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5 Frames With Kodak EKTACHROME E100VS (EI 400 / 120 / Bronica SQ-A) - by Monika
5 Frames With

5 Frames With… Kodak EKTACHROME E100VS (EI 100 / 120 /...

Monika -
"What on earth had I been thinking?" This is the question that I asked myself from the moment that I dropped the...
Thirsty work - Shot on Kodak Pro Image 100 at EI 400. Color negative film in 35mm format. Push processed 2-stops. Nikon F100 / Nikon Nikkor 85mm f1.8 AF-D
35mm format

Photography: Thirsty work – Shot on Kodak Pro Image 100 at...

EM -
Thirsty work Shot on Kodak Pro Image 100 at EI 400 Color negative film in 35mm format. Push processed 2-stops. Nikon F100 / Nikon Nikkor 85mm f1.8 AF-D      
Jon Canlas - Me, Rolleiflex 2.8C, ILFORD HP5 PLUS+3
Film Photographer Interviews

EMULSIVE Interview #200: I am Jonathan Canlas and this is why...

EM -
I can't begin to tell you how happy I am to finally bring today's interviewee to these pages. A true film photography...
35mm format

Photography: Put your feet up – Shot on ILFORD FP4 PLUS...

EM -
Off the job - Shot on ILFORD FP4 PLUS at EI 800 - Black and white negative film in wide 35mm format (TEXPan) CROP
35mm format

Photography: Off the job – Shot on ILFORD FP4 PLUS at...

EM -
35mm format

Photography: Inside out – Shot on ILFORD FP4 PLUS at EI...

EM -
Leave it to burn - Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in 120 format shot as 6x9. Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5.
Medium format

Photography: Leave it to burn – Shot on ILFORD FP4 PLUS...

EM -
Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s
35mm format

Photography: Kodak EKTACHROME E100 comparison #04: EI 100, EI 200 and...

EM -
Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s
35mm format

Photography: Kodak EKTACHROME E100 comparison #03: EI 100, EI 200 and...

EM -
Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s
35mm format

Photography: Kodak EKTACHROME E100 comparison #02: EI 100, EI 200 and...

EM -
Kodak EKTACHROME E100 (EI 100 C-41 XPRO) - Ricoh GR1s
35mm format

Photography: Kodak EKTACHROME E100 comparison #01: EI 100, EI 200 and...

EM -
Cronut - Shot on new Kodak EKTACHROME 100 (E100) at EI 100. Color reversal (slide) film in 35mm format.
35mm format

Photography: Cronut – Shot on Kodak EKTACHROME 100 (E100) at EI...

EM -
On edge - Shot on new Kodak EKTACHROME 100 (E100) at EI 100. Color reversal (slide) film in 35mm format. Push processed one stop.
35mm format

Photography: On edge – Shot on Kodak EKTACHROME 100 (E100) at...

EM -
Morning light - Shot on new Kodak EKTACHROME 100 (E100) at EI 200. Color reversal (slide) film in 35mm format. Push processed one stop.
35mm format

Photography: Morning light – Shot on Kodak EKTACHROME 100 (E100) at...

EM -
Stand alone - Shot on ILFORD PAN F PLUS at EI 32. Black and white negative film in 120 format shot as 6x6.
Medium format

Photography: Stand alone – Shot on ILFORD PAN F PLUS at...

EM -
Super absorbent - Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400. Black and white negative film in 35mm format. Push processed 2.3 stop.
35mm format

Photography: Super absorbent – Shot on Kodak EASTMAN DOUBLE-X 5222 at...

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Flow - Shot on Kodak Tri-X 400 at EI 51200. Black and white negative film in 120 format shot as 6x6. Push processed seven stops.
Medium format

Photography: Flow – Shot on Kodak Tri-X 400 at EI 51200...

EM -
This corner of the earth - Shot on Shanghai GP3 100 at EI 200. Black and white negative film in 120 format shot as 6x6. Push processed one stop.
Medium format

Photography: This corner of the earth – Shot on Shanghai GP3...

EM -
Roofline - Shot on ADOX Silvermax 100 at EI 200. Black and white negative film in 35mm format. Push processed one stop.
35mm format

Photography: Roofline – Shot on ADOX Silvermax 100 at EI 200...

EM -
Scratching post - Shot on ADOX Silvermax 100 at EI 200. Black and white negative film in 35mm format. Push processed one stop.
35mm format

Photography: Scratching post – Shot on ADOX Silvermax 100 at EI...

EM -
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