ISO 200


Guardians at the door #02 - Shot on Fuji Pro 400H at EI 200. Color negative film in 35mm format. Nikon F100 / Nikon Nikkor 85mm f1.8 AF-D

Photography: Guardians at the door #02 – Shot on Fuji Pro 400H at EI 200 (35mm format)

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Guardians at the door #02

Shot on Fuji Pro 400H at EI 200.
Color negative film in 35mm format.
Nikon F100 / Nikon Nikkor 85mm f1.8 AF-D

Guardians at the door #02Shot on Fuji Pro 400H at EI 200.Color

Side entrance - Shot on Fujifilm NEOPAN 100 ACROS at EI 200. Black and white negative film in 120 format shot as 6x6. 1-stop push process.

Photography: Side entrance #02 – Shot on Fuji NEOPAN 100 ACROS at EI 200 (120 format)

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Side entrance #02

Shot on Fujifilm NEOPAN 100 ACROS at EI 200Black and white negative film in 120 format shot as 6×61-stop push process

Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8

 

Development notesKodak HC-110 1+47 (E

Cover - Our lady of heaven / 天上聖母 / Tiānshàng Shèngmǔ - Shot on Kosmo Foto Mono 100 at EI 200. Black and white negative film in anamorphic 35mm format. Push processed 1-stop. Nikon F100 + Nikkor 85mm f/1-4 AF-D + ISCO Cinemascope Ultra Star Plus 2.1.

Photography: Our lady of heaven – Shot on Kosmo Foto Mono 100 at EI 200 (35mm format)

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Our lady of heaven (天上聖母 / Tiānshàng Shèngmǔ)
Shot on Kosmo Foto Mono 100 at EI 200
Black and white negative film in anamorphic 35mm format
Push processed 1-stop
Nikon F100 + Nikkor 85mm f/1.4 AF-D + ISCO Cinemascope Ultra

Up and to the right #02 - ILFORD SFX 200 shot at EI 6. Black and white infrared sensitive film in 120 format shot as 6x6. Zeiss Distagon CFi 50mm f/4 + R72 IR filter.

Photography: Up and to the right #02 Shot on ILFORD SFX 200 shot at EI 6 (120 format)

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Up and to the right #02
Shot on ILFORD SFX 200 at EI 6
Black and white infrared sensitive film in 120 format shot as 6×6
Zeiss Distagon CFi 50mm f/4 + R72 IR filter

 

 

 

Buttcrack - Shot on Oriental Seagull 100 at EI 200. Black and white negative film in 35mm format. Nikon F 100, Nikkor 50mm f/1.8 AF-D.

Photography: Buttcrack – Shot on Oriental Seagull 100 at EI 200 (35mm format)

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Buttcrack
Shot on Oriental Seagull 100 at EI 200.
Black and white negative film in 35mm format.
Nikon F 100, Nikkor 50mm f/1.8 AF-D.

Cover - Film review - Kodak EKTACHROME E100 - EI 100, 200, 400, 800 first impressions

Film stock review: Kodak EKTACHROME E100 – shot at EI 100, 200, 400 + 800 first impressions

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Here’s a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and 800 – one, two and three-stops of push processing. *1

The images below form part

Cronut - Shot on new Kodak EKTACHROME 100 (E100) at EI 100. Color reversal (slide) film in 35mm format.

Photography: Cronut – Shot on Kodak EKTACHROME 100 (E100) at EI 100 (35mm format)

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Cronut
Shot on new Kodak EKTACHROME 100 (E100) at EI 100.
Color reversal (slide) film in 35mm format.

 

 

 

On edge - Shot on new Kodak EKTACHROME 100 (E100) at EI 100. Color reversal (slide) film in 35mm format. Push processed one stop.

Photography: On edge – Shot on Kodak EKTACHROME 100 (E100) at EI 100 (35mm format)

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On edge

Shot on new Kodak EKTACHROME 100 (E100) at EI 100.
Color reversal (slide) film in 35mm format.

 

 

 

Morning light - Shot on new Kodak EKTACHROME 100 (E100) at EI 200. Color reversal (slide) film in 35mm format. Push processed one stop.

Photography: Morning light – Shot on Kodak EKTACHROME 100 (E100) at EI 200 (35mm format)

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Morning light

Shot on Kodak EKTACHROME 100 (E100) at EI 200
Color reversal (slide) film in 35mm format
Push processed one stop

 

 

 

Stuffed - Shot on Wittner Chrome 200 at EI 200. Color reversal (slide) film in 35mm format.

Photography: Stuffed – Shot on Wittner Chrome 200 at EI 200 (35mm format)

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Stuffed

Shot on Wittner Chrome 200 at EI 200Color reversal (slide) film in 35mm format

StuffedShot on Wittner Chrome 200 at EI 200.Color reversal (slide) film in 35mm format.

Sheave - Shot on Fujicolor C200 at EI 200. Color negative film in 35mm format.

Photography: Sheaves – Shot on Fujicolor C200 at EI 200 (35mm format)

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Sheaves

Shot on Fujicolor C200 at EI 200Color negative film in 35mm formatContax AX + Carl Zeiss Sonnar T* 135mm f/2.8

SheaveShot on Fujicolor C200 at EI 200.Color negative film in 35mm format.

12 kilos - Shot on Fujicolor C200 at EI 200. Color negative film in 35mm format.

Photography: 12 kilos – Shot on Fujicolor C200 at EI 200 (35mm format)

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12 kilos

Shot on Fujicolor C200 at EI 200Color negative film in 35mm formatContax AX + Carl Zeiss Sonnar T* 135mm f/2.8

12 kilosShot on Fujicolor C200 at EI 200.Color negative film in 35mm format.