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5 Frames With… Kodak EKTACHROME E100VS (EI 100 / 120 /...

"What on earth had I been thinking?" This is the question that I asked myself from the moment that I dropped the roll of film off at the lab, until the moment that I had picked it up.

Photography: Thirsty work – Shot on Kodak Pro Image 100 at...

Thirsty work Shot on Kodak Pro Image 100 at EI 400Color negative film in

EMULSIVE Interview #200: I am Jonathan Canlas and this is why...

I can't begin to tell you how happy I am to finally bring today's interviewee to these pages.

Photography: Put your feet up – Shot on ILFORD FP4 PLUS...

Put your feet up Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5.   Development notes Kodak HC-110: 1+31(B

Photography: Off the job – Shot on ILFORD FP4 PLUS at...

Off the job Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji GW690III + EBC...

Photography: Inside out – Shot on ILFORD FP4 PLUS at EI...

Inside out Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon...

Photography: Leave it to burn – Shot on ILFORD FP4 PLUS...

Leave it to burn Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in 120 format shot as 6x9. Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5.   Development notes Kodak HC-110: 1+31(B

Photography: Kodak EKTACHROME E100 comparison #04: EI 100, EI 200 and...

Kodak (new) EKTACHROME E100 comparison #04 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process) EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development) EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Photography: Kodak EKTACHROME E100 comparison #03: EI 100, EI 200 and...

Kodak (new) EKTACHROME E100 comparison #03 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process) EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development) EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Photography: Kodak EKTACHROME E100 comparison #02: EI 100, EI 200 and...

Kodak (new) EKTACHROME E100 comparison #02 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process) EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development) EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Photography: Kodak EKTACHROME E100 comparison #01: EI 100, EI 200 and...

Kodak (new) EKTACHROME E100 comparison #01 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process) EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development) EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm

Photography: Cronut – Shot on Kodak EKTACHROME 100 (E100) at EI...

Cronut Shot on new Kodak EKTACHROME 100 (E100) at EI 100. Color reversal (slide) film in 35mm format.      

Photography: On edge – Shot on Kodak EKTACHROME 100 (E100) at...

On edge Shot on new Kodak EKTACHROME 100 (E100) at EI 100. Color reversal (slide) film in 35mm format.      

Photography: Morning light – Shot on Kodak EKTACHROME 100 (E100) at...

Morning light Shot on Kodak EKTACHROME 100 (E100) at EI 200 Color reversal (slide) film in 35mm format Push processed one stop      

Photography: Stand alone – Shot on ILFORD PAN F PLUS at...

Stand alone Shot on ILFORD PAN F PLUS at EI 32 Black and white negative film in 120 format shot as 6x6 Over-developed 2/3 stop Hasselblad 2000FCW / Carl Zeiss Distagon CFi 50mm f/4   Development notes Cinestill Df96 monobath

Photography: Super absorbent – Shot on Kodak EASTMAN DOUBLE-X 5222 at...

Super absorbent Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format Push processed 2/3 stop   Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 06:45 (N+2/3) No presoak, 1-minute initial agitation, 5

Photography: Flow – Shot on Kodak Tri-X 400 at EI 51200...

Flow Shot on Kodak Tri-X 400 at EI 51200 Black and white negative film in 120 format shot as 6x6 Push processed seven stops    

Photography: This corner of the earth – Shot on Shanghai GP3...

This corner of the earth Shot on Shanghai GP3 100 at EI 200 Black and white negative film in 120 format shot as 6x6 Push processed one...

Photography: Roofline – Shot on ADOX Silvermax 100 at EI 200...

Roofline Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed one stop   Development notes: ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal

Photography: Scratching post – Shot on ADOX Silvermax 100 at EI...

Scratching post Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed one stop   Development notes: ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute

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