Tag: ADOX
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5 Frames With… Adox CMS 20 II (EI 20 / ID-11 / Nikon F4S) – by Toni Skokovic
For a while, I was intrigued with the ADOX story and curious about the films they make. Finally, I...
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Scratch my back… – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Scratch my back… Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm...
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Innovation Tower – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Innovation Tower Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format...
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Roofline – Shot on ADOX Silvermax 100 at EI 200 (35mm format)
Roofline Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push...
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Scratching post – Shot on ADOX Silvermax 100 at EI 200 (35mm format)
Scratching post Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format...
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Skewed – Shot on ADOX Silvermax 100 at EI 200 (35mm format)
Skewed Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push...
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Every single film stock still made today – Part 1: ADOX to Dubblefilm (v3)
Update 02: 2018-09-20 If you’re anything like me, you’ve probably wondered how many...
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EMULSIVE’s most popular film stock reviews of 2017
Welcome to the fourth lazy-post of the end of year season here at EMULSIVE. If you’re...
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Coiled #03 – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Coiled #03 Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format Read...
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Coiled #02 – Shot on ADOX Silvermax 100 (35mm)
Coiled #02 Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format Read...
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I am Luis Barrancos and this is why I shoot film
Today’s interviewee hails from Portugal and is currently enjoying life in tropical Malaysia....
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無 / Wú / Nothing – ADOX Silvermax 100 (35mm)
無 / Wú / Nothing ADOX Silvermax 100 shot at EI 200 Black and white negative film in 35mm format...
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I am #EMULSIVE and this is why I shoot film
Welcome to this week’s EMULSIVE interview! Today’s interviewee is someone a few of you...
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In thought – ADOX Silvermax 100 (35mm)
In thought Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format ...
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Stop – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Stop Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format Write...
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Safe harbour – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Safe harbour Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format ...
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Fire damage – ADOX Silvermax 100 (35mm)
Fire damage Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push...
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滿 / Full – ADOX Silvermax 100 (35mm)
滿 / Full Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push...
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Streetshooter – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Streetshooter Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format ...
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I am Richard Pickup and this is why I shoot film
I’m hoping you remember today’s interviewee from his wonderful contributed article...
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All Categories
- Articles (598)
- 52 Rolls (9)
- A Brief History Of (1)
- AEROgraphic (6)
- Challenges (1)
- Community Critique (1)
- Dear Benice (7)
- Film Culture (20)
- Film Love (7)
- Film Parties (39)
- Delta Def Jam (7)
- FP4 Party (15)
- NEOPANTASTIC (3)
- Portra Party (2)
- Summer Film Party (7)
- TMAXParty (5)
- Finding Film (15)
- Horoscope (6)
- My inspiration (2)
- My Return to Film (9)
- News (15)
- Photoset (4)
- Photostory (11)
- Projects (28)
- Secret Santa (16)
- Thoughts (14)
- Travelogue (20)
- What Is (1)
- Why Shoot Film (5)
- Chroma Cameras (1)
- Darkroom (30)
- Developing Film (16)
- Development Times (2)
- My Darkroom (1)
- Printing (3)
- Wet Plate (1)
- Experiments (43)
- Long Exposure (3)
- Reversal Development (1)
- Interviews (203)
- Community Interviews (11)
- Photography (1,111)
- 110 format (4)
- 35mm format (493)
- 5 Frames With (113)
- 65mm format (3)
- Large format (13)
- Medium format (483)
- Reviews (278)
- Camera Reviews (69)
- A&K Cameras (1)
- AGFA Cameras (1)
- Bronica Cameras (6)
- Canon Cameras (2)
- Chamonix Cameras (1)
- Exakta Cameras (1)
- Fuji Cameras (4)
- Gould Cameras (1)
- Hasselblad Cameras (7)
- Holga Cameras (3)
- Impossible Cameras (1)
- Intrepid Cameras (1)
- Kodak Cameras (3)
- Leica Cameras (1)
- Lomography Cameras (3)
- Mamiya Cameras (6)
- Minolta Cameras (1)
- Nagaoka Cameras (1)
- Olympus Cameras (3)
- Pentax Cameras (4)
- Ricoh Cameras (1)
- Rollei Cameras (3)
- Steky Camera Reviews (1)
- Vermeer Cameras (1)
- Voigtlander Cameras (1)
- Yashica Cameras (3)
- Zeiss Cameras (1)
- Zeiss Ikon Cameras (2)
- Zorki Cameras (1)
- Film Reviews (194)
- ADOX Films (2)
- AGFA Films (4)
- Arista Films (1)
- Bergger Films (11)
- CineStill Films (6)
- Dubblefilm films (1)
- Efke Films (1)
- FILM Ferrania Films (10)
- Film List (7)
- Foma Films (4)
- Fuji Films (40)
- ILFORD Films (37)
- JCH Films (4)
- Kodak Films (55)
- Lomography Films (11)
- Luckyfilm Films (4)
- Notes (7)
- Revolog Films (2)
- Rollei Films (13)
- Shanghai Films (1)
- Silberra Films (3)
- Street Candy Films (1)
- Tasma Films (1)
- Ultrafine Films (1)
- Washi Films (3)
- Yodica Films (1)
- Gear Reviews (14)
- Bag Reviews (3)
- Darkroom Equipment (4)
- Lens Reviews (4)
- Scanners (1)
- Strap Reviews (2)
- Print Reviews (3)
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