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Home » Pushing Film

Tag: Pushing Film

Posted inILFORD Film Stock Reviews

Kentmere Pan 400 at EI3200 – A low-cost, high speed alternative?

by Philip HarrisonDecember 19, 2021December 19, 2021

Recently I looked at Kentmere Pan 400 made by HARMAN/ILFORD in the UK. I showed 5 Frames shot at box speed with my Leica M6 and 35mm f/2.4 Summarit-M. I was very pleasantly pleased with the prints I made from this film. How about rating the film for a higher EI (aka underexposing it and […]

5 Frames With Kodak EKTACHROME E100VS (EI 400 / 120 / Bronica SQ-A) - by Monika
Posted in5 Frames..., Articles

5 Frames… With Kodak EKTACHROME E100VS (EI 100 / 120 format / Bronica SQ-A)

by MonikaJuly 1, 2019July 31, 2021

“What on earth had I been thinking?” This is the question that I asked myself from the moment that I dropped the roll of film off at the lab, until the moment that I had picked it up.

Thirsty work - Shot on Kodak Pro Image 100 at EI 400. Color negative film in 35mm format. Push processed 2-stops. Nikon F100 / Nikon Nikkor 85mm f1.8 AF-D
Posted in35mm format

Photography: Thirsty work – Shot on Kodak Pro Image 100 at EI 400 (35mm format)

Avatar - EMby EMJune 15, 2019July 31, 2021

Thirsty work

Shot on Kodak Pro Image 100 at EI 400Color negative film in

Jon Canlas - Me, Rolleiflex 2.8C, ILFORD HP5 PLUS+3
Posted inFilm Photographer Interviews

EMULSIVE Interview #200: I am Jonathan Canlas and this is why I shoot film

Avatar - EMby EMJune 5, 2019July 31, 2021

I can’t begin to tell you how happy I am to finally bring today’s interviewee to these pages.

Posted in35mm format, Photography

Photography: Put your feet up – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)

Avatar - EMby EMFebruary 10, 2019July 31, 2021

Put your feet up
Shot on ILFORD FP4 PLUS at EI 800.
Black and white negative film in wide 35mm format (TEXPan).
Push processed 2⅔-stops.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

 

Development notes
Kodak HC-110: 1+31(B

Off the job - Shot on ILFORD FP4 PLUS at EI 800 - Black and white negative film in wide 35mm format (TEXPan) CROP
Posted in35mm format, Photography

Photography: Off the job – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)

Avatar - EMby EMJanuary 25, 2019July 31, 2021

Off the job Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5.   Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 17:00 (N+2⅔) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse      

Posted in35mm format, Photography

Photography: Inside out – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)

Avatar - EMby EMJanuary 23, 2019July 31, 2021

Inside out Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5.   Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 17:00 (N+2⅔) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse    

Leave it to burn - Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in 120 format shot as 6x9. Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5.
Posted inMedium format, Photography

Photography: Leave it to burn – Shot on ILFORD FP4 PLUS at EI 800 (120 format)

Avatar - EMby EMJanuary 21, 2019July 31, 2021

Leave it to burn
Shot on ILFORD FP4 PLUS at EI 800.
Black and white negative film in 120 format shot as 6×9.
Push processed 2⅔-stops.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

 

Development notes
Kodak HC-110: 1+31(B

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s
Posted in35mm format, Darkroom printing, Photography

Photography: Kodak EKTACHROME E100 comparison #04: EI 100, EI 200 and EI 100 XPRO (35mm format)

Avatar - EMby EMNovember 9, 2018July 31, 2021

Kodak (new) EKTACHROME E100 comparison #04

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s
Posted in35mm format, Darkroom printing, Photography

Photography: Kodak EKTACHROME E100 comparison #03: EI 100, EI 200 and EI 100 XPRO (35mm format)

Avatar - EMby EMNovember 8, 2018July 31, 2021

Kodak (new) EKTACHROME E100 comparison #03

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s
Posted in35mm format, Darkroom printing, Photography

Photography: Kodak EKTACHROME E100 comparison #02: EI 100, EI 200 and EI 100 XPRO (35mm format)

Avatar - EMby EMNovember 7, 2018July 31, 2021

Kodak (new) EKTACHROME E100 comparison #02

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s
Posted in35mm format, Darkroom printing, Photography

Photography: Kodak EKTACHROME E100 comparison #01: EI 100, EI 200 and EI 100 XPRO (35mm format)

Avatar - EMby EMNovember 6, 2018July 31, 2021

Kodak (new) EKTACHROME E100 comparison #01

EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Cronut - Shot on new Kodak EKTACHROME 100 (E100) at EI 100. Color reversal (slide) film in 35mm format.
Posted in35mm format, Photography

Photography: Cronut – Shot on Kodak EKTACHROME 100 (E100) at EI 100 (35mm format)

Avatar - EMby EMOctober 25, 2018July 31, 2021

Cronut
Shot on new Kodak EKTACHROME 100 (E100) at EI 100.
Color reversal (slide) film in 35mm format.

 

 

 

On edge - Shot on new Kodak EKTACHROME 100 (E100) at EI 100. Color reversal (slide) film in 35mm format. Push processed one stop.
Posted in35mm format, Photography

Photography: On edge – Shot on Kodak EKTACHROME 100 (E100) at EI 100 (35mm format)

Avatar - EMby EMOctober 24, 2018July 31, 2021

On edge

Shot on new Kodak EKTACHROME 100 (E100) at EI 100.
Color reversal (slide) film in 35mm format.

 

 

 

Morning light - Shot on new Kodak EKTACHROME 100 (E100) at EI 200. Color reversal (slide) film in 35mm format. Push processed one stop.
Posted in35mm format, Photography

Photography: Morning light – Shot on Kodak EKTACHROME 100 (E100) at EI 200 (35mm format)

Avatar - EMby EMOctober 23, 2018July 31, 2021

Morning light

Shot on Kodak EKTACHROME 100 (E100) at EI 200
Color reversal (slide) film in 35mm format
Push processed one stop

 

 

 

Stand alone - Shot on ILFORD PAN F PLUS at EI 32. Black and white negative film in 120 format shot as 6x6.
Posted inMedium format, Photography

Photography: Stand alone – Shot on ILFORD PAN F PLUS at EI 32 (120 format)

Avatar - EMby EMSeptember 18, 2018July 31, 2021

Stand alone

Shot on ILFORD PAN F PLUS at EI 32
Black and white negative film in 120 format shot as 6×6
Over-developed 2/3 stop
Hasselblad 2000FCW / Carl Zeiss Distagon CFi 50mm f/4

 

Development notes
Cinestill Df96 monobath

Super absorbent - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400. Black and white negative film in 35mm format. Push processed 2.3 stop.
Posted in35mm format, Photography

Photography: Super absorbent – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)

Avatar - EMby EMAugust 29, 2018July 31, 2021

Super absorbent

Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400
Black and white negative film in 35mm format
Push processed 2/3 stop

 

Development notes
Kodak HC-110: 1+31(B), 21°C/70°F, 06:45 (N+2/3)
No presoak, 1-minute initial agitation, 5

Flow - Shot on Kodak Tri-X 400 at EI 51200. Black and white negative film in 120 format shot as 6x6. Push processed seven stops.
Posted inMedium format, Photography

Photography: Flow – Shot on Kodak Tri-X 400 at EI 51200 (120 format)

Avatar - EMby EMAugust 13, 2018July 31, 2021

Flow

Shot on Kodak Tri-X 400 at EI 51200
Black and white negative film in 120 format shot as 6×6
Push processed seven stops

 

 

This corner of the earth - Shot on Shanghai GP3 100 at EI 200. Black and white negative film in 120 format shot as 6x6. Push processed one stop.
Posted inMedium format, Photography

Photography: This corner of the earth – Shot on Shanghai GP3 100 at EI 200 (120 format)

Avatar - EMby EMJuly 30, 2018July 31, 2021

This corner of the earth Shot on Shanghai GP3 100 at EI 200 Black and white negative film in 120 format shot as 6×6 Push processed one stop   Development notes: Kodak HC-110: 1+47, 21°C/70°F, 13:00 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse.      

Roofline - Shot on ADOX Silvermax 100 at EI 200. Black and white negative film in 35mm format. Push processed one stop.
Posted in35mm format, Photography

Photography: Roofline – Shot on ADOX Silvermax 100 at EI 200 (35mm format)

Avatar - EMby EMJuly 4, 2018July 31, 2021

Roofline

Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop

 

Development notes:
ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal

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EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

  • 5 Frames… Of Kodak PPF Pro 400, expired 1999 (120 Format / EI 50 / Mamiya RB67 + Mamiya Sekor C 90mm f/3.8 and 50mm f/4.5) – by Pablo Cruz Villalba
  • 5 Frames… From Devotion chapter one: “Girls” – Kodak Tri-X 400 (120 format / EI 400 / Yashica 635) – by Lisa K Cho
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  1. Nicholas Orloff on 5 Frames… Of Kodak PPF Pro 400, expired 1999 (120 Format / EI 50 / Mamiya RB67 + Mamiya Sekor C 90mm f/3.8 and 50mm f/4.5) – by Pablo Cruz VillalbaMarch 28, 2023
  2. Robert Shanebrook on 5 Frames… Of Kodak PPF Pro 400, expired 1999 (120 Format / EI 50 / Mamiya RB67 + Mamiya Sekor C 90mm f/3.8 and 50mm f/4.5) – by Pablo Cruz VillalbaMarch 26, 2023
  3. EM on Camera review: Me and My Yashica-D (80mm f/3.5) TLRMarch 26, 2023
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