Tag: ISO 200
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Photography: Lov is the answer – Shot on Kodak Portra 400VC at EI 200 (120 format)
Lov is the answer Shot on Kodak Portra 400VC at EI 200 Color negative film in 120 format shot as 6×6
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Photography: This corner of the earth – Shot on Shanghai GP3 100 at EI 200 (120 format)
This corner of the earth Shot on Shanghai GP3 100 at EI 200 Black and white negative film in 120 format shot as 6×6 Push processed one stop Development notes: Kodak HC-110: 1+47, 21°C/70°F, 13:00 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse.
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Photography: Day market #01 – Shot on ILFORD Delta 100 Professional at EI 200 (120 format)
Day market #01 Shot on ILFORD Delta 100 Professional at EI 200 Black and white negative film in 120 format shot as 6×12 Push processed one stop Development notes: Kodak HC-110: 1+47, 20°C/68°F, 10:00 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Roofline – Shot on ADOX Silvermax 100 at EI 200 (35mm format)
Roofline Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed one stop Development notes: ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal
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Photography: Scratching post – Shot on ADOX Silvermax 100 at EI 200 (35mm format)
Scratching post Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed one stop Development notes: ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute
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Photography: Skewed – Shot on ADOX Silvermax 100 at EI 200 (35mm format)
Skewed Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed one stop Development notes: ADOX Silvermax developer: 1+24, 20°C/68°F, 12:15 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal
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Photography: Zero – Shot on Kodak ColorPlus 200 at EI 200 (35mm format)
Zero Shot on Kodak ColorPlus 200 at EI 200 Color negative film in 35mm format
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Photography: Transition 05 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 05 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6×6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide
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Photography: Transition 04 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 04 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6×6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide
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Photography: Transition 03 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 03 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6×6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide
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Photography: Transition 02 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 02 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6×6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide
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Photography: Transition 01 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 01 Shot on Rollei Superpan 200 at EI 200 Black and white negative film shot as 6×6 Hasselblad 2000FCW + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan review and experimentation guide
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Photography: Split #06 – Shot on Kodak ColorPlus 200 at EI 200 (35mm format)
Split #06 Shot on Kodak ColorPlus 200 at EI 200. Color negative film in 35mm format.
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Photography: Veins #02 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Veins #02 Shot on Rollei Superpan 200 at EI 200 Black and white negative film in 120 format shot as 6×6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan 200 review and experimentation guide.  
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Photography: One down – Shot on Rollei Superpan 200 at EI 200 (120 format)
One down Shot on Rollei Superpan 200 at EI 200 Black and white negative film in 120 format shot as 6×6 Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5 Read the Rollei Superpan 200 review and experimentation guide.  
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Photography: Off at the door – Shot on Silberra ULTIMA 200 (120 format)
Off at the door Shot on Silberra ULTIMA 200 at EI 200 Black and white negative film in 120 format shot as 6×6
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Photography: Lit – Shot on Bergger Pancro 400 at EI 200 (35mm format)
Lit Shot on Bergger Pancro 400 at EI 200 Black and white negative film in 35mm format Reversal developed overexposed one-stop Read the Bergger Pancro 400 reviews