When mainstream photography was entangled with the darkroom, the act of printing a photo would show the artist’s hand as much as what was photographed.
“Oh sure, it may not look like much, but it’s going to be my new photo darkroom.”
I said this, with a touch of nostalgia, a bit of a whim, and the driving force of practicality around the return
I want to spread the idea that a photographic enlarger is fundamentally a very simple thing.
Wet plate collodion doesn’t spring to mind as either the most practical or in fact, legal approach to creating passport photographs but that didn’t stop EMULSIVE interviewee #196 Markus Hofstaetter from giving it a shot.
Markus isn’t a stranger
Back over the summer of 2018, my beloved Bronica SQ-A became gravely ill, and I sent it off to the camera spa for some TLC.
Welcome to the second appendix to the Technical Field Guide for the Discerning Analog Photographer.
I originally wrote the full “Technical Field Guide for the Discerning Analog Photographer” as a quick reference for technical photographers in the field.
Welcome to the final (?) part of this three-part series exploring the use of motion picture film in still photography.
In part two of this series we are going to go delve into the technical side of motion picture film: color temperature, print vs motion picture film stocks and finally start to get into what ECN-2 is all about.
This three-part series explores motion picture film for use in still camera and covers the theory behind motion picture film, currently available film stocks, the importance of correct development and the development process itself.
Through this article and the
In this article, I will go over the steps you need to take and the decisions you need to make to enter the wonderful world of film 35mm photography.
I recommend starting with the 35mm format as the cameras
Here is an introduction to a local festival that may surprise you! And a camera that I have not mentioned before, although it is featured in my contributor’s portrait: My Fuji GA645Zi.
I have been using digital cameras for the past 20 years. Like many of us, my love of photography began when I was a young using a little Kodak Brownie camera.
Most of the frames which make up this mini-review are from the first roll of slide film
I’ll begin this review with a quick disclaimer – I’ve been shooting film for less than a year at this point.
Aside from the fact these photos were taken in the streets, they stray far from traditional street photography.
I have to start with saying of late my taste in colour film has been changing.
Photography books are a funny thing to me, they’re often big, cumbersome things that are far more expensive than their wordy cousins.
If you’re like me and have the attention span of a lemon, the idea of buying what
This week’s interviewee has been shooting film for a little over a year at the time of writing.
“I have nothing to lose.” This was what I thought to myself before clicking on the button that subsequently led me on a solo trip to Delhi and North India in July 2018.
2018 started off slow.