Category: Darkroom
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5 Frames… With Shanghai GP3 (EI 100 / 120 format / Mamiya 645 AFD)
Back when I first got into medium format film photography via the gateway drug of folding bellows cameras, I was outbid at the last second for a Mamiya RB67 kit.
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5 Frames… With Fujicolor C200 (El 100 / 35mm format / Nikon F100)
Fujifilm’s Fujicolor C200 is one of my favorite film stocks, it seems to love the bright Hawaiian sun, whether shooting at the beach or in the mountains.
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Photoset: Capturing the Red Bull Hardline 2018 on Kodak Tri-X 400
I’m very privileged to be able to call photography my job, all be it part-time. I have a small home studio and I’ve shot wedding and family work for several years now.
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Making ONDU pinhole cameras: the story of “over there”
A little while ago, I got speaking to Elvis Halilović, one half of the brains behind ONDU.
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How-to: Colour/BW film processing with the BelliniFoto Monopart C-41 kit
I developed my first black and white film at school and have enjoyed developing black and white films ever since.
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Photography: Stumps #02 – Shot on Bergger Pancro 400 at EI 200 (4×5 format)
Stumps #02 Shot on Bergger Pancro 400 at EI 200 Black and white film in 4×5 format AEROgraphic (Graflex Pacemaker Speed Graphic) / Kodak Aero Ektar 178mm f/2.5 / Orange #21 filter Read the Bergger Pancro 400 film reviews here.
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5 Frames… With Fuji Provia 100F RDPIII (EI 400 / 120 format / XPRO / Mamiya C220)
I don’t shoot as much E6 film as I want to. Part of it is that I love the ease and practicality of B/W, and the other is I’m too cheap to send my rolls to a lab.
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5 Frames… With Fomapan 400 Action (EI 400 / 4×5 format / Graflex Speed Graphic and Kodak Aero Ektar 178mm f/2.5)
I don’t remember exactly when or where I first learned about the Kodak Aero Ektar lens, but I immediately knew that I had to have one! Mine is mounted an Army Air Corps Speed Graphic.
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Shooting a (personal) photographic project: thoughts and other musings
Bill is a project-driven photographer – even when he’s not aware of it.
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EMULSIVE Interview #191: I am Robin Kuusela and this is why I shoot film
A film shooter for a little under ten years so far, this week’s fresh EMULSIVE interviewee is Robin Kuusela.
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Camera review: the Fuji Panorama GX617, a legendary panoramic behemoth
Beloved of landscape photographers, especially those involved with supplying images for calendars and home decor products both before and well into the digital camera era, the Fuji Panorama GX617 was the final iteration of Fuji’s legendary behemoth panoramic medium
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5 Frames… With Kodak Tri-X 400 (EI 400 / 120 format / Rolleicord Ia)
Finding Sieglinde Hefftner, my mother, seemed like a good way of trying out a recent addition to my evolving collection of film cameras. From the early 1940s to the early 1950s my mother worked at Harry Glocke’s Photo Studio