Tag: ADOX
5 Frames With… ADOX HR-50 (EI 50 / 35mm / Leica...
Ever since starting to shoot film again after a longish foray into the digital world, I have been looking for a replacement for my beloved Kodak Technical Pan, which was discontinued at the turn of the millennium.
Film showdown: ADOX Silvermax 100 vs original Agfa APX 100
Is ADOX Silvermax 100 film the same as the old and revered Agfa APX 100 film? One day I decided to find out.
5 Frames With… Adox CMS 20 II (EI 20 / ID-11...
For a while, I was intrigued with the ADOX story and curious about the films they make.
Photography: Scratch my back… – Shot on ADOX Silvermax 100 at...
Scratch my back...
Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop
Development notes:
Kodak HC-110: 1+47(E), 20°C/68°F, 11:15 (N)
No presoak, 1-minute initial agitation, 5
Photography: Innovation Tower – Shot on ADOX Silvermax 100 at EI...
Innovation Tower
Shot on ADOX Silvermax 100 at EI 100
Black and white negative film in 35mm format
Development notes:
Kodak HC-110: 1+47(E), 20°C/68°F, 11:15 (N)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
Photography: Roofline – Shot on ADOX Silvermax 100 at EI 200...
Roofline
Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop
Development notes:
ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal
Photography: Scratching post – Shot on ADOX Silvermax 100 at EI...
Scratching post
Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop
Development notes:
ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute
Photography: Skewed – Shot on ADOX Silvermax 100 at EI 200...
Skewed
Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop
Development notes:
ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal
Every single film stock still made today – Part 1: ADOX...
Update 02: 2018-09-20
If you're anything like me, you've probably wondered how many fresh film stocks are still in production and available for purchase today.
EMULSIVE's most popular film stock reviews of 2017
Welcome to the fourth lazy-post of the end of year season here at EMULSIVE.
Photography: Coiled #03 – Shot on ADOX Silvermax 100 at EI...
Coiled #03
Shot on ADOX Silvermax 100 at EI 100
Black and white negative film in 35mm format
Read the ADOX Silvermax 100 review here
Photography: Coiled #02 – Shot on ADOX Silvermax 100 (35mm)
Coiled #02
Shot on ADOX Silvermax 100 at EI 100
Black and white negative film in 35mm format
Read the ADOX Silvermax 100 review here
Interview #158: I am Luis Barrancos and this is why I...
Today's interviewee hails from Portugal and is currently enjoying life in tropical Malaysia.
EMULSIVE interview #132: I am #EMULSIVE and this is why I...
Welcome to this week's EMULSIVE interview!
Today's interviewee is someone a few of you may have heard of and to be frank, it's been a bit of headache to put together.
Photography: In thought – ADOX Silvermax 100 (35mm)
In thought
Shot on ADOX Silvermax 100 at EI 100
Black and white negative film in 35mm format
Photography: Stop – Shot on ADOX Silvermax 100 at EI 100...
Stop
Shot on ADOX Silvermax 100 at EI 100
Black and white negative film in 35mm format
Photography: Safe harbour – Shot on ADOX Silvermax 100 at EI...
Safe harbour
Shot on ADOX Silvermax 100 at EI 100
Black and white negative film in 35mm format
Photography: Fire damage – ADOX Silvermax 100 (35mm)
Fire damage
Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed 1 stop
Photography: Streetshooter – Shot on ADOX Silvermax 100 at EI 100...
Streetshooter
Shot on ADOX Silvermax 100 at EI 100
Black and white negative film in 35mm format
EMULSIVE interview #116: I am Richard Pickup and this is why...
I'm hoping you remember today's interviewee from his wonderful contributed article discussing the importance and impact of effective visualisation for film photographers. If you haven't read it yet head on over, we'll wait.
Back? Excellent.
