Tag: Pushing Film
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Kodak EKTACHROME E100 comparison #04: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #04 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross...
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Kodak EKTACHROME E100 comparison #03: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #03 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross...
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Kodak EKTACHROME E100 comparison #02: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #02 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross...
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Kodak EKTACHROME E100 comparison #01: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #01 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross...
Read MoreCronut – Shot on Kodak EKTACHROME 100 (E100) at EI 100 (35mm format)
Cronut Shot on new Kodak EKTACHROME 100 (E100) at EI 100. Color reversal (slide) film in 35mm format. Write for EMULSIVE The driving force behind EMULSIVE is knowledge transfer, specifically creating more of it in the film...
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On edge – Shot on Kodak EKTACHROME 100 (E100) at EI 100 (35mm format)
On edge Shot on new Kodak EKTACHROME 100 (E100) at EI 100. Color reversal (slide) film in 35mm...
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Morning light – Shot on Kodak EKTACHROME 100 (E100) at EI 200 (35mm format)
Morning light Shot on Kodak EKTACHROME 100 (E100) at EI 200 Color reversal (slide) film in 35mm...
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Stand alone – Shot on ILFORD PAN F PLUS at EI 32 (120 format)
Stand alone Shot on ILFORD PAN F PLUS at EI 32 Black and white negative film in 120 format shot as...
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Super absorbent – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)
Super absorbent Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in...
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Flow – Shot on Kodak Tri-X 400 at EI 51200 (120 format)
Flow Shot on Kodak Tri-X 400 at EI 51200 Black and white negative film in 120 format shot as...
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This corner of the earth – Shot on Shanghai GP3 100 at EI 200 (120 format)
This corner of the earth Shot on Shanghai GP3 100 at EI 200 Black and white negative film in 120...
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Roofline – Shot on ADOX Silvermax 100 at EI 200 (35mm format)
Roofline Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push...
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Scratching post – Shot on ADOX Silvermax 100 at EI 200 (35mm format)
Scratching post Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format...
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Skewed – Shot on ADOX Silvermax 100 at EI 200 (35mm format)
Skewed Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push...
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Waiting time – Shot on Tri-X 400 at EI 800 (120 format)
Waiting time Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 120 format shot as...
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Chop chop – Shot on Kodak Ektar 100 at EI 800 (120 format)
Chop chop Shot on Kodak Ektar 100 at EI 800 Color negative film in 120 format shot as 6×6...
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Scratched to bits – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 (35mm format)
Scratched to bits Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in...
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Just a lick – Shot on Kodak ULTRA MAX at EI 1600 (35mm Format)
Just a lick Shot on Kodak ULTRA MAX at EI 1600. Color negative film in 35mm format. Push processed...
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That’s my ride – Shot on Kodak Tri-X 400 at EI 1600 (35mm format)
That’s my ride Shot on Kodak Tri-X 400 at EI 1600 Black and white negative film in 35mm...
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Patience pays – Shot on Shanghai GP3 100 at EI 800 (120 format)
Patience pays Shot on Shanghai GP3 100 at EI 800 Black and white negative film in 120 format shot...
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