADOX SILVERMAX 100 is one of my favorite black and white films. The tonal range is extremely wide, and if exposed properly...
5 Frames… With Adox CMS 20 II (EI 6 / 35mm format / Canon EOS 3) – by Rudiger Hartung
ADOX CMS 20 II is a microfilm. No other film is sharper, no other film is more fine-grained, no other film resolves...
New from ILFORD: 35mm and 120 ortho films, MULTIGRADE papers, camera and development kit – Q&A + tests/samples inside
One important voice has been missing from the crowd of new film announcements these past few years, that of 140 year-old ILFORD...
EMULSIVE Secret Santa 2019 updates: Sponsors! Gifting! Shopping!
UPDATE: Registration for EMULSIVE Santa 2019 has closed.
There is a little over one week to go before registration for EMULSIVE Secret Santa...
5 Frames… With ADOX HR-50 (EI 50 / 35mm format / Leica M6) – by Jens Kotlenga
Ever since starting to shoot film again after a longish foray into the digital world, I have been looking for a replacement for my beloved Kodak Technical Pan, which was discontinued at the turn of the millennium.
Film showdown: ADOX Silvermax 100 vs original Agfa APX 100
Is ADOX Silvermax 100 film the same as the old and revered Agfa APX 100 film? One day I decided to find out.
5 Frames… With Adox CMS 20 II (EI 20 / 35mm format / Nikon F4S) – by Toni Skokovic
For a while, I was intrigued with the ADOX story and curious about the films they make.
Photography: Scratch my back… – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Scratch my back...
Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop
Development notes:
Kodak HC-110: 1+47(E), 20°C/68°F, 11:15 (N)
No presoak, 1-minute initial agitation, 5
Photography: Innovation Tower – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Innovation Tower
Shot on ADOX Silvermax 100 at EI 100
Black and white negative film in 35mm format
Development notes:
Kodak HC-110: 1+47(E), 20°C/68°F, 11:15 (N)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
Photography: Roofline – Shot on ADOX Silvermax 100 at EI 200 (35mm format)
Roofline
Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop
Development notes:
ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal
Photography: Scratching post – Shot on ADOX Silvermax 100 at EI 200 (35mm format)
Scratching post
Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop
Development notes:
ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute
Photography: Skewed – Shot on ADOX Silvermax 100 at EI 200 (35mm format)
Skewed
Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop
Development notes:
ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal
Every single film stock still made today – Part 1: ADOX to Dubblefilm (v3)
Update 02: 2018-09-20
If you're anything like me, you've probably wondered how many fresh film stocks are still in production and available for purchase today.
EMULSIVE's most popular film stock reviews of 2017
Welcome to the fourth lazy-post of the end of year season here at EMULSIVE.
Photography: Coiled #03 – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Coiled #03
Shot on ADOX Silvermax 100 at EI 100
Black and white negative film in 35mm format
Read the ADOX Silvermax 100 review here
Photography: Coiled #02 – Shot on ADOX Silvermax 100 (35mm)
Coiled #02
Shot on ADOX Silvermax 100 at EI 100
Black and white negative film in 35mm format
Read the ADOX Silvermax 100 review here
Interview #158: I am Luis Barrancos and this is why I shoot film
Today's interviewee hails from Portugal and is currently enjoying life in tropical Malaysia.
EMULSIVE interview #132: I am #EMULSIVE and this is why I shoot film
Welcome to this week's EMULSIVE interview!
Today's interviewee is someone a few of you may have heard of and to be frank, it's been a bit of headache to put together.
