I’ll begin this review with a quick disclaimer – I’ve been shooting film for less than a year at this point.
Category: Darkroom
Find all of EMULSIVE’s darkroom-related articles right here, including advice on technique, process, gear, and building your own darkroom and tools.
Posted in5 Frames..., Articles, Darkroom printing
5 Frames… With Kodak Tri-X 400 (EI 400 / 35mm format / Nikon FM2n)
Aside from the fact these photos were taken in the streets, they stray far from traditional street photography.
Posted in5 Frames..., Articles, Darkroom printing
5 Frames… With Kodak EKTACHROME E100 (EI 100 / 35mm format / Leica R5)
I have to start with saying of late my taste in colour film has been changing.
Posted inDarkroom printing, Print Reviews, Reviews
Book review: “Bert Hardy’s Britain”
Photography books are a funny thing to me, they’re often big, cumbersome things that are far more expensive than their wordy cousins.
If you’re like me and have the attention span of a lemon, the idea of buying what
Posted inDarkroom printing, Film Photographer Interviews, Interviews
EMULSIVE interview #192: I am Maxime Evangelista and this is why I shoot film
This week’s interviewee has been shooting film for a little over a year at the time of writing.
Posted inArticles, Darkroom printing, Travelogue
Nothing to lose… My Indian road trip
“I have nothing to lose.” This was what I thought to myself before clicking on the button that subsequently led me on a solo trip to Delhi and North India in July 2018.
2018 started off slow.
Posted in5 Frames..., Articles, Darkroom printing
5 Frames… With Shanghai GP3 (EI 100 / 120 format / Mamiya 645 AFD)
Back when I first got into medium format film photography via the gateway drug of folding bellows cameras, I was outbid at the last second for a Mamiya RB67 kit.
Posted in5 Frames..., Articles, Darkroom printing
5 Frames… With Fujicolor C200 (El 100 / 35mm format / Nikon F100)
Fujifilm’s Fujicolor C200 is one of my favorite film stocks, it seems to love the bright Hawaiian sun, whether shooting at the beach or in the mountains.
Posted in35mm format, Darkroom printing, Photography
Photography: Tanked – Shot on Kodak PROFESSIONAL ELITE Chrome 100 EB-3 at EI 100 (35mm format)
Tanked
Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100
Color reversal (slide) film in 35mm format
Cross processed
Posted inArticles, Darkroom printing, Photosets and stories
Photoset: Capturing the Red Bull Hardline 2018 on Kodak Tri-X 400
I’m very privileged to be able to call photography my job, all be it part-time. I have a small home studio and I’ve shot wedding and family work for several years now.
Posted in35mm format, Darkroom printing, Photography
Photography: Framed – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)
Framed
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4
Posted inArticles, Darkroom printing, Featured projects
Making ONDU pinhole cameras: the story of “over there”
A little while ago, I got speaking to Elvis Halilović, one half of the brains behind ONDU.
Posted in35mm format, Darkroom printing, Photography
Photography: Baroo? – Shot on Kodak EKTACHROME 64T (EPY) at EI 64 (35mm format)
Baroo?
Shot on Kodak EKTACHROME 64T (EPY) at EI 64
Color reversal (slide) film in 35mm format
Posted inArticles, Darkroom, Darkroom printing, Developing Film
How-to: Colour/BW film processing with the BelliniFoto Monopart C-41 kit
I developed my first black and white film at school and have enjoyed developing black and white films ever since.
Posted inDarkroom printing, Large format, Photography
Photography: Stumps #02 – Shot on Bergger Pancro 400 at EI 200 (4×5 format)
Stumps #02
Shot on Bergger Pancro 400 at EI 200
Black and white film in 4×5 format
AEROgraphic (Graflex Pacemaker Speed Graphic) / Kodak Aero Ektar 178mm f/2.5 / Orange #21 filter
Read the Bergger Pancro 400 film reviews here.
Posted in5 Frames..., Articles, Darkroom printing
5 Frames… With Fuji Provia 100F RDPIII (EI 400 / 120 format / XPRO / Mamiya C220)
I don’t shoot as much E6 film as I want to. Part of it is that I love the ease and practicality of B/W, and the other is I’m too cheap to send my rolls to a lab.
Posted in35mm format, Darkroom printing, Photography
Photography: Tiered – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)
Tiered
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Cross processed
Posted in5 Frames..., Articles, Darkroom printing
5 Frames… With Fomapan 400 Action (EI 400 / 4×5 format / Graflex Speed Graphic and Kodak Aero Ektar 178mm f/2.5)
I don’t remember exactly when or where I first learned about the Kodak Aero Ektar lens, but I immediately knew that I had to have one! Mine is mounted an Army Air Corps Speed Graphic.
Posted in35mm format, Darkroom printing, Photography
Photography: Kodak EKTACHROME E100 comparison #04: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #04
EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm
Posted inArticles, Darkroom printing, Featured projects
Shooting a (personal) photographic project: thoughts and other musings
Bill is a project-driven photographer – even when he’s not aware of it.
