Cheat sheet: ILFORD FP4 PLUS development times – EI 100 to...
Over the years I've built up a large bank of development times and schemes for many black and white films, old and new;
Save the planet – understand film washing kinematics – by Ribnar...
Gist: You are basically wasting water if you wash your film for greater than 7 mins after fix. I wash for 10 mins because I am paranoid. I never followed ILFORD's recommendations and I think I was wrong.
Working with paper negatives – Part one: A story of thrift...
Film photography, or analog photography - to use a term that better encompasses other media and processes - really is a fascinating world.
To those relatively new to the world outside what is considered traditional film photography (such as myself
Developing motion picture film in your own darkroom by Mr. D...
Snatched from the streets of San Diego in late March 2016 by a group of masked assailants, Diz has been spending some time at EMULSIVE HQ (voluntarily) working on a guest post covering his process for developing motion picture film
How to bulk load 120 or 220 film (using 65mm Kodak...
In June 2015 I was lucky enough to source a fresh 300ft short-end of Kodak's 250D (Vision 3 5207) motion picture stock in 65mm format.
How to get started with pushing (and pulling) film
We've roped the very agreeable Michael Bitaxi into putting together a guest post for us covering everything you need to get started with pushing and pulling film.
It's a great read for those of you who are thinking about dipping
Black and white film high EI shootout part 2: Kodak Tri-X...
The high EI shootout is back for part two: the pushening.
Poorly executed references to the terrible sequel that was Highlander 2 aside, I'm hoping that you'll find this extension of part one just as informative as the first and
A treatise on dealing with your film archive
UPDATE: This article is in sever need of an update.
