Tag: ADOX Fotowerke
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Photography: Skewed – Shot on ADOX Silvermax 100 at EI 200 (35mm format)
Skewed Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed one stop Development notes: ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal
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Every single film stock still made today – Part 1: ADOX to Dubblefilm (v3)
Update 02: 2018-09-20 If you’re anything like me, you’ve probably wondered how many fresh film stocks are still in production and available for purchase today.
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EMULSIVE's most popular film stock reviews of 2017
Welcome to the fourth lazy-post of the end of year season here at EMULSIVE.
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Photography: Coiled #03 – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Coiled #03 Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format Read the ADOX Silvermax 100 review here
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Photography: Coiled #02 – Shot on ADOX Silvermax 100 (35mm)
Coiled #02 Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format Read the ADOX Silvermax 100 review here
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Interview #158: I am Luis Barrancos and this is why I shoot film
Today’s interviewee hails from Portugal and is currently enjoying life in tropical Malaysia.
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EMULSIVE interview #132: I am #EMULSIVE and this is why I shoot film
Welcome to this week’s EMULSIVE interview! Today’s interviewee is someone a few of you may have heard of and to be frank, it’s been a bit of headache to put together.
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Photography: In thought – ADOX Silvermax 100 (35mm)
In thought Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format
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Photography: Stop – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Stop Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format
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Photography: Safe harbour – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Safe harbour Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format
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Photography: Fire damage – ADOX Silvermax 100 (35mm)
Fire damage Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed 1 stop
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Photography: Streetshooter – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Streetshooter Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format
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EMULSIVE interview #116: I am Richard Pickup and this is why I shoot film
I’m hoping you remember today’s interviewee from his wonderful contributed article discussing the importance and impact of effective visualisation for film photographers. If you haven’t read it yet head on over, we’ll wait. Back? Excellent.
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Photography: Coiled #01 – ADOX Silvermax 100 (35mm)
Coiled #01 Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format
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Film stock review: ADOX SILVERMAX 100 35mm black and white negative film
First of all a disclaimer; I am not affiliated with ADOX, nobody paid me to write this and I’m just doing this review because I think it might be of interest to some people.
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