Tag: ISO 200
-
Photography: Under a silver canopy – Shot on ILFORD SFX 200 with #25 red filter at EI 12 (120 format)
Shot on ILFORD SFX 200 with #25 red filter at EI 12Black and white negative film in 120 format shot as 6×6Hasselblad 2000FCW + Hasselblad Planar F 80mm f/2.8 Development notesKodak HC-110: 1+31(B), 20°C/68°F, 09:00 (N)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse.
-
Photography: Decked out – Shot on Kodak Portra 800 at EI 200 (120 format)
Decked out Shot on Kodak Portra 800 at EI 200Color negative film in 120 format shot as 6×6 Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
-
Photography: Guardians at the door #02 – Shot on Fuji Pro 400H at EI 200 (35mm format)
Guardians at the door #02 Shot on Fuji Pro 400H at EI 200. Color negative film in 35mm format. Nikon F100 / Nikon Nikkor 85mm f1.8 AF-D Guardians at the door #02Shot on Fuji Pro 400H at EI 200.Color
-
Photography: Side entrance #02 – Shot on Fuji NEOPAN 100 ACROS at EI 200 (120 format)
Side entrance #02 Shot on Fujifilm NEOPAN 100 ACROS at EI 200Black and white negative film in 120 format shot as 6×61-stop push process Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+47 (E
-
Photography: Guardians at the door #01 – Shot on Fuji Pro 400H at EI 200 (35mm format)
Guardians at the door #01 Shot on Fuji Pro 400H at EI 200.Color negative film
-
Photography: Our lady of heaven – Shot on Kosmo Foto Mono 100 at EI 200 (35mm format)
Our lady of heaven (天上聖母 / Tiānshàng Shèngmǔ) Shot on Kosmo Foto Mono 100 at EI 200 Black and white negative film in anamorphic 35mm format Push processed 1-stop Nikon F100 + Nikkor 85mm f/1.4 AF-D + ISCO Cinemascope Ultra
-
Photography: Up and to the right #02 Shot on ILFORD SFX 200 shot at EI 6 (120 format)
Up and to the right #02 Shot on ILFORD SFX 200 at EI 6 Black and white infrared sensitive film in 120 format shot as 6×6 Zeiss Distagon CFi 50mm f/4 + R72 IR filter
-
Photography: Lunch – Shot on Kodak ColorPlus 200 at EI 200
Lunch Shot on Kodak ColorPlus 200 at EI 200. Color negative film in 35mm format. Olympus XA. More samples here.
-
Photography: Buttcrack – Shot on Oriental Seagull 100 at EI 200 (35mm format)
Buttcrack Shot on Oriental Seagull 100 at EI 200. Black and white negative film in 35mm format. Nikon F 100, Nikkor 50mm f/1.8 AF-D.
-
Film stock review: Kodak EKTACHROME E100 – shot at EI 100, 200, 400 + 800 first impressions
Here’s a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and 800 – one, two and three-stops of push processing. *1 The images below form part
-
Photography: Sheaves – Shot on Fujicolor C200 at EI 200 (35mm format)
Sheaves Shot on Fujicolor C200 at EI 200Color negative film in 35mm formatContax AX + Carl Zeiss Sonnar T* 135mm f/2.8 SheaveShot on Fujicolor C200 at EI 200.Color negative film in 35mm format.
-
Photography: 12 kilos – Shot on Fujicolor C200 at EI 200 (35mm format)
12 kilos Shot on Fujicolor C200 at EI 200Color negative film in 35mm formatContax AX + Carl Zeiss Sonnar T* 135mm f/2.8 12 kilosShot on Fujicolor C200 at EI 200.Color negative film in 35mm format.
-
Photography: Black sand – Kodak VISION3 200T 5213 at EI 200 (35mm format)
Black sand Shot on Kodak VISION3 200T 5213 at EI 200 Color motion picture film in 35mm format
-
Photography: 45 Special – Shot on Kodak VISION3 200T 5213 at EI 200 (35mm format)
45 Special Shot on Kodak VISION3 200T (5213) at EI 200 Color motion picture film in 35mm format