Pushing Film
5 Frames… With Kodak EKTACHROME E100VS (EI 100 / 120 format / Bronica SQ-A) – by Monika
"What on earth had I been thinking?" This is the question that I asked myself from the moment that I dropped the roll of film off at the lab, until the moment that I had picked it up.
Photography: Thirsty work – Shot on Kodak Pro Image 100 at EI 400 (35mm format)
Thirsty work
Shot on Kodak Pro Image 100 at EI 400Color negative film in
EMULSIVE Interview #200: I am Jonathan Canlas and this is why I shoot film
I can't begin to tell you how happy I am to finally bring today's interviewee to these pages.
Photography: Put your feet up – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Put your feet up
Shot on ILFORD FP4 PLUS at EI 800.
Black and white negative film in wide 35mm format (TEXPan).
Push processed 2⅔-stops.
Fuji GW690III + EBC Fujinon 90mm f/3.5.
Development notes
Kodak HC-110: 1+31(B
Photography: Off the job – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Off the job
Shot on ILFORD FP4 PLUS at EI 800.
Black and white negative film in wide 35mm format (TEXPan).
Push processed 2⅔-stops.
Fuji GW690III + EBC...
Photography: Inside out – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Inside out
Shot on ILFORD FP4 PLUS at EI 800.
Black and white negative film in wide 35mm format (TEXPan).
Push processed 2⅔-stops.
Fuji GW690III + EBC Fujinon...
Photography: Leave it to burn – Shot on ILFORD FP4 PLUS at EI 800 (120 format)
Leave it to burn
Shot on ILFORD FP4 PLUS at EI 800.
Black and white negative film in 120 format shot as 6x9.
Push processed 2⅔-stops.
Fuji GW690III + EBC Fujinon 90mm f/3.5.
Development notes
Kodak HC-110: 1+31(B
Photography: Kodak EKTACHROME E100 comparison #04: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #04
EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm
Photography: Kodak EKTACHROME E100 comparison #03: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #03
EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm
Photography: Kodak EKTACHROME E100 comparison #02: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #02
EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm
Photography: Kodak EKTACHROME E100 comparison #01: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #01
EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm
Photography: Cronut – Shot on Kodak EKTACHROME 100 (E100) at EI 100 (35mm format)
Cronut
Shot on new Kodak EKTACHROME 100 (E100) at EI 100.
Color reversal (slide) film in 35mm format.
Photography: On edge – Shot on Kodak EKTACHROME 100 (E100) at EI 100 (35mm format)
On edge
Shot on new Kodak EKTACHROME 100 (E100) at EI 100.
Color reversal (slide) film in 35mm format.
Photography: Morning light – Shot on Kodak EKTACHROME 100 (E100) at EI 200 (35mm format)
Morning light
Shot on Kodak EKTACHROME 100 (E100) at EI 200
Color reversal (slide) film in 35mm format
Push processed one stop
Photography: Stand alone – Shot on ILFORD PAN F PLUS at EI 32 (120 format)
Stand alone
Shot on ILFORD PAN F PLUS at EI 32
Black and white negative film in 120 format shot as 6x6
Over-developed 2/3 stop
Hasselblad 2000FCW / Carl Zeiss Distagon CFi 50mm f/4
Development notes
Cinestill Df96 monobath
Photography: Super absorbent – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)
Super absorbent
Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
Push processed 2/3 stop
Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 06:45 (N+2/3)
No presoak, 1-minute initial agitation, 5
Photography: Flow – Shot on Kodak Tri-X 400 at EI 51200 (120 format)
Flow
Shot on Kodak Tri-X 400 at EI 51200
Black and white negative film in 120 format shot as 6x6
Push processed seven stops
Photography: This corner of the earth – Shot on Shanghai GP3 100 at EI 200 (120 format)
This corner of the earth
Shot on Shanghai GP3 100 at EI 200
Black and white negative film in 120 format shot as 6x6
Push processed one...
Photography: Roofline – Shot on ADOX Silvermax 100 at EI 200 (35mm format)
Roofline
Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop
Development notes:
ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal
Photography: Scratching post – Shot on ADOX Silvermax 100 at EI 200 (35mm format)
Scratching post
Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop
Development notes:
ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute
